Yamaha Portatone PSR-5700 Authorized Product Manual Download | Manualshive

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The Sequencer

Recordable Parameters

Tracks 1 — 7

•

Note on/off

•

Pitch bend

•

Modulation

•

Sustain on/off

•

Orchestra 1 & 2 volume

•

Voice change (including custom voice on/off)

•

Tempo (if ACCOMP. track contains no data)

•

Glide on/off

•

Percussion pad on/off*

•

Tempo pad tempo value*

•

Multi pad on/off (phrase only)*

•

The pad mode selected when the sequence
is played back will be used.

Accompaniment Track

•

Chord & root (note on/off in Manual Bass

mode)

•

Style change (styles with the same time

signature only)

•

Rhythm volume

•

Bass volume

•

Chord 1 volume

•

Chord 2 volume

•

Tempo

•

Reverb on/off & depth

•

Reverb type

•

Effect on/off & depth

•

Effect type

•

Effect control

•

Harmony on/off and type

•

Interactive Accompaniment on/off

•

Interactive Accompaniment variation

•

Interactive Accompaniment mode & sensitivity

•

Auto Bass Chord mode

•

Percussion Pad on/off

•

Pad function (Multi/Tempo/Perc)

•

Repeat/Synchro/Break on/off

•

Manual bass on/off, voice

•

Intro, fill in & ending

•

Chord pad chord sequence

•

Tempo pad tempo value

When the sequencer mode is engaged all previous panel settings are ignored

If the record and playback pad modes are different, pad on/off events will not be
reproduced.

If parameter changes are memorized using the Voice Registration, Panel Regis-
tration, or Super Styleplay features during recording, only those parameters that
can be recorded on the current track will be memorized.

The time signature cannot be changed once a song has been recorded.

Select the Record Track(s)

AUTO BASS CHORD accompaniment can only be recorded on the

ACCOMP. track. The ORCH.l and ORCH.2 voices can be recorded on any
of the remaining 7 tracks, but only one of these tracks can be recorded at a
time if the normal ORCH.1 orchestration is selected. If the ORCH.2+1 or

ORCH.2 1 orchestration is selected, two record tracks must be selected

— the ORCH.1 voice will be recorded on the lower-numbered track while

the ORCH.2 voice will be recorded on the higher-numbered track. This
means that a maximum of three record tracks can be specified when the

ORCH.2+1 or ORCH.2 1 orchestration is selected: ACCOMP. and any

two numbered tracks.

To select the record track(s) and engage the record-ready mode, hold the

[RECORD] button and press the appropriate track button(s). The red REC

indicator for the tracks will flash. Also note that the AUTO BASS CHORD
indicator will light automatically when the ACCOMP. track is selected.

The upper markings on the track buttons apply when the SEQUENCER mode is

engaged (1 through 7, and ACCOMP.). The lower markings when the CUSTOM

ACCOMPANIMENT PROGRAMMER described on page 15 is operating.

If you are adding new material to tracks that have already been recorded, the

and buttons can be used at this point to move to any measure number

from which you want to begin recording. The and buttons will not
function once recording has been started.

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Summary of Contents for Portatone PSR-5700

Page 1: ...YAMAHA AUTHORIZED PRODUCT MANUAL ...

Page 2: ......

Page 3: ...otice or obligation to update existing units 92 469 ENVIRONMENTAL ISSUES Yamaha strives to produce products that are both user safe and environmentally friendly We sincerely believe that our products and the production meth ods used to produce them meet these goals In keeping with both the letter and the spirit of the law we want you to be aware of the following Battery Notice This product MAY con...

Page 4: ...1 ...

Page 5: ...als thoroughly while trying out the various features described Keep the manuals in a safe place for later reference Contents About the PSR 5700 Manuals 3 Taking Care of Your PortaTone 4 Nomenclature 6 Connections Music Stand 8 The Demonstration 10 Playing the PSR 5700 11 Selecting Playing Voices 11 Keyboard Percussion 14 Transposition Tuning and Octave Change 15 TRANSPOSE TUNE 15 OCTAVE CHANGE 16 ...

Page 6: ...other functions including MIDI operations and General MIDI Level 1 protocol compatibility Unlike the Getting started manual which is designed to be read through from beginning to end the Advanced Features manual allows you to directly reference infor mation on individual features and functions n Icons The following simple icons are used throughout this manual to draw attention to important points ...

Page 7: ...h high power consumption such as electric heaters or ovens Also avoid using multi plug adapters since these can result in reduced sound quality operation errors and possibly damage To avoid damage to the instrument and other devices to which it is con nected a sound system for example turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables Neve...

Page 8: ...partially or totally erase dam on the disk rendering the disk unreadable To eject a floppy disk press the eject button slowly as far as it will go then when the disk is fully ejected remove it by hand The disk may not be ejected properly if the eject button is pressed too quickly or it is not pressed in as far as it will go the eject button may become stuck in a half pressed position and the disk ...

Page 9: ...CTION Button Advanced Features page 26 EXIT Button Advanced Features page 26 TO DISK Button Advanced Features page 42 DISK IN USE Lamp page 40 FROM DISK Button Advanced Features page 44 6 DISK ORCHESTRA GENERAL MIDI Button page 40 Advanced Features page 50 ORCHESTRATION Buttons and Indicators page 12 ORCH 1 ORCH 2 1 ORCH 2 1 LEFT HOLD Button page 36 HARMONY Button page 36 SUSTAIN Button page 36 VO...

Page 10: ...age 21 SYNCHRO START START RESTART STOP PAD MODE SELECT Buttons and Indicators page 28 35 PAD Buttons page 28 35 PANEL REGISTRATION Buttons page 38 SEQUENCER Button Advanced Features page 3 CUSTOM ACCOMPANIMENT PROGRAMMER Advanced Features page 15 SONG SELECT Button Advanced Features page 3 Sequencer Track Custom Accompaniment Programmer Track Buttons Advanced Features page 4 6 16 17 1 through 6 C...

Page 11: ...al must never be returned to the AUX IN jacks either directly or through external equip ment AUX IN L L R and R Jacks These jacks are intended primarily for use with external audio sources such as tone generators drum machines CD players and similar equip ment The signal received via the AUX IN L and R jacks is reproduced via the PSR 5700 s internal stereo amplifier and speaker system If you will ...

Page 12: ...OUT Connectors The MIDI IN connector receives MIDI data from an external MIDI de vice such as a MIDI sequencer which can be used to control the PSR 5700 The MIDI THRU connector re transmits any data received at the MIDI IN connector allowing chaining of several MIDI instruments or other devices The MIDI OUT connector transmits MIDI data generated by the PSR 5700 e g note and velocity data produced...

Page 13: ...a position about half way to ward the MAX setting You can re adjust the MASTER VOLUME con trol for the most comfortable overall volume level after playback begins Press the DEMO Button The demonstration will begin playing as soon as you press the DEMO button The demonstration will play continuously until the DEMO button is pressed a second time or until the accompaniment control STOP button is pre...

Page 14: ...oth the right and buttons under Execute on the display simultaneously Busy will appear while the ini tialization is taking place and Completed will appear when the initialization is complete Finally press the EXIT button to return to the normal play mode Selecting Playing Voices Turn Power On and Set initial Volume Press the POWER button to turn the power ON and set all seven VOL UME controls abou...

Page 15: ... that can be played on the keyboard at the same time is reduced The split point for the PSR 5700 is initially set at F 2 when the unit is shipped This means that when the ORCH 2 1 mode is selected the ORCH 2 voice will be played by all keys to the left of and including F 2 while the ORCH 1 voice will be played on all keys to the right of F 2 You can change the split point to any key desired by usi...

Page 16: ...ing the and buttons immediately below the voice names on the LCD panel Press either button briefly to decrement or increment the voice number by one or hold the button for continuous decrementing or incrementing You can now play the selected voice or voices with the selected orches tration Use the MASTER volume control to adjust the overall volume level and the ORCH l and ORCH 2 VOLUME controls to...

Page 17: ...ove the keys Some of the instruments in the DRUM KIT and POP DRUM KIT voices sound different even though they have the same name while others are essentially the same The Transpose Tune Sustain Harmony Left Hold Modulation and Octave Change functions do not affect the keyboard percussion sound The pitch bend wheel can be used to bend the pitch of the keyboard percussion voices to create unique mus...

Page 18: ... same as the dis play scroll button to the right of the LCD panel Use the left and buttons to set the desired degree of transposition and the right and buttons to set the desired degree of tuning The transpose range is from 6 to 6 allowing a maximum upward or downward transposition of l 2 octave A setting of 0 produces the normal pitch The 0 setting can be instantly recalled by pressing both the l...

Page 19: ...normal octave ldown indicates that the voice is shifted down one octave and lup indicates that the voice is shifted up one octave Press EXIT When Done Press the EXIT button to exit from the OCTAVE CHANGE function 16 The OCTAVE CHANGE mode is automatically exited if neither of the or buttons are pressed for approximately 10 seconds Some voices may suddenly shift octaves when played at the extreme e...

Page 20: ...tered Combination Anytime you want to recall a registered voice combination press the VOICE REGISTRATION button so that its indicator lights then simply press the VOICE SELECT NUMBER button lower row corresponding to the desired combination V0 through V9 will appear in the upper left corner of the display while a registered voice combination is selected Press the VOICE REGISTRATION button so that ...

Page 21: ... SIN GLE FINGER mode or the right and buttons to select the MANUAL BASS mode and specify the bass voice to be used The ABC mode display ends automatically after about 10 seconds if the and buttons are not pressed l l FINGERED CHORD FC 18 The FINGERED CHORD SINGLE FINGER and MANUAL BASS modes function as follows This is the default ABC mode The Fingered Chord mode lets you finger your own chords on...

Page 22: ...f the keyboard The abbreviated chord fingerings described below are used For a major chord press the root key only For a minor chord press the root key and a black key to its left For a seventh chord press the root key and a white key to its left For a minor seventh chord press the root key and both a white and black key to its left l l MANUAL BASS MB The Manual Bass mode provides an alternative t...

Page 23: ...elled The number of the style can also be decreased decremented or increased incremented by using the and buttons immediately below the style name on the LCD panel Press either button briefly to decrement or incre ment the style number by one or hold the button for continuous decrementing or incrementing Although you can select the ORCH 1 voice you intend to play on the right hand section of the k...

Page 24: ... can be synchronized to the first note or chord played on the left hand section of the keyboard i e keys to the left of and including the split point key normally F 2 by first pressing the SYNCHRO START button Pressing the SYN CHRO START button alone causes a straight start to occur when the first note or chord is played Press SYNCHRO START and then the appropriate INTRO button for a synchronized ...

Page 25: ...as described in the preceding step The remaining variations VERSE 1 VERSE 2 CHORUS 1 CHORUS 2 and the SOLO variations of these can be selected manually by pressing the corresponding variation button It is also possible to select the variation that will follow the INTRO by pressing the appropriate variation button while the INTRO is playing or while the intro synchro start mode is engaged Some INTR...

Page 26: ...he Advanced Features manual The transitions between the verse and chorus are different when SOLO is ON The accompaniment can be stopped at any time by pressing the STOP button Press the ENDING rit button if you want to go to the ending vari ation and then stop Press the ENDING rit button while the ending varia tion is playing to produce a ritardando ending i e the tempo gradually slows down during...

Page 27: ...to matically shift down to the VERSE 1 variation The same applies to the CHORUS 1 and CHORUS 2 variations The sensitivity of the Interactive Accompaniment mode can be adjusted via the INTERACTIVE ACCOMPANIMENT Sensitivity function described on page 40 of the Advanced Features manual Also note that automatic switching be tween VERSE 1 and VERSE 2 or CHORUS 1 and CHORUS 2 will not occur if INTERACTI...

Page 28: ...ading Completed will appear briefly when the data has been successfully loaded and the normal play mode will then be automatically engaged If you press the right button instead of the the load operation will be cancelled and the normal play mode will be engaged immediately The data disk contains sequence and custom style data in addition to the disk style data This data will be loaded as well as t...

Page 29: ...re not included in the SUPER STYLE PLAY setups l Although voice registration only allows the reverb and effect depth for the orchestra 1 and orchestra 2 voices to be memorized Super Style Play allows all depth settings to be memorized Engage Super Style Play The SUPER STYLE PLAY feature can be used either while an accompa niment is playing or prior to starting an accompaniment by simply pressing t...

Page 30: ... SUPER STYLE PLAY button a second time so that its indicator goes out If the SUPER STYLE PLAY indicator is flashing because changes have been made to the panel settings pressing any SUPER STYLE PLAY button twice turns SUPER STYLE PLAY off If you turn the SUPER STYLE PLAY Section Changing parameter described on page 41 of the Advanced features manual ON the SUPER STYLE PLAY setup will automatically...

Page 31: ...ndicator lights Preset data is initial recorded in pads 1 through 8 The PHRASE Pads pads 1 4 Each PHRASE pad can record up to approximately 160 notes played using the ORCH 1 voice only the ORCH 1 voice is recorded even if the ORCH 2 1 orchestration mode is selected The recorded phrases can then be played back at any time even while playing on the keyboard with or without accompaniment The PHRASE p...

Page 32: ... button indicator will go out when recording ends Recording will stop automatically if the PHRASE pad memory becomes full approximately 160 notes per pad or if another pad is pressed As long as the MULTI mode is selected any recorded phrase can be played back simply by pressing the corresponding PHRASE pad The phrase will play back whether the accompaniment is playing or not but will always play a...

Page 33: ...ight con tinuously as long as recording continues Press the REC STOP button or the pad being recorded to stop recording when you ve finished playing the chords The REC STOP button indicator will go out when recording ends Recording will stop automatically if the CHORD pad memory becomes fulI approximately 80 chords per pad if another pad is pressed or if the accompa niment STOP START RE START or S...

Page 34: ...Panel Registration feature page 35 Playback occurs in measure units Playback will continue until the end of the measure even if recording was stopped prior to the end of that measure MULTI Pad Repeat Playback If you press the button immediately to the right of the pad MODE SE LECT button so that the indicator above it lights while the MULTI mode is engaged the MULTI REPEAT function is engaged and ...

Page 35: ...hich it is to be assigned The reverse also works press the pad while holding the key The velocity at which you play the key how hard you press the key how loud the note sounds is also recorded to the specified pad The DRUM KIT voice is automatically selected if you press the REC STOP key while in the PERC mode and a non drum voice is selected You can select either voice 98 DRUM KIT or 99 POP DRUM ...

Page 36: ...ings The PERC BREAK Function If you press the button immediately to the right of the pad MODE SE LECT button so that the indicator above it lights while the PERC mode is engaged the PERC BREAK function is engaged playing on the PERC pads causes the accompaniment rhythm to stop playing so you can create your own fill in The accompaniment rhythm begins playing from the be ginning of the next measure...

Page 37: ... on the pad at the required tempo Tap 4 times for an accompaniment with a 4 4 time signature 3 times for 3 4 and 5 times for 5 4 If the accompaniment is started before the required number of taps has been entered the Tap Start setting will be ignored The Tap Start setting will also be ignored if several seconds elapse before the required number of taps have been entered if a different style is sel...

Page 38: ...ng the tempo by a small amount on every 8th beat The ritardando is stopped if the rit pad is pressed again before the 2 measures are completed The PAD 8 rit pad has essentially the same effect on the tempo as the END ING rit pad page 23 except that while the ENDIN rit pad causes the tempo to return to its initial value after the rhythm stops the tempo does not return to its initial value if the PA...

Page 39: ...he HARMONY function Select the HARMONY TYPE function from the normal play mode by press ing the HARMONY TYPE button this is the same as the display scroll button to the right of the LCD panel Select a Harmony Type The right and buttons step through the harmony list one by one For faster selection you can use the left and buttons to directly select the har mony categories Basic Pop etc and then use...

Page 40: ...nge The MODULATION EFFECT wheel to the left of the keyboard lets you apply effects or amplitude pitch modulation to notes played on the key board Rolling the MODULATION EFFECT wheel upward away from you increases the effect or modulation depth Use the WHEEL SELECT function described on page 39 of the Advanced Features manual to select effect or modulation operation The type of effect applied when ...

Page 41: ... SELECT CHORD 1 VOLUME KEY VELOCITY ON OFF CHORD 2 VOLUME STYLE RHYTHM VOLUME AUTO BASS CHORD ON OFF ORCHESTRATION AUTO BASS CHORD MODE ORCHESTRA 1 OCTAVE INTERACTIVE ACCOMPANIMENT ON OFF ORCHESTRA 2 OCTAVE INTERACTIVE ACCOMPANIMENT MODE 1 2 EFFECT ON OFF INTERACTIVE ACCOMPANIMENT PART EFFECT TYPE DEPTH INTERACTIVE ACCOMPANIMENT SENSITIVITY HARMONY ON OFF AUTO SOLO ON OFF SUPER STYLE PLAY MULTI PA...

Page 42: ...et registration setups can be recalled by using the initialization proce dure described on page 50 of the Advanced Features manual l l Recall the Previous Panel Settings Press the A B button while holding the MEMORY button to recall the panel settings prior to the last panel registration recall operation This pro vides a handy way to compare different panel setups Panel registration data can be sa...

Page 43: ...SK ORCHESTRA GENERAL MlDl button to exit from the DOC mode When the disk is inserted and identified the display shown to the left will appear if this display doesn t appear press the DISK ORCHESTRA GENERAL MIDI button Use the and buttons below Song ALL display to select the de sired song number Select ALL if you want all songs on the disk to be played and repeated until playback is stopped Start p...

Page 44: ...the corresponding parts as described below As al ways the MASTER control adjusts the overall volume level ORCH 1 Adjusts the volume of ORCH 1 played on the keyboard CHORD1 Adjusts the volume of the disk melody line CHORD2 Adjusts the volume of the disk backing BASS Adjusts the volume of the disk bass part RHYTHM Adjusts the volume of the disk rhythm part Operation of the volume controls may be dif...

Page 45: ...ed to play a new chord before fully releasing the previous chord in the left hand sec tion of the keyboard You are using single finger type fingering in the fingered mode or vice versa The PSR 5700 is constantly check ing for the presence of a disk Solution No solution necessary Set the volume controls and expres sion pedal to a reasonable listening level Unplug the headphones Turn MIDI local cont...

Page 46: ... Custom accompaniment programmer AF 15 Custom number AF 18 Custom voice edit AF 27 Custom voice name AF 27 D Data backup GS 5 Data transmit AF 58 Decay AF 29 Delete all tracks AF 11 Delete file AF 47 Demo GS 10 Disk AF 42 Disk error messages AF 48 Disk free area AF 47 Disk functions AF 45 Disk orchestra mode voice list AF 253 Disk orchestra general MIDI button AF 50 Disk style GS 25 DOC disk playb...

Page 47: ... Key velocity AF 37 Keyboard percussion GS 14 L Left hold GS 36 Left hand keyboard section GS 22 Location GS 4 44 M Manual bass GS 19 Manuals about the GS 3 Measure beat AF 19 Memory backup AF 49 Metronome AF 7 MIDI AF 49 MIDI bulk dump AF 58 MIDI channel setting AF 54 MIDI connectors GS 9 MIDI function tree AF 242 MIDI switch AF 56 MIDI system AF 57 Modulation GS 37 Modulation depth AF 28 Modulat...

Page 48: ...ting AF 7 Sequencer playback AF 6 Sequencer record AF3 Single finger chords GS 19 Slower GS 35 Solo GS 22 Song clear AF 14 Song number AF 3 Split mode GS 12 Split point AF 40 Style list GS 20 Super style play GS 26 Super style play mode AF 41 Sustain AF 29 GS 36 Sustain jack GS 9 Sustain part select AF 38 Synchronized start GS 21 T Tap start GS 34 Tempo GS 20 Tempo change GS 34 Tempo I GS 34 Tempo...

Page 49: ...h an asterisk can beplayedin any inversion i e the root does not have to be the lowest note in the chord Please determine which chords you are going to use before playing a song In the case of chords marked with a it may be necessary to shift the split to allow easy fingering ...

Page 50: ......

Page 51: ...ajeure mineure Séptima mayor menor Seventh Dur Septakkord Septième Séptima Seventh flatted fifth Dur Septakkord mit verminderter Quinte Quinte bémol septième Séptima quinta bemol Augmented seventh Dur Septakkord mit übermäßiger Quinte Septième augmentée Séptima aumentada ...

Page 52: ...ptième Séptima cuarta suspandida Added ninth Dur Akkord mlt hinzugefügter None Neuvième ajoutée Novena añadida Minor added ninth Seventh ninth Moll Akkord mit hinzugefügter None Dur Septakkord mit hinzugefügter None Neuvième ajoutée mineure Neuvième septième Menor de novena añadida Séptima novena ...

Page 53: ...Fingering Chart ...

Page 54: ...jor seventh flatted fifth Dur Akkord mit großer septime und verminderter Quinte Quinte bémol septième majeure Mayor de Séptima quinta bemol Augmented Übermäßig Augmenté Aumentada Diminished Vermindert Diminué Disminuida ...

Page 55: ...tions that do not significantly contribute to their operat ing temperature Placement of this product close to heat sources such as radiators heat registers and other devices that produce heat should be avoided 8 This product was NOT designed for use in wet damp locations and should not be used near water or exposed to rain Examples of wet damp locations are near a swimming pool spa tub sink or wet...

Page 56: ...d according to the instructions found in the users manual may cause interference harmful to the operation of other electronic devices Compliance with FCC regulations does not guarantee that interference will not occur in all installations If this product is found to be the source of interference which can be determined by turning the unit OFF and ON please try to eliminate the problem by using one...

Page 57: ...AU FOND IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT The wires in this mains lead are coloured in accor dance with the following code BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be c...

Page 58: ... please contact your nearest Yamaha or the authorized distributor listed below Pour plus de details sur les produits veuillez vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante PK ...

Page 59: ...YAMAHA 1992 YAMAHA CORPORATION VN84170 JCBCR1PO3 3CP Printed in Japan ...

Page 60: ......

Page 61: ...1 ...

Page 62: ... 89 27 1 NAME 27 2 COMMON 28 3 MODULATION 28 4 EG RATE 29 5 TONE 30 n n Dual Voice Edit Functions Voices 90 through 97 30 1 DUAL NAME 30 2 DUAL VOICE 31 3 DUAL OCTAVE 31 4 DUAL VOLUME 31 5 DUAL PAN 32 6 DUAL DETUNE 32 n Drum Voice Edit Functions Voices 98 and 99 33 1 PERC NAME 33 2 PERC PITCH 33 3 PERC PAN 34 4 PERC TONE 34 2 F2 Reverb Effect 35 1 REVERB TYPE 35 2 REVERB DEPTH 35 3 EFFECT TYPE 36 ...

Page 63: ...he TEMPO display if the currently selected song contains no data or the measure number will appear if the song does contain data The number l indicator to the right of the SONG SELECT button will also light If the sequencer contains previously recorded data the green PLAY indi cators of tracks containing data will light when the sequencer is engaged Any of these tracks can be muted prior to engagi...

Page 64: ...the current track will be memorized The time signature cannot be changed once a song has been recorded Select the Record Track s AUTO BASS CHORD accompaniment can only be recorded on the ACCOMP track The ORCH l and ORCH 2 voices can be recorded on any of the remaining 7 tracks but only one of these tracks can be recorded at a time if the normal ORCH 1 orchestration is selected If the ORCH 2 1 or O...

Page 65: ...animent and or orchestra parts The current measure number is shown on the TEMPO display as you record Stop Recording Press the STOP button to stop recording immediately or the ENDING rit button to finish off the recording with an appropriate ending The first measure of the sequence is automatically selected when recording is stopped Record a New Track To record a new track simply select a new voic...

Page 66: ...playback the Super Styleplay section will change in accordance with accompaniment variation transitions and the result may be different from the recorded data You can play along with the sequence using the entire PSR 5700 keyboard selecting different voices and changing the tempo as required subsequently recorded tempo changes will still take effect Parameters That Can Be Changed During Playback S...

Page 67: ...ta has been recorded E1 CONDITION REC TYPE Edit function 1 El actually includes two separate functions CONDITION and RECORD TYPE Condition Purpose This display page allows the recording metronome sound to be turned on or off and determine s whether harmony will be applied to the keyboard or a track part Procedure Use the left and buttons to turn the metronome on or off and the right and buttons to...

Page 68: ...s allows you to get the feel of the music and pre pare to start playing at the punch in point You can even play along with the material prior to the actual punch in point so you ll flow naturally into the punch in recording range A footswitch the supplied FC5 footswitch can be used plugged into the rear panel FOOT SW jack can also be used to punch in and punch out when the footswitch Punch In func...

Page 69: ...d Completed will appear briefly when the operation has finished Immediately after execution Undo will appear above the right button and that button can be used to undo the mixdown if it was executed by mistake The undo function is only available until the next operation is performed Copy Notes Mix The mix function is most useful when you want to record more than 7 individual parts on the seven orc...

Page 70: ... right button and that button can be used to undo the quantize operation if it was executed by mistake The undo function is only available until the next operation is per formed The Quantize Sizes are 1 4 1 4 note 1 6 1 4 note triplet 1 8 1 8 note 1 12 1 8 note triplet 1 16 1 16 note 1 24 1 16 note triplet 1 32 1 32 note 1 96 maximum resolution default Notes Quantization is generally used to tight...

Page 71: ...ile the operation is in progress and Completed will appear briefly when the operation has finished Notes It s important to remember that a delete operation affects all tracks simultaneously and that measures following the deleted range are moved back to take the place of the deleted measures This differentiates the delete job from the erase job described later which replaces data in the specified ...

Page 72: ...rt measure number The insert operation has no undo function Purpose Erases all note and event pitch bend volume changes etc data from the specified measure or range of measures in the specified track accompaniment track not available leaving blank measures 12 Procedure Use the and buttons to switch between the two display screens and the left or right and buttons to set the track number Track the ...

Page 73: ... line of the display while the operation is in progress and Completed will appear briefly when the operation has finished Immediately after execution Undo will appear above the right button and that button can be used to undo the re move event operation if it was executed by mistake The undo function is only available until the next operation is performed The Event Abbreviations are PB Pitch Bend ...

Page 74: ...shift operation if it was executed by mistake The undo func tion is only available until the next operation is performed Notes The range of Shift values is from 24 to 24 A setting of 0 produces no note shift Each increment represents a semitone so a setting of 4 for example would shift the pitch of notes in the specified range up by an interval of a third A setting of 12 would shift the notes down...

Page 75: ...ment style will begin playing with accompaniment based on a C major chord Also the rhythm track will be set to the record mode red REC indicator lit and the 98 DRUM KIT voice will be selected All ocher tracks containing data will be set to the PLAY mode green PLAY indicator lit PLAY tracks can be muted by pressing the corresponding track button the green PLAY indicator will flash when the track is...

Page 76: ...ing the CANCEL key the highest key on the PSR 5700 keyboard press the percussion key corre sponding to the instrument you want to cancel The selected instrument should now be cleared from the pattern If you can t cancel an instrument even after following the above procedure switch to VOICE SELECT number 8 or 9 and try again To Add Accents To accent specific beats after recording the rhythm press t...

Page 77: ...of the accompaniment after delet ing all tracks Other voice changes added while programming will fake effect from the point at which they are made The synchro start start and stop functions can be used when recording a cus tom accompaniment The re start function however cannot be used Pitch bend modulation and sustain changes are not recorded ii the accompani ment is stopped the accompaniment must...

Page 78: ...y to exit from the Cus tom Accompaniment Programmer without storing the data You can also press both the and buttons simultaneously to cancel the store opera tion and return to the Custom Accompaniment Programmer if you want to make a few more changes or additions to the accompaniment before storing Using a Custom Accompaniment Once created and stored your original accompaniment can be selected an...

Page 79: ...rs can only be changed when you re creat ing an entirely new pattern from scratch i e you have deleted all tracks from the original accompaniment by hold ing the DELETE button and pressing the buttons of all tracks containing data so that no PLAY indicators remain lit The INTRO FILL and ENDING variations must also be empty FILL patterns can have a maximum length of 1 measure Purpose This page lets...

Page 80: ... before it is stored via the following 5 SAVE TO ACCOMP function Character list Space 0123456789 ABCDEFGHIJKLMNOPQRSTUVWXYZ _ abcdefghijklmnopqrstuvwxyz 5 SAVE TO ACCOMP Procedure Use the and buttons to move the underline cursor to the various character positions then use the left and buttons to select the required character for each position Notes Independent names can not be assigned to INTRO FI...

Page 81: ...xt operation is per formed The Quantize Sizes are 1 4 1 4 note 1 6 1 4 note triplet 1 8 1 8 note 1 12 1 8 note triplet 1 16 1 16 note 1 24 1 16 note triplet 1 32 1 32 note Notes Quantization is generally used to tighten up sloppy timing Use it judiciously however because timing that is too per fect can sound cold and mechanical unless of course you re specifically aiming for a cold mechanical feel...

Page 82: ...data is to be copied Once the track numbers and measure numbers have been selected press the button below Execute on the right side of the third display screen to actually execute the copy operation Immediately after execution Undo will appear above the right button and that button can be used to undo the copy operation if it was executed by mistake The undo function is only available until the ne...

Page 83: ... Volume SUS Sustain Notes This function is handy if for example you ve played some wild pitch bends that don t sound right You can re move only the offending pitch bends without erasing the entire track Only the VOL event type can be selected when the RHYTHM tracks is selected Be careful when removing effect on off events If for example you remove a pitch bend off event in a specified measure the ...

Page 84: ...o use your original intro fill ending patterns Shift back to the first screen and press the button under RETURN on the display to return to the 5 SAVE TO ACCOMP screen 8 Repeat steps 4 through 7 to create other patterns If the user patterns have a different time signature than the custom accompaniment patterns then User cannot be selected in the SET INTRO FlLL ENDING screen The SET INTRO FlLL ENDI...

Page 85: ...se the synchro start function when you want to enter data precisely on the first beat of the first measure l l EXITING FROM THE CUSTOM ACCOMPANIMENT MODE To exit from the custom accompaniment mode press ei ther the CUSTOM ACCOMPANIMENT PROGRAMMER or EXIT button This will return you to the normal play mode If you have not performed a save operation via the 5 SAVE TO ACCOMP screen after performing a...

Page 86: ...single screen The different screens are accessed by using the and buttons Each display screen will have a maximum of two parameters and these can be adjusted by using the and buttons immediately below each parameter Pressing both the and buttons simultaneously will generally set the normal value for the selected parameter Some functions have only one parameter which will be shown to the left of th...

Page 87: ... note that some voices may suddenly shift to a different octave or change in level when p ayed on the highest or lowest keys There may also be slight tonal changes at one or more points on the keyboard The preset value can be instantly recalled by pressing both the and buttons simultaneously Some settings may produce noise or no sound Standard Voice Edit Functions Voices 00 through 89 The followin...

Page 88: ...s used The center pan position can be recalled immediately by pressing both the and buttons simultaneously The two parameters provided in this screen are used to adjust the depth and speed of modulation produced by the PSR 5700 MODULATION EFFECT wheel Use the and buttons below each parameter to set the required values l l Modulation Depth Decreases or increases the depth of modulation produced by ...

Page 89: ...ed values l l Sustain Sets the speed of sustain decay i e how fast the sound decays after a key is released when the panel SUS TAIN button is on or the sustain pedal is pressed 0 sets the normal sustain for the selected voice minus settings produce a longer sustain decay and plus settings produce a faster sustain decay Notes The maximum range for all parameters is from 50 through 0 to 50 although ...

Page 90: ... has been reached The default values for the selected voice are produced by settings of 0 Pressing both the and buttons below a parameter immediately recalls the default value 0 Dual Voice Edit Functions Voices 90 through 97 The following functions are available when editing voices 90 through 97 Different groups of edit functions are provided for the PSR 5700 normal voices 00 through 89 page 27 an...

Page 91: ...s A and B A setting of normal produces the normal pitch for that voice lup shifts the pitch up one octave and 1down shifts the pitch down one octave 4 DUAL VOLUME Notes Previous OCTAVE settings for the normal voice will be Some voices may exhibit sudden pitch changes in the highest and lowest ranges of the keyboard when shifted up or down by an octave The pitch bend wheel may also cause ignored su...

Page 92: ...thicker sound Procedure Use the left and right and buttons to set the desired detune for voices A and B 32 Notes The normal tune value is 0 This can be tuned down to a maximum setting of 50 or up to a maximum setting of 50 Each increment equals approximately 0 78 cents a cent is one hundredth of a semitone The maximum amount of detune that can be set in either direction is therefore 39 cents not q...

Page 93: ...ce intended for rock music for example you could call it something like RockDrum Use the and buttons to position the cursor at the desired character location then use the left and but tons to select the desired character A chart of the available characters is given below 2 PERC PITCH Character list Purpose Allows the pitch of each instrument in the drum voice to be individually tuned Procedure Use...

Page 94: ... ing both the and buttons simultaneously When the parameter is set to 50 or 50 an exclama tion mark will appear next to the parameter indicating that the limit has been reached Purpose Allows the tone softness of each instrument in the drum voice to be individually adjusted Procedure Use left and buttons to select the instrument to be adjusted and then the right and buttons to set the de sired deg...

Page 95: ...PingPong 6 Reverb Stage 17 Refl Gate Panned 7 Reverb Bathroom 18 Refl Gate Early 8 Reverb Metal 19 Refl Gate Gate 9 Delay Short 20 Delay Rev Single 10 Delay Medium 21 Delay Rev DelayL R 11 Delay Long 22 Variation Distort 12 Delay OneShot 23 Variation Tunnel Notes The TempoSync effects produce a delay that is synchro nized to the currently selected tempo Variation Distort produces a distortion effe...

Page 96: ...2 6 Flange 1 7 Flange 2 8 Symphony 1 9 Symphony 2 Notes Try out all of the effects to get a feel for what they can do to your sound Purpose Independently sets the depth of the selected effect for the bass chord 1 chord 2 orchestra 1 and orchestra 2 sound 36 Procedure Use the and buttons to select the parameter for which effect depth is to be adjusted B bass C1 chord 1 C2 chord 2 O1 orchestra 1 O2 ...

Page 97: ...otswitch pressed Effect Same as panel EFFECT button Punch In Out Sets punch in and punch out points when se quencer record mode set to Punch Tension Modifies dominant 7th chords in the accompani ment to produce a more consistent sound when playing in a minor key Also automatically re harmonizes non scale tones on chords other than the tonic and 7th Perc 1 Footswitch plays a percussion instrument f...

Page 98: ...trol to the orchestra voices without affecting the accompani ment and rhythm sound so OrchlVol should be turned on while the remaining parameters are turned off When Mast Vol Orc1Vol Orc2Vol ABCVol or Rhm Vol is turned ON Effect is automatically turned OFF When Orc1Vol Orc2Vol ABCVol or RhmVol is turned ON MastVol and Effect are automatically turned OFF The Effect setting only applies when the pan...

Page 99: ...e Purpose Determines whether the MODULATION EFFECT wheel will control modulation or the selected effect page 36 and whether it will affect the orchestra 1 voice the orchestra 2 voice or both orchestra voices Procedure Use the left and buttons to select either Modula tion or Effect operation then press the button to move to the second display screen and use the left and buttons to turn wheel contro...

Page 100: ...h what is played on the keyboard are automatically lowered in 40 volume when the keyboard is being played When Interac tive Accompaniment mode 2 is selected the above func tion is combined with automatic muting of interfering parts and automatic switching between VERSE 1 and VERSE 2 or between CHORUS 1 and CHORUS 2 in re sponse to keyboard activity The default Mode setting is 2 AutoSolo When the A...

Page 101: ...at the same time as Accompaniment Verse to Chorus switching Procedure Use the left or right and buttons to turn Super Style Play SectionChanging on or off Notes Turning this function on can provide greater contrast be tween the chorus and verse variations when using the Ac companiment feature The default setting is ON 41 ...

Page 102: ... into the PSR 5700 disk drive The PSR 5700 uses only 3 5 2DD type floppy disks Make sure the disk write protect tab is set to the write enable position if you intend to save any data to the disk and insert the disk with the sliding disk cover facing the disk drive and the disk label facing upward Before a new disk can be used to save data it must be formatted using the FORMAT DISK function describ...

Page 103: ... NO on the display to cancel the operation Don t remove disk will appear while the data is being saved and the amount of remaining data to be saved will be displayed in arbitrary units on the upper display line Completed will appear when the data has been successfully saved The data saved to disk is as follows Instrument setup condition data Disk style data Custom voice data Custom accompaniment d...

Page 104: ...lobytes approximate will be shown on the upper display line When the file number has been specified press the right button under YES on the display to execute the load operation or press the button under NO on the display to cancel the operation Don t remove disk will appear while the data is being loaded and the amount of remaining data to be loaded will be displayed in arbitrary units on the upp...

Page 105: ... right and buttons can be used to select the type of data to be loaded as shown in Notes below When the file and data type have been specified press the button to select the next display screen and press the right and buttons under YES on the display simul taneously to execute the load operation Don t remove disk will appear while the data is being loaded Completed will appear when the data has be...

Page 106: ...data is saved in one operation Specific data types can not be saved individually See page 48 for a list of error messages that may appear during disk save The PSR 5700 identifies and handles disk files by number rather than the file name If you save to a file number that already contains data the original data will be erased and rep aced by the new data Purpose Allows the name of the file having t...

Page 107: ...so be sure you ve selected the right file number before actually executing the delete operation Purpose Formats a floppy disk for use with the PSR 5700 Procedure After inserting a new floppy disk into the disk drive press the right and buttons under YES on the display simultaneously to begin formatting Don t remove disk 6 DISK FREE AREA will appear while the disk is being formatted and the number ...

Page 108: ...peration while the supplied data disk is in the drive 48 You have attempted to perform a save rename delete format or disk free area operation while a style disk or other optional pre recorded disk is in the drive No disk in drive The file name is all spaces and cannot be recognized by the PSR 5700 Not enough memory to load the specified sequencer file from disk Some of the error displays automati...

Page 109: ...f Reverb Type Depth Panel Registration Memory Data Accompaniment Variation Effect On Off Voice Registration Memory Data Multi Pad Select Multi Pad Data Tempo Change Data Pad Synchro Break Repeat On Off Effect Type Depth Left Hold On Off Memory Backup On Off MIDI Transmit Ch Percussion Pad Data Key Velocity On Off MIDI Receive Ch Super Style Play Data Voice Part Select Foot Switch Assign Data Foot ...

Page 110: ...The DISK ORCHESTRA GENERAL MIDI Button The PSR 5700 is compatible with both Yamaha Disk Orchestra Collection and General MIDI GM software To use such software press the DISK ORCHESTRA GENERAL MIDI button in order to switch the PSR 5700 tone generator system to the DOC GM mode When the DOC GM mode is selected you can select and play the voices via the PSR 5700 itself or con trol the voices from an ...

Page 111: ...s is usually different however appropriate program change data must be transmitted to select the right voices The General MIDI protocol was developed to minimize confusion and the need for re programming when playing soft ware created by one MIDI device on another This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program cha...

Page 112: ...n and shift buttons Move to the transpose tune and octave change screens Octave change only applies to Orchestra 1 START and STOP buttons ABC does not function REVERB and EFFECT buttons TEMPO button The recommended tempo can be selected by pressing both the and buttons simultaneously SUSTAIN button and pedal Affects notes played on the keyboard Sustain Part Select fixed at Orchestra 1 PITCH BEND A...

Page 113: ...yboard VOICE SELECT button 01 through 99 only Use the and buttons for other voice numbers Refer to the GENERAL MIDI GM Mode Voice List on page 254 and buttons and page buttons Move to the volume control screen for all channels and shift buttons Move to the transpose tune and octave change screens Octave change only applies to Orchestra 1 Tune not available START and STOP buttons ABC does not funct...

Page 114: ...s select the split left hand transmit channel 1 16 and the right and buttons select the rhythm receive channel 1 16 In the third display screen the left and buttons se lect a sequencer track number 1 7 and the right and buttons select the transmit channel 1 16 for that track Notes The various channelsettings are as follows Transmit This setting is the same in the Remote Control and DOC GM modes It...

Page 115: ...ttons set the transmit channel 1 16 and the right and buttons to turn local control on or off The TransposeAddNote parameter is available in the second screen Notes The Local parameter determines whether the PSR 5700 is controlled by its own keyboard or MIDI data received from an external MIDI device When local control is on the PSR 5700 keyboard controls its internal tone generator al lowing the ...

Page 116: ...umbered part the OFF display will appear and that part will be turned off Any of the preset or custom voices can be specified via the voice parameter in the second display screen If he basic receive channel is set to AIl reception is disabled on all multi part channels and OFF appears in place of the multi part channel numbers Purpose Allows reception and transmission of control change pro gram ch...

Page 117: ... be turned off however so that the PSR 5700 keyboard does not play the internal voices but the appropriate MIDI information is still trans mitted via the MIDI OUT connector when notes are played on the keyboard At the same time the internal tone generator responds to MIDI information received via the MIDI IN connector This means that while an external sequencer or MIDI computer for example plays t...

Page 118: ...R 5700 as long as it is not accessing disk data the Custom Accompaniment Programmer is not engaged and the DOC General MIDI Level 1 mode is not selected When a bulk dump is received the following display will appear The bar graph roughly indicates the progress of the bulk dump receive operation Completed will appear on the display when the data has been successfully received Receiving MIDI Bulk Du...

Page 119: ...stom accompaniment programmer AF 15 Custom number AF 18 Custom voice edit AF 27 Custom voice name AF 27 D Data backup GS 5 Data transmit AF 58 Decay AF 29 Delete all tracks AF 11 Delete file AF 47 Demo GS 10 Disk AF 42 Disk error messages AF 48 Disk free area AF 47 Disk functions AF 45 Disk orchestra mode voice list AF 253 Disk orchestra general MIDI button AF 50 Disk style GS 25 DOC disk playback...

Page 120: ... Key velocity AF 37 Keyboard percussion GS 14 L Left hold GS 36 Left hand keyboard section GS 22 Location GS 4 60 M Manual bass GS 19 Manuals about the GS 3 Measure beat AF 19 Memory backup AF 49 Metronome AF 7 MIDI AF 49 MIDI bulk dump AF 58 MIDI channel setting AF 54 MIDI connectors GS 9 MIDI function tree AF 242 MIDI switch AF 56 MIDI system AF 57 Modulation GS 37 Modulation depth AF 28 Modulat...

Page 121: ...ting AF 7 Sequencer playback AF 6 Sequencer record AF 3 Single finger chords GS 19 Slower GS 35 Solo GS 22 Song clear AF 14 Song number AF3 Split mode GS 12 Split point AF 40 Style list GS 20 Super style play GS 26 Super style play mode AF 41 Sustain AF 29 GS 36 Sustain jack GS 9 Sustain part select AF 38 Synchronized start GS 21 T Tap start GS 34 Tempo GS 20 Tempo change GS 34 Tempo GS 34 Tempo p...

Page 122: ...MIDI Function Tree Values with an H suffix are hexadecimal I Remote Control Mode Reception Conditions BRch Basic Receive Channel PRch Multi Part Receive Channel RRch Rhythm Receive Channel ...

Page 123: ... Transmission Conditions Tch Transmit Channel STch Split Transmit Channel SeqTch Sequencer Transmit Channel Panel Data Sequencer Data ...

Page 124: ...MIDI Function Tree Il DOC Mode Reception Conditions Kch Key Channel Transmission Condition Kch Key Channel ...

Page 125: ...MIDI Function Tree Ill GM Mode Reception Conditions Kch Key Channel Transmission Conditions Kch key Channel ...

Page 126: ...1 Depends on voice OUT v modulation wheel value 00H min 7FH max c 7 Volume Compatible with Remote O DOC O GM1 O IN v Remote Corresponds to fader position DOC 7FH 0dB 00H 0 1875dB step GM1 7FH 0dB 60H 4 8dB 40H 11 9dB 20H 23 9dB 10H 36dB 00H OUT v Remote Corresponds to fader position DOC Actual dB value applied to tone generator in 0 1875 dB steps according to fader position GM1 Inverse change appl...

Page 127: ...n DOC GM1 modes FA START Compatible with Remote O DOC O GM1 O FC STOP Compatible with Remote O DOC O GM1 O FE ACTIVE SENSING Compatible with Remote O DCC O GM1 O 2 SYSTEM EXCLUSIVE MESSAGE 1 MEMORY BULK DUMP REQUEST Reception only Compatible with Remote O DOC X GM1 X 11110000 F0H Status 01000011 43H YAMAHA ID 0010nnnn 2nH Substatus n Device Number 00001010 0AH Format Number 11110111 F7H EOX 2 MEMO...

Page 128: ...11110000 F0H Status 01009011 43H YAMAHA ID 0000nnnn 0nH Substatus n Device Number 01111101 7DH Format Number 0nnnnnnn nn Byte Count MSB 0nnnnnnn nn Byte Count LSB 01010000 50H Header P 01001011 4BH K 00100000 20H space 00100000 20H space 00110010 32H 2 00110010 32H 2 00110011 33H 3 00111091 39H 9 00100000 20H space 00100000 20H space 0vvvvvvv vv Software Version Number 0rrrrrrr rr Software Revisio...

Page 129: ...table Keyboard 00000101 05H 00000100 04H Program Change Off 11110111 F7H EOX 14 PROGRAM CHANGE ON Reception only Compatible with Remote O DOC X GM1 X 11110000 F0H Status 01000011 43H YAMAHA ID 01110110 76H Substatus Section No 6 Portable Keyboard 00000101 05H 00000101 05H Program Change On 11110111 F7H EOX 15 PITCH BEND OFF Reception only Compatible with Remote O DOC X GM1 X 11110000 F0H Status 01...

Page 130: ...everb and effect type depth ON events are transmit ted simultaneously Harmony type also transmitted simultaneously with an ON event ABC mode transmitted when ABC turned ON and ABC is turned ON when an ABC mode message is received For controls such as the DEMO button which is held while some other operation is performed an ON event is transmitted when the button is pressed and an OFF event is trans...

Page 131: ...transmit or receive R Receive only 11110000 F0H Status 01000011 43H YAMAHA ID 01110110 76H Substatus Section No 6 Portable Keyboard 00000100 04H 0gggnnnn gn g 0 n Local Device Number 0ccccccc cc cc Controller number 0ddddddd dd Data 11110111 F7H EOX 1BYTE DATA ...

Page 132: ...0ccccccc cc cc Controller number 0ddddddd dd1 Data1 0ddddddd dd2 Data2 11110111 F7H EOX 2BYTE DATA 3 3BYTE DATA FORMAT O Transmit receive X No transmit or receive R Receive only 11110000 F0H Status 01000011 43H YAMAHA ID 01110110 76H Substatus Section No 6 Portable Keyboard 00000100 04H 0gggnnnn gn g 2 n Local Device Number 0ccccccc cc cc Controller number 0ddddddd dd1 Data1 0ddddddd dd2 Date2 0dd...

Page 133: ...DISK ORCHESTRA DOC Mode Voice List ...

Page 134: ...GENERAL MIDI GM Mode Voice List ...

Page 135: ... C1 B5 are included in voice number 98 Drum Kit C 1 B0 are the lower 2 octaves on voice number 99 Pop Drum Kit C1 B2 C6 G8 are the upper 2 5 octaves C3 G5 C6 are included in both voice numbers 98 Drum Kit and 99 Pop Drum Kit ...

Page 136: ...GM DOC MODE Percussion Map ...

Page 137: ...O 3 Data Entry Control 7 O O Volume 10 X O Pan Change 11 O O Expression 64 O O Sustain 80 O 2 O 2 Foot Controller 91 X O 3 Reverb Depth 100 101 X O 3 RPN LSB MSB 120 X O 3 All Sound Off 121 X O 3 Reset All Ctrls Program O 0 99 4 O 0 99 4 Change True 0 99 4 System Exclusive O O System Song Pos X X Song Sel X X Common Tune X X S y s t e m Clock O O 2 Real Time Commands O O Aux Local ON OFF X O All N...

Page 138: ...AD 8 MULTI PERC TEMPO AUTO BASS CHORD Single Finger Fingered Chord Manual Bass SEQUENCER 8 Tracks 6 Songs REGISTRATION VOICE REGISTRATION 10 PANEL REGISTRATION 16 DISPLAY LED LCD DISK DRIVE 3 5 FDD Compatibility with DOC Yamaha Disk Orchestra Collection and General MIDI software DEMONSTRATION 4 Songs CONNECTORS MIDI IN OUT THRU FOOT SW SUSTAIN EXP PEDAL HEADPHONES AUX IN R L L R AUX OUT R L L R AM...

Page 139: ...YAMAHA 1992 YAMAHA CORPORATION VP87120 JCBCRIPO3 3CP Printed in Japan ...

Page 140: ...YAMAHA Yamaha Corporation of America 6600 Orangethorpe Avenue P O Box 6600 Buena Park CA 90622 6600 251463 97 ...

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