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INSTALLATION & OPERATION

5

Circle Surround DSP Matrix

The patented Circle Surround process produces 5

channels of audio from a standard optical stereo

soundtrack. This means you can have split surround

optical sound presentations in auditoriums that are

equipped for split surround operation.  SMART is the

first manufacturer to introduce this technology into

professional cinema applications.  The Circle Surround

Analog Matrix in the MOD 7a produces highly accurate

decoding of the optical stereo A or SR soundtrack. The

same matrix is used in DIGITAL format to derive the ex

and overhead channels.

Fader Control/Remote Equalization Settings

The MOD 7a has one master FADER that controls the

overall playback level for all eight channels.  This master

fader is used as the volume control for all formats.  The

individual left and right music level controls are located

on the front right of the main circuit board (MR and ML).

The octave equalization settings (7 bands plus bass and

treble) are set with potentiometers on the front PCB

panel, so re-equalizing the MOD 7a will not be neces-

sary in the event of a main circuit board replacement.

Format Switching

The formats on the MOD 7a are Mono, Stereo A, Stereo

SR, EX On/Off, Digital and Music.  All formats may be

manually controlled by the gray pushbuttons on the

front panel.  Red Light Emitting Diodes mounted in the

pushbuttons indicate the selected format.  Format

switching is also possible by connecting an automation

or remote switch contacts to the AUTOMATION

terminals on the back of the MOD 7a.

Solar Cell/Reverse Scan Inputs

The MOD 7a has stereo solar cell inputs with electronic

changeover for two projectors.  Each pair of stereo cell

inputs is an electronically balanced circuit that helps to

reduce any interference pickup on the solar cell leads.

Separate “neutral” leads for right and left channels

allow for Reverse Scan wiring.

Digital Inputs

The MOD 7a is fully compatible with popular digital

formats (i.e. DTS, Dolby Digital, etc.).   The MOD 7a will

easily handle the stage, split surround, and subwoofer

channels from an external digital decoder.

Music Inputs

The MOD 7a processes both stereo and mono music

sources from tape, CD or cartridge players.  The music

is processed through the Circle Surround matrix to

produce 5.1 channels of sound from a stereo music

source. These inputs may be also be used as an A/V

input for use with a DVD, LaserDisc, or VCR players.

The music inputs are processed  through the Circle

Surround matrix.

Surround Channel Time Delay

The MOD 7a has a digital time delay circuit for the

surround channel while playing optical stereo prints.

Time delay of the surround channel in optical stereo

mode is necessary for two reasons: 1) to mask any front

to surround crosstalk and, 2) to synchronize the stage

and surround channels to eliminate echo caused by

different sound path lengths from the stage and

surround speakers.

Main Outputs

The MOD 7a has seven output channels: LEFT, CEN-

TER, RIGHT, LEFT SURROUND, CENTER SURROUND

(ex or rear), RIGHT SURROUND, and SUB+/SUB-.

In addition, the MOD 7a includes the latest feature, an

OVERHEAD channel. This channel is derived from the

matrix-encoded LS and RS channels in a similar fashion

as the CENTER SURROUND (ex) channel.

Main Power Supply

A fully-regulated universal voltage switching power

supply is furnished with the MOD 7a processor.  This

supply is heavily filtered and supplies ample current

for both the positive and negative 15 VDC supplies.

This external power supply minimizes the chances of

hum pickup when high gain electronic circuits are

placed in the same chassis as a power supply.

Emergency Sound Backup Power Supply

A 120V backup power supply is included with the

MOD 7a to power the backup preamp built into the

MOD 7a.  This will reduce your chances of losing a

show when using the MOD 7a processor.  The 120V

backup supply delivers about 12 VDC at 100mA.  For

installations where 120V is not available, the user

should supply their own power supply.  The output

should be 12VDC @ 100mA and be relatively ripple free.

The bypass capability is a standard feature on the MOD

7a.  BYPASS supplies sound to the Center Channel only.

Monitor Output

The Monitor Output db25 connector provides a conve-

nient point for wiring a monitor to the MOD 7a.

FEATURES

Summary of Contents for MOD7a

Page 1: ...OD7a Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to di...

Page 2: ...fective parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures...

Page 3: ...p matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11...

Page 4: ...have to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton Th...

Page 5: ...surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7a processes both stereo and mono music sources from tape CD or cartridge players The music is processed through...

Page 6: ...aserDisc VCR Factory setting Preamp Configuration The MOD 7a preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of ea...

Page 7: ...d CS channel Factory setting or an overhead OS chan nel Overhead Channel Configuration The MOD 7a can be configured to deliver an overhead channel from digital soundtracks If you are using a digital p...

Page 8: ...ors The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET...

Page 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Page 10: ...ripe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using th...

Page 11: ...e toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active when...

Page 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Page 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Page 14: ...PREAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While a...

Page 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Page 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or mult...

Page 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Page 18: ...R control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTROL...

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