S e c t i o n 1 . 5 – Y o u r R o o m
maximum resolution of low-level detail is required. If possible, the speakers should be
positioned out into the room, slightly asymmetrically vis-a-vis the side and rear walls.
The speakers should be “toed in” toward the listener, preferably so that the listener, at
his seated position, can barely see the surface of the inner side of the Sasha W/P as he/
she faces the speaker. It is recommended that a distance of two to three feet, and pos-
sibly more, be maintained between the Sasha W/P and the rear walls and that a dis-
tance of at least two feet be maintained between the front panel of the Sasha W/P and
reflective side walls. Depending on the room, judicious use of sound absorbent mate-
rials will reduce the space requirement.
By following the guidelines in this manual, your new Sasha W/P loudspeakers can
provide you with a lifetime of pure music reproduction.
21
W i l s o n A u d i o S p e c i a l t i e s
Summary of Contents for Sasha WP
Page 1: ...S a s h a W P O w n e r s M a n u a l...
Page 6: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 7: ...S e c t i o n 1 I n Yo u r R o o m...
Page 8: ...S A S H A W P O w n e r s M a n u a l 8 Wi l s o n A u d i o S p e c i a l t i e s...
Page 22: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 23: ...S e c t i o n 2 U n c r a t i n g S a s h a W P...
Page 24: ...S A S H A W P O w n e r s M a n u a l 24 Wi l s o n A u d i o S p e c i a l t i e s...
Page 28: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 29: ...S e c t i o n 3 A s s e m b l i n g S a s h a W P...
Page 30: ...S A S H A W P O w n e r s M a n u a l 30 Wi l s o n A u d i o S p e c i a l t i e s...
Page 36: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 37: ...S e c t i o n 4 F i n i s h i n g U p...
Page 38: ...S A S H A W P O w n e r s M a n u a l 38 Wi l s o n A u d i o S p e c i a l t i e s...
Page 45: ...S e c t i o n 5 C a r e o f S a s h a W P...
Page 46: ...S A S H A W P O w n e r s M a n u a l 46 Wi l s o n A u d i o S p e c i a l t i e s...
Page 51: ...51 Wi l s o n A u d i o S p e c i a l t i e s S e c t i o n 5 3 D e p t h o f D e s i g n 51...
Page 52: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 53: ...S e c t i o n 6 T r o u b l e s h o o t i n g...
Page 54: ...S A S H A W P O w n e r s M a n u a l 54 Wi l s o n A u d i o S p e c i a l t i e s...
Page 58: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 59: ...S e c t i o n 7 S y s t e m S p e c i f i c a t i o n s...
Page 60: ...S A S H A W P O w n e r s M a n u a l 60 Wi l s o n A u d i o S p e c i a l t i e s...
Page 63: ...S e c t i o n 8 P r o pa g a t i o n D e l a y Ta b l e s...
Page 66: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 67: ...S e c t i o n 9 Wa r r a n t y I n f o r m a t i o n...
Page 68: ...S A S H A W P O w n e r s M a n u a l 68 Wi l s o n A u d i o S p e c i a l t i e s...
Page 72: ...S A S H A W P O w n e r s M a n u a l 72 Wi l s o n A u d i o S p e c i a l t i e s...