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W i l s o n A u d i o S p e c i a l t i e s
S e c t i o n 5 . 3 – D e p t h o f D e s i g n
speaker enclosure performance. Through this effort, Wilson pioneered the use of non-
resonant materials, first with the use of mineral-filled acrylic in the Upper Midrange/
Tweeter Module and continuing with the further development of proprietary materials
for X-1 Grand SLAMM and the original WATT/Puppy. Even the best materials are not
suited to all aspects of enclosure construction. Therefore, like all Wilson loudspeakers,
the Sasha W/P is constructed of several exotic materials chosen for their specific per-
formance attributes relevant to different portions of the enclosure.
Sasha W/P is constructed using utlra-low-resonant, high-density, composites which
are then cross-braced to further reduce cabinet resonance. Each of these composites
meets and exceeds the highest of ANSI test standards for its use, while offering very
tight tolerances, high hardness, uniform density, and dimensional stability.
Adhesive
Wilson Audio has conducted exhaustive research into the best adhesives to per-
manently bond our speaker enclosures. This is often an overlooked element crucial to
the proper performance of a loudspeaker. Correct modulus of elasticity, coefficient of
thermal expansion, and natural frequency response are just a few of the important ele-
ments of adhesives.
A highly cross-linked, thermo-set adhesive is used for the construction of the
enclosure. It was also chosen for its excellent bond strength, solvent resistance, hard-
ness, and optimum vibrational characteristics.
Section 5.3 – Depth of Design
Sasha W/P’s compellingly authentic performance and lasting value are achieved
through careful implementation of cutting edge design and engineering and then ex-
ecuted using the highest performance materials. Wilson Audio’s use of proprietary
49
Summary of Contents for Sasha WP
Page 1: ...S a s h a W P O w n e r s M a n u a l...
Page 6: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 7: ...S e c t i o n 1 I n Yo u r R o o m...
Page 8: ...S A S H A W P O w n e r s M a n u a l 8 Wi l s o n A u d i o S p e c i a l t i e s...
Page 22: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 23: ...S e c t i o n 2 U n c r a t i n g S a s h a W P...
Page 24: ...S A S H A W P O w n e r s M a n u a l 24 Wi l s o n A u d i o S p e c i a l t i e s...
Page 28: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 29: ...S e c t i o n 3 A s s e m b l i n g S a s h a W P...
Page 30: ...S A S H A W P O w n e r s M a n u a l 30 Wi l s o n A u d i o S p e c i a l t i e s...
Page 36: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 37: ...S e c t i o n 4 F i n i s h i n g U p...
Page 38: ...S A S H A W P O w n e r s M a n u a l 38 Wi l s o n A u d i o S p e c i a l t i e s...
Page 45: ...S e c t i o n 5 C a r e o f S a s h a W P...
Page 46: ...S A S H A W P O w n e r s M a n u a l 46 Wi l s o n A u d i o S p e c i a l t i e s...
Page 51: ...51 Wi l s o n A u d i o S p e c i a l t i e s S e c t i o n 5 3 D e p t h o f D e s i g n 51...
Page 52: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 53: ...S e c t i o n 6 T r o u b l e s h o o t i n g...
Page 54: ...S A S H A W P O w n e r s M a n u a l 54 Wi l s o n A u d i o S p e c i a l t i e s...
Page 58: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 59: ...S e c t i o n 7 S y s t e m S p e c i f i c a t i o n s...
Page 60: ...S A S H A W P O w n e r s M a n u a l 60 Wi l s o n A u d i o S p e c i a l t i e s...
Page 63: ...S e c t i o n 8 P r o pa g a t i o n D e l a y Ta b l e s...
Page 66: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 67: ...S e c t i o n 9 Wa r r a n t y I n f o r m a t i o n...
Page 68: ...S A S H A W P O w n e r s M a n u a l 68 Wi l s o n A u d i o S p e c i a l t i e s...
Page 72: ...S A S H A W P O w n e r s M a n u a l 72 Wi l s o n A u d i o S p e c i a l t i e s...