Seventh [7] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Seventh flatted fifth [7-5]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Augmented seventh [7+5]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
SINGLE FINGER (SF):
Seventh suspended fourth [7sus4] . . . . . . . . . . . . . . . . . . . . . . . . . .
Added ninth [add9] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Minor added ninth [madd9] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Seventh ninth [7(9)] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Minor seventh ninth [m7(9)] . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Major seventh ninth [M7(9)] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Minor major seventh ninth [mM7(9)] . . . . . . . . . . . . . . . . .
Seventh flatted ninth
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Major seventh flatted fifth [M7-5] . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Augmented [aug] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Diminished [dim] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Chords marked with an asterisk (*) can he played in any inversion (i.e. the root of the
chord does not have to be the lowest note played).
If you play any three adjacent keys (including black keys), the chord sound will be
cancelled and only the rhythm instruments will continue playing (CHORD CANCEL
function).
Single-finger accompaniment makes it simple to produce beautifully
orchestrated accompaniment using major, seventh, minor and minor-sev-
enth chords by pressing a minimum number of keys on the left-hand section
of the keyboard. The abbreviated chord fingerings described below are
used:
For a major chord, press the root key only.
For a minor chord, press the root key and a black key to its left.
For a seventh chord, press the root key and a white key to its left.
For a minor-seventh chord, press the root key and both a white and black
key to its left.
l
l
MANUAL BASS (MB):
The Manual Bass mode provides an alternative to the normal split key-
board. The bass voice assigned to the left-hand keyboard section is mono-
phonic, while a polyphonic ORCH. 1 voice is played on the upper section
of the keyboard. You can select any of the PSR-5700’s normal voices (00
through 89) to play on the lower section of the keyboard — of course, it’s
normal to choose a bass voices for the left hand. No automatic bass and
chord accompaniment is produced, although the Interactive Accompani-
ment feature (page 24) does affect the rhythm sound.
Voices created using the PSR-5700 Custom Voice feature (Advanced Features
manual, page 27) can also be selected for use with the Manual Bass mode.
19
Summary of Contents for Portatone PSR-5700
Page 1: ...YAMAHA AUTHORIZED PRODUCT MANUAL ...
Page 2: ......
Page 4: ...1 ...
Page 50: ......
Page 53: ...Fingering Chart ...
Page 59: ...YAMAHA 1992 YAMAHA CORPORATION VN84170 JCBCR1PO3 3CP Printed in Japan ...
Page 60: ......
Page 61: ...1 ...
Page 133: ...DISK ORCHESTRA DOC Mode Voice List ...
Page 134: ...GENERAL MIDI GM Mode Voice List ...
Page 136: ...GM DOC MODE Percussion Map ...
Page 139: ...YAMAHA 1992 YAMAHA CORPORATION VP87120 JCBCRIPO3 3CP Printed in Japan ...