Tascam DM-4800 Owner'S Manual Download

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7 – MIDI : MIDI Implementation Charts

TASCAM DM-4800

User’s Manual

103

USB MIDI Program Change Port (4)

This refers to the fourth virtual MIDI port carried
over USB, used for Program Change messages.

TEAC [Digital Mixer]

Date : 29.May.2006

Model:DM-4800

MIDI Implementation Chart

Version : 1.0

Mode 1:OMNI ON, POLY

Mode 2:OMNI ON, MONO

o:Yes

Mode 3:OMNI OFF,POLY

Mode 4:OMNI OFF,MONO

x:No

Function...

Transmitted

Recognized

Remarks

Basic
Channel

Default
Changed

1-16
1-16

Memorized

Mode

Default
Messages
Altered

-
x
***********

-
x

Note
Number

:True voice

x
***********

x
x

Velocity

Note ON
Note OFF

x
x

After
Touch

Key’s
Ch’s

x
x

Pitch Bend

Control
Change

0-119

Prog
Change

:True #

o(0-127)
***********

Assignable,*1,*2

System Exclusive

Common

:MTC quarter frame
:Song Pos
:Song Sel
:Tune

x
x
x
x

System
Real Time

:Clock
:Commnads

x
x

Aux
Messages

:Local ON/OFF
:All Notes OFF
:Active Sense
:Reset

x
x
x
x

Notes

*1: User’s choice, memorized.
*2: For Snapshot, Effect1and Effect2 Library Recalls.

Summary of Contents for DM-4800

Page 1: ...DM 4800 Digital Mixing Console OWNER S MANUAL D00936910B...

Page 2: ...ut provoquer des interf rences radio dans ce cas l utilisateur peut tre amen prendre des mesures appropri es F r Kunden in Europa Warnung Dies is eine Einrichtung welche die Funk Entst rung nach Klass...

Page 3: ...stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplu...

Page 4: ...oders 22 Encoder mappings 23 Reading the encoder indicators 24 Pan settings 24 EQ settings 24 Module levels and AUX sends 25 Dynamics settings 25 Other settings 25 Encoder behavior fine and coarse 26...

Page 5: ...ctions Analog connections 49 Mic line connections 49 Channel inserts 49 2 TR IN 49 ASSIGNABLE RETURNS 49 Analog outputs 50 STEREO OUT 50 ASSIGNABLE SENDS 50 Monitoring LARGE BAL SMALL BAL 50 Monitorin...

Page 6: ...rigger mode TRG MOD 75 Trigger selection 75 Gates input channels 1 48 76 GATE 76 Threshold THRESH 76 Range RANGE 76 Gate attack time 76 Hysteresis HYST 76 Gate hold time HOLD 76 Gate decay time DECAY...

Page 7: ...the control type for the devices 106 STATE 106 DEVICE 106 ID 106 CHASE 107 TRA 107 REC 107 All safe 107 Transport mapping memories 107 To use a transport mapping 108 Viewing the transport mappings 10...

Page 8: ...9 Project structure 34 Fig 2 30 Setting the date and time 35 Fig 2 31 The NEW PROJECT page 35 Fig 2 32 The project management page 36 Fig 2 33 Storing a project 37 Fig 2 34 Library screen gate library...

Page 9: ...g 86 Fig 5 22 Clearing a group 87 Fig 5 23 Grouping groups 87 Fig 5 24 Fader grouping 87 Fig 5 25 Selecting surround mode 88 Table 5 8 Buss assignments in surround mode 88 Fig 5 26 Surround assignment...

Page 10: ...software can be used for management of the DM 4800 See the docu mentation accompanying the latest release of the software for full details of the capabilities of the soft ware with the unit Other key...

Page 11: ...and the DM 4800 Channel modules The DM 4800 provides 64 channel modules These may be freely assigned internally to the 24 buss modules Of these 64 channel modules 48 are full function modules with 4 b...

Page 12: ...sends and returns the returns can then be assigned to channels or kept in the digital domain by using the stereo digital I O facilities In addition channels 1 through 48 can use built in dynamic proce...

Page 13: ...is sec tion describes the modules which form the basic building blocks of the DM 4800 Most of the mix ing work you do on the DM 4800 will use the func tions described here This section also contains i...

Page 14: ...ing precision electronic equip ment naturally apply to the DM 4800 In addition note the following that apply to the touch sensitive faders The faders need a human finger to operate their touch sensiti...

Page 15: ...t surface of the DM 4800 may seem a little intimidating at first but it is actually remarkably sim ple considering the functionality built into the unit Controls are logically grouped depending on the...

Page 16: ...on the DM 4800 The SEL keys are used to select the modules to be edited This can also be done with the touch sensitive faders Encoder section The use of the encoders is described in Encoders on page 2...

Page 17: ...y screens accessed with these keys include sub screens or pages These sub screens can be accessed using the POD keys The PODs on page 20 or repeated presses of the same control key will cycle through...

Page 18: ...ediately below that in larger letters the title of the current screen Finally on the right the current timecode value with the source as set up as preference is displayed NOTE The timecode displayed c...

Page 19: ...o the right of the master fader When these keys are pressed the faders move to the appropriate positions reflecting the new fader layer The first three keys are used to select the channel modules 1 th...

Page 20: ...ring in blue on a white background Special controls The DM 4800 incorporates a few controls that are not found on every digital mixer and which therefore may be a little unfamiliar These are the PODs...

Page 21: ...in a major heading In this case simply pressing the appropriate POD key jumps to the next screen as shown on the tag TIP As well as using the POD keys to switch between tabbed pages you can also make...

Page 22: ...R MODE screen Use the cursor keys to navigate around the map of the twelve ENCODER MODE keys the wheel to select an assignment for the selected key and the ENTER key to complete the assignment TIP You...

Page 23: ...n 1 24 1 24 Channel modules Busses Level to named Aux send when linked Level to Aux sends 1 and 2 when linked PAN AUX nn nn 1 24 1 24 Channel modules Busses Pan to named Aux send pair when linked Pan...

Page 24: ...cted with the SEL key each of the four bands may have its gain frequency and Q controlled by the encoders as shown by the labels under the encoders The first encoder in each band is used to control th...

Page 25: ...illustration here If the encoders are flipped the position of the channel faders is represented in the same way as for aux sends Dynamics settings These are rotary settings with higher levels lightin...

Page 26: ...extreme left of the unit while turning the encoder However there is an option allowing this behavior to be changed so that the unshifted behavior makes fine adjustments while the shifted behavior mak...

Page 27: ...0 on page 11 These controls described here are of course only valid for modules for which the appropri ate facilities are available Dynamics processors When a module with dynamics processing has been...

Page 28: ...o this by pressing and hold ing the CTRL key and turning the appropriate encoder in the bottom row Q Aux send levels Press the SCREEN key to bring up the aux buss screen for the currently selected mod...

Page 29: ...rm the operation or a cursor key to cancel it To paste only the compressor expander parameters Press and hold the PASTE key and the COMP EXP ON key together and press the SEL key of the channel to whi...

Page 30: ...er of the two boxes associated with these checkboxes the top row copies settings from the aux to buss and the second row cop ies them from buss to aux Naturally it is not possible to select both in th...

Page 31: ...sing the left field next to the radio buttons In both options you can select from any one of the channel modules the buss modules the aux modules or the stereo buss Linked modules are displayed as a p...

Page 32: ...touched We recommend keeping the card cover in place at all times to avoid dust etc contaminating the card slot contacts Formatting a new card New cards must be prepared before use the one sup plied...

Page 33: ...all the data associated with the project has been saved the screen shows an appropriate message Use the switch on the rear panel to turn off the DM 4800 Alternatively to reboot the DM 4800 without tur...

Page 34: ...4800 s memory is available for recall of presets to be used as starting points for user settings The effect library has access to two preset banks Individual slots and banks may be copied between pro...

Page 35: ...usly the clock is backed up by the DM 4800 s internal battery This battery should last for several years In the event of the battery running low you can use the UTILITY SYSTEM screen to check con sult...

Page 36: ...ibrary entries etc TIP You can also use the software on a computer to read the data stored on the CF card back it up to the com puter and save it to another card Consult the docu mentation of the soft...

Page 37: ...ECT but ton allows a project to be locked against accidental writing or deletion Highlight a project in the right hand list and press this on screen button to protect it A padlock icon appears beside...

Page 38: ...all libraries are very similar in their basic operation and differ only in details If there are any specific differences relating to an individual library they are described in the appropriate sectio...

Page 39: ...redo the recall action Storing library entries The current settings can be stored as a library entry to the currently selected library in OPTIONS SETUP by using the dedicated STORE key to the left of...

Page 40: ...one currently loaded you must first load the desired target project to make it active However from this screen it is possible to change the currently loaded library type this changes the library type...

Page 41: ...ERT and a DELETE symbol When the wheel is used to highlight these and ENTER is pressed a blank space is inserted or the current charac ter is deleted respectively at the title cursor position Library...

Page 42: ...parameter being edited may sometimes have too many values to allow easy setting using the encoder for example there are 127 different pan positions Using the 1Step setting one click of the encoders c...

Page 43: ...EL key In some screens when this option is enabled this may only mean that the mod ule shown at the top left of the screen changes when its fader is touched CH SOLO Key Auto MODULE Select When this is...

Page 44: ...together to the solo mix The Exclusive Solo mode only allows one channel the one whose SOLO key was pressed last to be soloed at one time SOLO LINK This option allows the fader and mute groups to be u...

Page 45: ...same way as the front panel keys Other functions The following functions dupli cate commonly used keys SHIFT duplicates the use of the SHIFT key to the left of the unit Automation KEEP performs a keep...

Page 46: ...s given vary as follows TIME EVENT TIME EVENT or no assignment KEY EVENT REW FF STOP PLAY REC F1 F12 MUTE CH1 64 BUSS1 24 AUX1 12 or no assignment FADER EVENT FADER CH1 64 BUSS1 24 AUX1 12 STEREO or n...

Page 47: ...confirm the selection You can select the same port for more than one time event Setting the time Set the time when an event is to be executed 2 Highlight a cell in the TIME column Use either the curso...

Page 48: ...ther mixers See Rout ing on page 59 for full details of how the routing and assignment are managed The illustration above provides an overview of the way in which the rear panel connections are arrang...

Page 49: ...ecting condenser microphones Do not use unbalanced dynamic microphones con nected to the XLR connectors with the phantom power turned on This may cause damage to the microphones and or the DM 4800 The...

Page 50: ...he level is controlled by soft ware from the MONITOR MONITOR screen Digital connections Digital audio I O TDIF I O There are three 25 pin TDIF 1 connectors each carrying eight channels of input and ei...

Page 51: ...t The Mute Defeat checkbox should normally be left unchecked In the event of bad digi tal audio data being received out of range or cor rupt etc the DM 4800 will usually mute the input to prevent poss...

Page 52: ...ut and output channels a popup appears on screen MUTE DEFEAT can be enabled or disabled for each of the four channels see above for details of this The current status of the input and output channels...

Page 53: ...ve The master unit must always act as the word sync master for the cas cade chain though it can act as a word sync slave in the overall audio system Making the cascade connection There is one connecti...

Page 54: ...n is established These initial settings on the cascade master listed below will be reflected on the cascade slave immedi ately after the cascade connection has been estab lished After the cascade conn...

Page 55: ...to monitoring equipment The DM 4800 can act as a word sync master or slave set up in software see Clock setting on page 56 The switch allows the OUT to act as a THRU when the DM 4800 is receiving wor...

Page 56: ...After confirming that you want to do this a popup appears informing you of the status of all potential clock sources Varispeed clocking Note that the DM 4800 is able to accept audio data and clock si...

Page 57: ...alid one and one which can be used an appropriate popup message depending on the action selected when the clock is changed Clock change action on page 56 is shown Press ENTER to change the clock or a...

Page 58: ...in the table below The level of all modules is controllable via faders and adjacent odd even pairs of all modules can be linked except for the stereo buss of course The operation of all these modules...

Page 59: ...he POD 3 encoder 2 in Fig ure 4 1 Routing inputs Choose between If either of the first two options is selected each destination module is shown in the list with an INP input and RTN return available f...

Page 60: ...m this INPUT screen using the BATCH SETUP at the bottom of the screen Of course this can only be done for channels 1 through 48 as these are the only ones for which the input and return sources may be...

Page 61: ...bay TIP These bypass sends can be useful for physical format con version etc For example if you have material on a medium that can only be output in ADAT optical for example and you need it transmitte...

Page 62: ...be the same as the return group you could even have an analog send to an external effect with a digital return for example 3 Confirm with the ENTER key 4 Select the return point in the RETURN column...

Page 63: ...el When a module not a buss module is selected any buss assignment made is shown by the appropriate indicator s lighting Use these assignment keys to assign the module to the busses which in turn may...

Page 64: ...this switch is set and busses are linked they are also joined for panning and they are assigned in pairs However when this switch is not set the buss pairs can be split for individual assignment Press...

Page 65: ...which can therefore be used as studio monitors Assignments from the aux sends can be made to the stereo buss only Assignments from the stereo buss are to the aux 1 2 send busses again for monitoring B...

Page 66: ...round operations on page 88 Selecting the CR source The dedicated keys and indicators to the right of the meters allow instant switching of the control room monitor sources and the two PHONES outputs...

Page 67: ...Monitoring LARGE BAL SMALL BAL on page 50 is controlled using the dedicated LARGE volume control The SMALL key is used to switch between the large and small near field monitor pairs i e the monitor s...

Page 68: ...h 24 Press ENTER to confirm the setting Slate definition The COMMUNICATION fields allow you to choose the busses and aux sends which will act as the slate when the TO SLATE key is enabled for sending...

Page 69: ...ifferent sets of modules to be metered On screen meter selection Use the left hand column of radio buttons to select the following mod ules for metering In every case the stereo buss meters are visibl...

Page 70: ...n INPLACE SOLO DEFEAT on page 44 When a channel is soloed its SOLO key lights and the SOLO indicator in the MONITOR section flashes or is lit when one or more channels are soloed to indicate that solo...

Page 71: ...the viewing and setting of the same parameter for many differ ent modules from the same screen The screens relating to the EQ dynamics and aux sends may all be displayed and the parameters changed us...

Page 72: ...dule facilities on the DM 4800 not every module is equipped with all these fea tures Only those features available on the currently selected module are actually shown on the display Input and return d...

Page 73: ...assignments of channel modules are not shown on the display as the appropriate buss assign indicators light to show the buss assignments when a channel module is selected Fader control From the METER...

Page 74: ...of 4 and the levels can be adjusted as with the channels using the POD encoders The SETUP section of the screen allows setting of the first second or third groups of eight buss levels the aux levels...

Page 75: ...n two channels are linked but the processors are linked the processor source can be selected Trigger mode TRG MOD is only valid when two gates or expanders are linked This option selected using the wh...

Page 76: ...d off Duplicated in the global section at the right of the screen Insert point INS PNT allows the compressor expander to be inserted either pre EQ or post EQ channels 1 through 48 buss aux and stereo...

Page 77: ...xts and change them as seems appropriate to you Compressor expander library entries Use these settings for the compressor expander either as is or edit them to your needs and store them as part of the...

Page 78: ...ted you must do this and move to the DYN TRIGGER 2 field You can use POD 4 to select another source group at any time When you have set up the triggers they are available for use in any gate or compre...

Page 79: ...on screen EQ button cir cled in Figure 5 9 Module EQ screen Turn the individual band highlighted by the on screen box on and off using the ENTER key As you make changes to the EQ setting the graph at...

Page 80: ...Snare but of course they can be used for any sound source Figure 5 10 EQ library Number Title Comment 000 Snare Drum Suitable for a snare drum 001 Bass Drum Suitable for kick bass drum 002 Sample Sna...

Page 81: ...to be used as a cue feed to the studio etc Aux send screens unlinked Pressing the dedicated AUX function keys brings up appropriate screens which allow the viewing and setting of aux sends for all ch...

Page 82: ...y as the previous screens with the addition of a batch pan setting facility There is also a way of copying the current channel pan settings to the aux send pair pan settings and the other way round Th...

Page 83: ...sted that the aux 1 and 2 sends are used as studio foldback cue sends The fourth POD control on the first row of this screen allows you to choose pre fader or post fader inputs or the return channel t...

Page 84: ...lance Beside the on screen representation of this control is a CENTER button Use this to center the pan or balance setting easily In the normal unlinked stereo case the odd numbered left panpot of a p...

Page 85: ...bed above with a few additions First POD 1 can be used to change the position of the delay between pre and post fader for all chan nels Additionally POD 2 s encoder changes the unit in which delay is...

Page 86: ...p using the ST LINK GROUP key Use the cursor keys or channel SEL keys to move the cursor and the ENTER key to make or break links No popup message appears when making or break ing stereo links in this...

Page 87: ...and use SEL keys 1 through 8 regardless of layer to set sub groups A tree diagram appears at the side of the matrix as you set up the groups In Figure 5 23 Grouping groups group 1 is con trolled by gr...

Page 88: ...e on screen switch Buss assignments When a surround mode is selected the 24 busses are used to feed the surround channels as follows busses 9 through 16 are used for surround 2 17 through 24 are used...

Page 89: ...the ASSIGN keys can also be used to make or break assign ments Note that when the pan mode is on all the ASSIGN indicators of one buss group surround matrix are turned on with one key Surround panning...

Page 90: ...beside each speaker in the matrix which show the rel ative levels of the channels as the position is moved Pattern panning In the second row of POD con trols POD 1 sets the type of pattern controlled...

Page 91: ...Select the channel or use the cursor to move the box cursor around the screen and the POD encoders to adjust the LFE level NOTE If a channel is not assigned to the LFE adjusting the level here will ha...

Page 92: ...ch snapshot can of course be named for easy rec ognition later Snapshot library management The snapshot library screen is accessed through the LIBRARY key If the snapshot library is not shown use the...

Page 93: ...ntry POD 2 is used to alter the transition time Xtion This time can also be copied to and from library entries Finally the POD 2 switch STORE is used to store the current settings to the selected slot...

Page 94: ...fect returns WARNING Since there are no dedicated effect returns the channels used for returns also have aux feeds that may accidentally be used to feed the effects being returned on that channel If t...

Page 95: ...TASCAM FX2 0 TC Reverb parameters visit our website Effect libraries The effect libraries allow the storage and recall of effects They work in the same way as other libraries allowing you to name set...

Page 96: ...icated MIDI Time Code port Enable and disable these ports along with the physical MIDI ports by using the cursor keys and ENTER key to open and close the on screen switches Note that the TMC connectio...

Page 97: ...top left of the screen Batch setup In order to assign a group of contigu ous program change values to a contiguous group of library entries in the same bank use the BATCH SET UP block at the lower le...

Page 98: ...6 32 63 96 119 x x 1 2 4 5 7 8 10 13 16 19 64 67 84 99 101 o o o o 1 MIDI Controllers Mode 0 3 6 9 14 15 20 63 65 66 68 83 85 98 100 102 119 x x x x x x 0 119 o o 1 MIDI Faders Mode Prog Change True o...

Page 99: ...itted Recognized Remarks Basic Channel Default Changed 1 16 1 16 1 16 1 16 Mode Default Messages Altered x x Note Number True voice x x x Velocity Note ON Note OFF x x x x After Touch Key s Ch s x x x...

Page 100: ...unction Transmitted Recognized Remarks Basic Channel Default Changed 1 16 1 16 1 16 1 16 Mode Default Messages Altered x x Note Number True voice x x x Velocity Note ON Note OFF x x x x After Touch Ke...

Page 101: ...o 1 o Note Number True voice o 0 127 o o Velocity Note ON Note OFF o o o o After Touch Key s Ch s o o o o Pitch Bend o o Control Change 0 119 o o Prog Change True o 0 127 o 0 127 System Exclusive o o...

Page 102: ...MONO x No Function Transmitted Recognized Remarks Basic Channel Default Changed 1 16 1 16 1 16 1 16 Mode Default Messages Altered x x Note Number True voice x x x Velocity Note ON Note OFF x x x x Aft...

Page 103: ...nsmitted Recognized Remarks Basic Channel Default Changed 1 16 1 16 1 16 1 16 Memorized Mode Default Messages Altered x x Note Number True voice x x x Velocity Note ON Note OFF x x x x After Touch Key...

Page 104: ...127 x 90H v 0 x 1 HUI Mode Active Sensing Note ON Note OFF 90H v 0 127 x 90H v 0 127 x 2 Mackie Ctrl Mode Key LED After Touch Key s Ch s x x x x Pitch Bend o o 2 Mackie Ctrl Mode Fader Control Change...

Page 105: ...RTED DEVICES 4 When a device to be controlled by the DM 4800 is selected in the list move the cursor to the ADD button and press ENTER The device will be added to the list To obtain more information r...

Page 106: ...ar on the list and must be added to the list manually When attempting to identify a MIDI device the DM 4800 first sends out an MMC Read Signature com mand It adds a generic closed loop device for ever...

Page 107: ...stereo fader the channel SEL keys on the DM 4800 which arm the tracks on the remote external device Use the wheel to choose between 1 8 9 16 17 24 25 32 33 40 and 41 48 8 tracks 1 16 17 32 and 33 48 1...

Page 108: ...ill now con trol the device selected in that map and the other mapping features will also be enabled A popup shows the currently recalled memory or a message if no mapping has been recalled The MAP fi...

Page 109: ...the unit is locating to a location point When the location point is reached playback starts automatically However if the PLAY key is pressed before the location point is reached the unit stops locati...

Page 110: ...hich shows the pre roll time when a location point is reached displayed in minutes and seconds For example if this field shows 0 10 if a location operation is carried out to a location memory of 00 20...

Page 111: ...ntrol With the cursor highlighting the list at right use the POD 4 control to highlight the MIDI controller option MIDI Ctrlrs and press the on screen ADD button 2 Move the cursor to the SCREEN column...

Page 112: ...ber the translation of this number appears automatically underneath the number The MIDI Control Change messages trans mitted by the fader are sent on the MIDI channel corresponding to the fader number...

Page 113: ...ke the controller fader and mixer functions the control here is made through the embedded MIDI channels carried on the USB interface through ports 5 6 and 7 Up to 3 virtual DAW controllers may be assi...

Page 114: ...o the Sonar DAW Digital Performer This Mackie Control emula tion is used with the MOTU Digital Performer DAW Logic This Mackie Control emulation is used with the Apple Logic DAW Steinberg This applies...

Page 115: ...stored as the location memory This may be timecode or MTC 1 Press the MEMO key The indicator starts to flash 2 Press any of the numeric keys corresponding to the ten location memories available 3 The...

Page 116: ...the list is showing Manual location It is also possible to enter a location point manually from a cue list for instance and locate straight to it 1 Press the MANUAL key so that the indicator lights 2...

Page 117: ...in point when the unit drops into record RECORD lights until the out point when the DM 4800 punches out Repeat until you re happy with the take 3 To review the punch recording press the IN OUT key so...

Page 118: ...100 Return nominal input level 2dBu headroom 16dB impedance 10k ASSIGNABLE RETURNS BAL 1 through 8 Balanced 1 4 jacks Nominal input level 4dBu Headroom 16dB Input impedance 5k ASSIGNABLE SENDS 1 thro...

Page 119: ...t word length Sampling frequencies Internal 44 1kHz 48kHz 88 2kHz 96kHz high sampling frequencies External 6 0 Signal delay 1 8ms Fs 48kHz LINE IN to STEREO OUTPUT 0 90ms Fs 96kHz LINE IN to STEREO OU...

Page 120: ...5dB 1 0dB MIC LINE to STEREO OUTPUTa 0 5dB 1 5dB MIC LINE to STEREO OUTPUTa a MIC LINE to channel module to STEREO OUTPUT channel and stereo faders at 0dB pan hard left or hard right 20Hz 20kHz 44 1 4...

Page 121: ...nal drawing including optional MU 1000 meter bridge 22 mm 0 9 824 mm 32 4 240 mm 9 5 14 mm 0 6 273 mm 10 75 87 mm 3 4 371 mm 14 6 40 933 mm 36 7 Action Message Meaning Already assigned The RECORD key...

Page 122: ...l Copy Ch Pan Bal Aux1 2 Pan Bal Press ENTER to confirm or a cursor key to cancel Copying the channel pan and balance levels to the Aux 1 2 pan and balance AUX1 2 Level Copy Aux 1 2Pan Bal Ch Pan Bal...

Page 123: ...ary data The CF card is full Press ENTER to continue An attempt to copy library data on a CF card has failed The card may be full Can t turn Fs convert On Digital In1 is chosen as Master Clock Press E...

Page 124: ...ll Press ENTER to continue The library recall can t be undone Cascade communication stopped Please check cascade cable Press ENTER to continue The cascade connection has unexpectedly ended it is possi...

Page 125: ...ete CH1 GATE Library undo completed The undo redo operation is now complete Ch1xx EQ Library undo completed Shown when undoing or redoing library operations Chxx COMP EXP Library redo completed Shown...

Page 126: ...A clock source has been selected but no signal is present ClockInfo CASCADE Fs fff kHz Press ENTER to confirm or a cursor key to cancel Informational message on slave about new cascade clock setting C...

Page 127: ...ct Press ENTER to confirm or a cursor key to cancel Confirming creation of a project Creating project Do not remove the CF card Warning not to remove CF card during project completion Current Data ini...

Page 128: ...entry effect Effectx redo completed Shown when undoing or redoing effect library operations Effectx undo completed Shown when undoing or redoing effect library operations Not Available An attempt has...

Page 129: ...ess ENTER to continue Information about a library preset entry gate GATE Library Bank a bbb recalled A library entry has been recalled gate GATE Library Preset 1 bbb is Read only An attempt has been m...

Page 130: ...e recall of library entries MIDICh1 Control No 1 is already assigned Press ENTER to continue Warning that a MIDI control number and or channel has already been used when setting up Control Change mess...

Page 131: ...te automation file File Name Press ENTER to confirm or a cursor key to cancel Confirmation about the deletion of an automation file OK to delete project projectname Press ENTER to confirm or a cursor...

Page 132: ...de to break the cascade connection from the slave Program Change Table OK to perform Batch Setup Press ENTER to confirm or a cursor key to cancel Confirmation shown before making a batch change to the...

Page 133: ...gth 24bit Emphasis No Press ENTER to continue Detail information popup for digital audio I O TDIF Signal info Digital out1 Format AES EBU Contents Audio Emphasis On Channel Mode Stereo FS 44 1kHz Word...

Page 134: ...Snapshot Bank a bbb Stored a snapshot Stored to xxxx Library BANK a bbb from CHx Stored a library entry where xxxx is EQ gate or compressor expander from the selected channel Storing project Do not re...

Page 135: ...stored project cannot be found Create project Press ENTER to confirm or a cursor key to cancel At power on the last stored project cannot be found maybe the card has been changed The project name is n...

Page 136: ...L R STUDIO AUX07 AUX08 C R TB AUX05 AUX06 AUX01 AUX02 AUX03 AUX04 SOLO BUSS13 BUSS14 BUSS15 BUSS16 BUSS09 BUSS10 BUSS11 BUSS12 BUSS05 BUSS06 BUSS07 BUSS08 BUSS01 BUSS02 BUSS03 BUSS04 2TR L_CR 2TR R_C...

Page 137: ...10 20 30 dBV 10dBV 0dBFs 16dBFs 6dBV ADC 2TR INPUT 20 10 0 10 20 dBu 14dBu 14dBu 2dBu 2dBu Assignable Send 1 8 16sBFs 0dBFs 30 20 10 0 10 dBu 2dBu 14dBu 0 10 20 30 40 50 60 70 80 90 100 dBFs 110 130...

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