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41

<Table 4> System Parameter (Byte Count: 76 bytes ) 

F0 43 1n 5E 00 00 ll vv vv F7

ll

vv

Description

00

00-7F

master tuning

(-64~+63)

01

reserved

02

03

reserved

04

reserved

05

reserved

06

00-7F

master note shift

(-64~+63)

07

00-04

dump interval

(50 msec ... 300 msec)

08

00-01

program change mode

(0: pfm, 1: multi)

09

00-10,7F

performance channel

(00-0F: 1-16, 10: all, 7F: off)

0A

reserved

0B

00-01

knob control mode

(0:abs, 1:rel)

0C

reserved

0D

00-03

BC curve

(0:thru, 1~3)

0E

00-04

velocity curve

(thru, sft1, sft2, wid, hrd)

(default:thru)

0F

reserved

10

00-01

Rx Excl.

(

Not changed with

Parameter Change.)

11

00-02

note event receive sw

(0~2: all/odd/even)

12

00-01

bank select receive sw

13

00-01

program change receive sw

14

00-01

knob receive sw

(0~1: off/on)

15

00-01

knob transmit sw

(0~1: off/on)

16

01-1F, 21-5F

KN1 control number

(default: 16)

17

01-1F, 21-5F

KN2 control number

(default: 17)

18

01-1F, 21-5F

KN3 control number

(default: 18)

19

01-1F, 21-5F

KN4 control number

(default: 19)

1A

01-1F, 21-5F

MC1 control number

(default: 20)

1B

01-1F, 21-5F

MC2 control number

(default: 21)

1C

01-1F, 21-5F

MC3 control number

(default: 22)

1D

01-1F, 21-5F

MC4 control number

(default: 13)

1E

01-1F, 21-5F

FC  control number

(default: 4)

1F

01-1F, 21-5F

BC  control number

(default: 2)

20

01-1F, 21-5F

Formant control number

(default: 80)

21

01-1F, 21-5F

FM   control number

(default: 81)

22

00-7F

play sound 1 note 

23

00-7F

play sound 1 velocity

(0: off)

24

00-7F

play sound 2 note

25

00-7F

play sound 2 velocity

(0: off)

26

00-7F

play sound 3 note

27

00-7F

play sound 3 velocity

(0: off)

28

00-7F

play sound 4 note

29

00-7F

play sound 4 velocity

(0: off)

2A

not used

2B

not used

2C

not used

2D

not used

2E

not used

2F

not used

30

not used

31

not used

32

not used

33

not used

34

not used

35

not used

36

not used

37

not used

38

not used

39

not used

3A

not used

3B

not used

3C

not used

3D

not used

3E

not used

3F

not used

40

not used

41

not used

42

not used

43

not used

44

not used

45

not used

Bulk Dump does not change the following.

46

0

fseq init command

Bulk Dump and Parameter Change do not change the following, ignoring Parameter Request.

47

00-01

memory allocation (0:128Voice/0FSeq, 1:64Voice/6FSeq)

48 

00-07

LCD contrast

49

00-10, 7F

system exclusive device number

(0-0F: 1-16, 10: all, 7F: off)

4A

00-01

bulk dump protect on/off switch (0~1:off/on)

4B

not used

<Table 5> DX Bulk Data

FS1R can partly receive VCED or ACED bulk data for Yamaha DX series.
Since not all parameters and their value ranges for DX series are compatible to FS1R, it
automatically converts received DX bulk data into FS1R native data for original DX sound
reproduction to be available.  ACED bulk data is not interpreted until its following VCED bulk data is
received.

DX Bulk Data

11110000

F0

01000011

43

0000nnnn

nnnn = Device Number

0ttttttt

ttttttt = Format No.

0bbbbbbb

bbbbbbb = Byte Count High

0bbbbbbb

bbbbbbb = Byte Count Low

0ddddddd

ddddddd = Data

|

|

Byte Count

0ddddddd

ddddddd = Data

0ccccccc

ccccccc = Check-sum

11110111

F7

Format No.

00

VCED (Voice Edit Buffer)

05

ACED (Additional Edit Buffer) 

Byte Count 1

55 bytes

VCED (Voice Edit Buffer)

49 bytes

ACED (Additional Edit Buffer)

VCED and ACED parameters (data structures) are as follow.
Parameter (Data) is described in the order of Parameter Group # to Parameter#.

Parameter

Group #

g

h

00

00

VCED (Voice Edit Buffer)

0~127

00

01

VCED (Voice Edit Buffer)

0~26

06

00

ACED (Additional Edit Buffer)

0~73

DX Voice Parameter (Data) - VCED format

(Byte Count : 155 bytes) 

Parameter

Group#

Parameter#

Data Range

Description

g

h

OP6

OP5

OP4

OP3

OP2

OP1

00

00

00

15

2A

3F

54

69

00-63

EG rate1

00

00

01

16

2B

40

55

6A

00-63

EG rate2

00

00

02

17

2C

41

56

6B

00-63

EG rate3

00

00

03

18

2D

42

57

6C

00-63

EG rate4

00

00

04

19

2E

43

58

6D

00-63

EG lelel1

00

00

05

1A

2F

44

59

6E

00-63

EG lelel2

00

00

06

1B

30

45

5A

6F

00-63

EG lelel3

00

00

07

1C

31

46

5B

70

00-63

EG lelel4

00

00

08

1D

32

47

5C

71

00-63

Break Point

00

00

09

1E

33

48

5D

72

00-63

Left Depth

00

00

0A

1F

34

49

5E

73

00-63

Right Depth

00

00

0B

20

35

4A

5F

74

00-03

Left Curve

00

00

0C

21

36

4B

60

75

00-03

Right Curve

00

00

0D

22

37

4C

61

76

00-07

Rate Scaling

00

00

0E

23

38

4D

62

77

00-03

AMS

00

00

0F

24

39

4E

63

78

00-07

Touch Sens

00

00

10

25

3A

4F

64

79

00-63

Total Level

00

00

11

26

3B

50

65

7A

00-01

Freq Mode

00

00

12

27

3C

51

66

7B

00-1F

Freq Course

00

00

13

28

3D

52

67

7C

00-63

Freq Fine

00

00

14

29

3E

53

68

7D

00-0E

Detune

00

00

7E

00-63

PEG Rate1

00

00

7F

00-63

PEG Rate2

00

01

00

00-63

PEG Rate3

00

01

01

00-63

PEG Rate4

00

01

02

00-63

PEG Level1

00

01

03

00-63

PEG Level2

00

01

04

00-63

PEG Level3

00

01

05

00-63

PEG Level4

00

01

06

00-1F

Algorithm  1~36

00

01

07

00-07

Feedback

00

01

08

00-01

OSC Sync

00

01

09

00-63

LFO Speed

00

01

0A

00-63

LFO Delay

00

01

0B

00-63

PMD

00

01

0C

00-63

AMD

00

01

0D

00-01

LFO Key Sync

00

01

0E

00-05

LFO Wave

00

01

0F

00-07

PMS

00

01

10

00-2F

Transpose

00

01

11

25-58

Voice Name

00

01

12

25-58

Voice Name

00

01

13

25-58

Voice Name

00

01

14

25-58

Voice Name

00

01

15

25-58

Voice Name

00

01

16

25-58

Voice Name

00

01

17

25-58

Voice Name

00

01

18

25-58

Voice Name

00

01

19

25-58

Voice Name

00

01

1A

25-58

Voice Name

Datalist/E  10/21/98  8:32 PM  Page 41

Summary of Contents for FS1R

Page 1: ......

Page 2: ...FS1R om J QX 98 9 24 5 48 PM 1...

Page 3: ...uences de formant programm es FSeqs 10 Control List Liste der Steuerbefehle Liste des contr leurs 11 Effect Type List Liste mit Effekt Typen Liste des type d effets 12 Effect Parameter List Liste mit...

Page 4: ...Dr 96 Drum Kit 3 Dr 32 LoFi Acid Ba 96 Zansyo Sc 33 Strobe Ba 97 CP Hard Pf 33 Funk Bass Ba 97 Da Comp Sc 34 HyperFuzz Ba 98 Warm Galaxy Pd 34 Matze Ba 98 Snow Pixy Sc 35 Sho Fx 99 Superarp Sq 35 Glas...

Page 5: ...ack Gt 94 FM Pad Pd 31 Clavmann Pf 95 Fanfare Br 31 Dist Guitar Gt 95 Spacy Pad Pd 32 BryteClavman Pf 96 Wind Pad Pd 32 Punch Bass Ba 96 Spacewind Pd 33 Fat Clavmann Pf 97 Dark Pad Pd 33 Aco Bass Ba 9...

Page 6: ...Ba Ana Bass Dr Beat SD Pf E Piano 6 Pf Revinett Or DrawOrgn12 Gt DX JazzGt3 Ba Munkhen 34 Ba AttackBass Dr Beat Zap Pf E Piano 7 Pf SkeltonClv Or DrawOrgn13 Gt DX JazzGt4 Ba Perc Bass 35 Ba B Rave Dr...

Page 7: ...c DX Perc Ld DX SawLd 1 Sc DX Atms 1 Br MM Brass 2 Pc Block Ld DX SawLd 2 Sc DX Atms 2 Br MM Brass 3 Pc Conga Drum Ld DX Squar Sc DX Bright1 Br 5th Brass Pc Cowbell Ld DX VoiceLd Sc DX Bright2 Br Blow...

Page 8: ...t Bow 102 Pd Paddy Sq AN Arp 1 Pf Old Jazz Cp Wedding Ba FretlesBa4 St Soline 103 Pd Qwerty Sq AN Arp 2 Pf Politti Cp DX Chrch 1 Ba FretlesBa5 St Violtron 104 Pd Saws Hold Sq Compu Saw Pf Pop Piano Cp...

Page 9: ...Vo DX Chorus8 Pd Dispo Pad Se Descent Pi DX Flute 4 Vo DX Chorus9 Pd Ethereal Se Doppler Pi DX Flute 5 Vo DX Voice 1 Pd Film Pad Se Factory Pi DX Flute 6 Vo DX Voice 2 Pd Fl Cloud Se GhostLine Pi DX...

Page 10: ...n On 75 IYaan 16 YAMAHAFS 46 Welcome 76 Yeah 17 Laugh 47 One Two 77 ThankYou 18 Laugh2 48 Edokko 78 Yes No 19 AreYouR 49 Everybdy 79 UnWaEDon 20 Oiyai 50 Uwau 80 MouthPop 21 Oiaiuo 51 YEEAAH 81 Fire 2...

Page 11: ...ontrols the EDIT PERFORM PART Tone FM value Pitch Bias The source controller has the same effect as pitch bend For example if Vcn depth is set to 2 then the maximum control value is two semitones If V...

Page 12: ...ppropriate for a solo instrument Plate Reverb simulating a metal plate reverb device Insertion Effect Type Remarks Thru Bypass without applying an effect Chorus Conventional chorus effect which gives...

Page 13: ...1 0 1 0 65 High range attenuation lower values cause the high range to decay faster FB Level 63 63 0 66 Amount of feedback for the initial delay Reverb Pan L63 C R63 129 Reverb Pan Rev Return 0 127 1...

Page 14: ...l delay Reverb Pan L63 C R63 129 Reverb Pan Rev Return 0 127 12A ReverbReturn Level Stage2 Same parameters for Hall1 Range Default Param Description ReverbTime 0 3 30 0 1 0 50 Reverb length sec Diffus...

Page 15: ...L63 C R63 129 Reverb Pan Rev Return 0 127 12A ReverbReturn Level Basement Same parameters for White Room Range Default Param Description ReverbTime 0 3 30 0 0 8 50 Reverb length sec Diffusion 0 10 6...

Page 16: ...29 Reverb Pan Rev Return 0 127 12A ReverbReturn Level Echo Range Default Param Description LchDelay1 0 1 682 0 220 0 50 Length of first delay of left channel msec Lch FB Lvl 63 63 22 52 Amount of feed...

Page 17: ...EQ Hi Gain 12 12 0 78 Gain with which the EQ will boost cut the high range dB Mode mono stereo stereo 104 Mono stereo selection for the input Var Pan L63 C R63 12C Variation Pan Var Return 0 127 12D V...

Page 18: ...range dB EQ HiFreq 500 16 0k 5 6k 76 Frequency at which the EQ will boost cut the high range Hz EQ Hi Gain 12 12 0 78 Gain with which the EQ will boost cut the high range dB Var Pan L63 C R63 12C Var...

Page 19: ...Hz EQ Hi Gain 12 12 12 78 Gain with which the EQ will boost cut the high range dB Var Pan L63 C R63 12C Variation Pan Var Return 0 127 12D Variation Return Level SendVar Rev 0 127 12E Variation to Re...

Page 20: ...2 30 45 6C Input level at which the gate begins to open dB OutputLevel 0 127 50 6E Output level Var Pan L63 C R63 12C Variation Pan Var Return 0 127 12D Variation Return Level SendVar Rev 0 127 12E Va...

Page 21: ...6 7 6A Length of right channel delay msec CchDelay 0 1 1365 0 500 0 6C Length of center channel delay msec FB Delay 0 1 1365 0 500 0 6E Length of feedback delay msec FB Level 63 63 10 70 Feedback amou...

Page 22: ...w range Hz EQ Low Gain 12 12 0 102 Gain with which the EQ will boost cut the low range dB EQ HiFreq 500 16 0k 6 3k 104 Frequency at which the EQ will boost cut the high range Hz EQ Hi Gain 12 12 2 106...

Page 23: ...u 10 0k 70 Frequency at which the low pass filter will cut the high range Hz Density 0 4 2 7E Density of the reverberation ER Rev E63 R E R E R63 E R 100 Level balance of the early reflections and the...

Page 24: ...cut the low range Hz EQ Low Gain 12 12 0 114 I EQLowGain Gain with which the EQ will boost cut the low range dB EQMidFreq 100 10 0k 2 0k 11C I EQMidFreq Frequency at which the EQ will boost cut the m...

Page 25: ...sound and effect sound Ins Pan L63 C R63 130 Insertion Pan SendIns Rev 0 127 131 Insertion to Reverb Send Level SendIns Var 0 127 132 Insertion to Variation Send Level InsDryLevel 0 127 133 Insertion...

Page 26: ...Rotation frequency of the speaker Hz Drive Low 0 127 89 10A I Drive Low Depth of modulation produced by low range speaker rotation Drive High 0 127 62 10C I DriveHigh Depth of modulation produced by h...

Page 27: ...req 32 2 0k 250 112 I EQLowFreq Frequency at which the EQ will boost cut the low range Hz EQ Low Gain 12 12 2 114 I EQLowGain Gain with which the EQ will boost cut the low range dB EQ HiFreq 500 16 0k...

Page 28: ...Freq 32 2 0k 250 112 I EQLowFreq Frequency at which the EQ will boost cut the low range Hz EQ Low Gain 12 12 2 114 I EQLowGain Amount of gain by which the EQ will boost cut the low range dB EQ HiFreq...

Page 29: ...nt of high frequency response Dry Wet D63 W D W D W63 D W63 11A I Dry Wet Balance between the dry sound and effect sound Ins Pan L63 C R63 130 Insertion Pan SendIns Rev 0 127 131 Insertion to Reverb S...

Page 30: ...32 Insertion to Variation Send Level InsDryLevel 0 127 133 Insertion Dry Level Cmp DS Dly Range Default Param Ctrl Dest Description Attack 1 40 7 11C I Attack Time until the compression takes effect m...

Page 31: ...63 C R63 130 Insertion Pan SendIns Rev 0 127 131 Insertion to Reverb Send Level SendIns Var 0 127 132 Insertion to Variation Send Level InsDryLevel 0 127 133 Insertion Dry Level Dist Delay Range Defau...

Page 32: ...elay 1 msec FBDelay2 0 1 1365 0 375 0 10E Length of feedback delay 2 msec FB Level 63 63 23 110 I FB Level Amount of feedback High Damp 0 1 1 0 0 3 112 High range attenuation lower values cause the hi...

Page 33: ...63 10 110 I FB Level Feedback Level HPF Cutoff thru 22 8 0k thru 112 I HPFCutoff Frequency at which the high pass filter will cut the low range Hz LPFCutoff 1 0k 18 0k thru 4 0k 114 I LPFCutoff Frequ...

Page 34: ...l cut the low range Hz LPFCutoff 1 0k 18 0k thru 8 0k 114 I LPFCutoff Frequency at which the low pass filter will cut the high range Hz Liveness 0 10 5 11C Emphasis in high frequencies Density 0 3 3 1...

Page 35: ...indicate a system exclusive message 247 F7H 1111 0111 is positioned at the end of the system exclusive message aaH Hexadecimal 0aaaaaaa Binary indicates the data addresses The data address consists o...

Page 36: ...able using Part Receivee Channel 2 2 3 Program Change On reception of Program Change FS1R operates as follows Receives Program Change is received only in PLAY MODE In case Receive Program Change off i...

Page 37: ...1R Native Bulk Dump and Dump Request 1 2 3 4 FS1R Native Bulk Dump 11110000 F0 Exclusive Status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01011110 5E Model ID 0bbbbbbb bbbbbbb Byte Count High 0b...

Page 38: ...e as above Same as above 00 6A 00 7F Same as above Same as above 00 7F Same as above Same as above 00 6C 00 7F Same as above Same as above 00 7F Same as above Same as above 00 6E 00 7F Same as above S...

Page 39: ...lation depth 17 00 63 COMMON LFO1 frequency modulation depth 18 00 05 COMMON LFO2 waveform 19 00 7F COMMON LFO2 speed 1A reserved 1B reserved 1C 00 03 COMMON LFO2 phase 0 0 1 90 2 180 3 270 1D 00 01 C...

Page 40: ...quency EG attack value 2C 00 63 UNVOICED frequency EG attack time 2D 00 63 UNVOICED frequency EG decay time 2E 00 63 UNVOICED level 2F 00 0E UNVOICED level key scaling 30 00 63 UNVOICED EG level1 31 0...

Page 41: ...le to FS1R it automatically converts received DX bulk data into FS1R native data for original DX sound reproduction to be available ACED bulk data is not interpreted until its following VCED bulk data...

Page 42: ...06 00 10 not used 06 00 11 not used 06 00 12 not used 06 00 13 not used 06 00 14 not used 06 00 15 not used 06 00 16 not used 06 00 17 not used 06 00 18 not used 06 00 19 not used 06 00 1A not used 0...

Page 43: ...ack Rev Var Send Knob1 4 Control BC FC MC4 MC1 3 Formant FM Ctrl Data Entry All Sound Off Reset All Ctrls YES NO Date 16 JUL 1998 Version 1 0 YAMAHA Tone Generator Model FS1R MIDI Implementation Chart...

Page 44: ...811MWIT 11 2 02B0...

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