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W i l s o n A u d i o S p e c i a l t i e s
S e c t i o n 1 . 1 – R o o m A c o u s t i c s
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Section 1.1 – Room Acoustics
You are surely excited about setting up Sasha W/P™ loudspeakers and doing some
listening, but before you begin, we would like to discuss some of the important room
acoustical information that will help you set up your loudspeakers properly.
Final Listening Room Setup (Voicing)
For a speaker system its size, the Sasha W/P is unmatched in its ability to re-
produce the musical event. It is truly state of the art. However, room acoustics and
boundary interactions affect the sound of a loudspeaker to such a large degree that
poor setup can seriously degrade your enjoyment of even the finest loudspeaker.
Therefore, we offer the following section, which will present some guidelines on
room acoustics and their interactions with loudspeakers. While we will also outline
some detailed suggestions on the setup of the Sasha W/P, we strongly suggest that you
have your local Wilson Audio dealer perform the final speaker “voicing” with you.
Wilson dealers are specially trained in setting up Wilson loudspeakers and will ensure
that you realize the full value of your purchase.
Section 1.2 – Wilson Audio Setup Procedure (WASP)
Zone of Neutrality
The “Zone of Neutrality” is an area in your room where the speakers will sound
most natural. This location is where the speakers interact the least with adjacent room
boundaries. It is important to have a clear working space while determining the Zone
of Neutrality.
The following is a simple method to locate the Zone of Neutrality within your lis-
tening environment:
1. Stand against the wall BEHIND the location where you intend to position
Summary of Contents for Sasha WP
Page 1: ...S a s h a W P O w n e r s M a n u a l...
Page 6: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 7: ...S e c t i o n 1 I n Yo u r R o o m...
Page 8: ...S A S H A W P O w n e r s M a n u a l 8 Wi l s o n A u d i o S p e c i a l t i e s...
Page 22: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 23: ...S e c t i o n 2 U n c r a t i n g S a s h a W P...
Page 24: ...S A S H A W P O w n e r s M a n u a l 24 Wi l s o n A u d i o S p e c i a l t i e s...
Page 28: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 29: ...S e c t i o n 3 A s s e m b l i n g S a s h a W P...
Page 30: ...S A S H A W P O w n e r s M a n u a l 30 Wi l s o n A u d i o S p e c i a l t i e s...
Page 36: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 37: ...S e c t i o n 4 F i n i s h i n g U p...
Page 38: ...S A S H A W P O w n e r s M a n u a l 38 Wi l s o n A u d i o S p e c i a l t i e s...
Page 45: ...S e c t i o n 5 C a r e o f S a s h a W P...
Page 46: ...S A S H A W P O w n e r s M a n u a l 46 Wi l s o n A u d i o S p e c i a l t i e s...
Page 51: ...51 Wi l s o n A u d i o S p e c i a l t i e s S e c t i o n 5 3 D e p t h o f D e s i g n 51...
Page 52: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 53: ...S e c t i o n 6 T r o u b l e s h o o t i n g...
Page 54: ...S A S H A W P O w n e r s M a n u a l 54 Wi l s o n A u d i o S p e c i a l t i e s...
Page 58: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 59: ...S e c t i o n 7 S y s t e m S p e c i f i c a t i o n s...
Page 60: ...S A S H A W P O w n e r s M a n u a l 60 Wi l s o n A u d i o S p e c i a l t i e s...
Page 63: ...S e c t i o n 8 P r o pa g a t i o n D e l a y Ta b l e s...
Page 66: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 67: ...S e c t i o n 9 Wa r r a n t y I n f o r m a t i o n...
Page 68: ...S A S H A W P O w n e r s M a n u a l 68 Wi l s o n A u d i o S p e c i a l t i e s...
Page 72: ...S A S H A W P O w n e r s M a n u a l 72 Wi l s o n A u d i o S p e c i a l t i e s...