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W i l s o n A u d i o S p e c i a l t i e s
S e c t i o n 1 . 4 – R e s o n a n c e s
as the standing wave frequencies excited by the dimensions in the other channel.
Comb Filter Effect
The “comb filter” effect is a special type of standing wave noticeable primarily at
higher frequencies and shorter wavelengths.
Acoustical comb filtering occurs when sound from a single source, such as a loud-
speaker, is directed toward a microphone or listener from a distance. The first sound
to reach the microphone is the direct sound, followed by a delayed, reflected sound.
At certain frequencies, cancellation occurs because the reflected sound lags in phase
relative to the direct sound. This cancellation is most apparent where the two frequen-
cies are 180 degrees out of phase. Further, there is augmentation at other frequencies
where the direct and the reflected sounds arrive in phase. Because it is a function of
wavelength, the comb filter effect will notch out portions of the audio spectrum at lin-
early spaced intervals. Subjectively, comb filter effect evidences itself as follows:
• Added roughness to the sound
• Reduction of harmonic richness
• Smearing of lateral soundstage image focus and placement
Comb filter effects are often caused by side wall reflections. They are best con-
trolled by very careful speaker placement and by the judicious placement of Pinta
Acoustic Sonex® or air duct panels applied to that part of the wall where the reflection
occurs.
Section 1.4 – Resonances
Resonance in listening rooms is generally caused by two sources:
• Structures within the listening room.
• The volume of air itself within the listening room.
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Summary of Contents for Sasha WP
Page 1: ...S a s h a W P O w n e r s M a n u a l...
Page 6: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 7: ...S e c t i o n 1 I n Yo u r R o o m...
Page 8: ...S A S H A W P O w n e r s M a n u a l 8 Wi l s o n A u d i o S p e c i a l t i e s...
Page 22: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 23: ...S e c t i o n 2 U n c r a t i n g S a s h a W P...
Page 24: ...S A S H A W P O w n e r s M a n u a l 24 Wi l s o n A u d i o S p e c i a l t i e s...
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Page 29: ...S e c t i o n 3 A s s e m b l i n g S a s h a W P...
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Page 37: ...S e c t i o n 4 F i n i s h i n g U p...
Page 38: ...S A S H A W P O w n e r s M a n u a l 38 Wi l s o n A u d i o S p e c i a l t i e s...
Page 45: ...S e c t i o n 5 C a r e o f S a s h a W P...
Page 46: ...S A S H A W P O w n e r s M a n u a l 46 Wi l s o n A u d i o S p e c i a l t i e s...
Page 51: ...51 Wi l s o n A u d i o S p e c i a l t i e s S e c t i o n 5 3 D e p t h o f D e s i g n 51...
Page 52: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 53: ...S e c t i o n 6 T r o u b l e s h o o t i n g...
Page 54: ...S A S H A W P O w n e r s M a n u a l 54 Wi l s o n A u d i o S p e c i a l t i e s...
Page 58: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 59: ...S e c t i o n 7 S y s t e m S p e c i f i c a t i o n s...
Page 60: ...S A S H A W P O w n e r s M a n u a l 60 Wi l s o n A u d i o S p e c i a l t i e s...
Page 63: ...S e c t i o n 8 P r o pa g a t i o n D e l a y Ta b l e s...
Page 66: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 67: ...S e c t i o n 9 Wa r r a n t y I n f o r m a t i o n...
Page 68: ...S A S H A W P O w n e r s M a n u a l 68 Wi l s o n A u d i o S p e c i a l t i e s...
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