Townsend Labs Sphere L22 Precision Microphone System Guide
v
Chapter 4: Using the Sphere L22 System
............................................ 26
DAW Signal Chain
................................................................................. 26
Preamps
..................................................................................................... 27
Preamps with Continuous Gain
........................................................ 27
Preamp Modeling
................................................................................ 28
Single Channel Usage
......................................................................... 29
Monitoring Setups
.................................................................................. 29
Monitoring with your DAW Plug-in
................................................... 29
Monitoring with the UAD Plug-in on Apollo
.................................... 30
Monitoring the Direct Analog Microphone Output
......................... 31
Microphone Positioning
....................................................................... 31
Chapter 5: Off-Axis Correction
...................................................................... 33
Technical Details
.................................................................................... 33
Proximity Effect
....................................................................................... 35
Setting the Controls
.............................................................................. 36
Rear Miking
.............................................................................................. 37
Additional Applications
........................................................................ 37
Chapter 6: Recording Vocals
.......................................................................... 38
Professional Studio
............................................................................... 38
Proximity Effect
................................................................................... 38
Axis
....................................................................................................... 38
The Room
............................................................................................ 39
Home and Project Studios
................................................................. 39
Off-Axis Correction
............................................................................. 39
Acoustic Treatment
............................................................................ 40
Setup for Vocal Recording
................................................................. 41