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MOD 7a STEREO PROCESSOR

10

Power Supply Connections

The PS-2 is a cool-running, universal switching power

supply that operates on 100-250 VAC (50-60Hz), needing

only a change in plug to operate in any country.  It delivers

clean +15 and -15 DC voltages to the MOD 7a and has

enough extra power to run companion products.  Mount

the PS-2 in any convenient place. Run the factory supplied

power supply wiring harness to the MOD 7a processor.

Dress the wires for appearance and craftsmanship.  The

wiring harness has a 6 position Phoenix pluggable terminal

strip that plugs into the leftmost plug labeled POWER on

the rear of the MOD 7a.

WARNING:

  

Do NOT plug a “live” power supply into the

back of the MOD 7a processor!

  Make sure that the power

supply is DISCONNECTED from the power mains before

connecting to the MOD 7a.  Failure to heed this warning can

cause fatal damage to internal components and void the

manufacturer’s warranty.

The wire codes for the main Power Supply are as follows

(from left to right on the back of the MOD 7a):

Red : +15 VDC

Black : GROUND

White : -15 VDC

Backup Power Supply.

The backup power supply is a 12 VDC, 100mA supply that

is furnished only for countries with 120VAC mains.  It

comes from the factory connected to the 6 position Phoenix

connector when shipped to 120VAC mains countries.

Customers in other countries will need to provide their

own 12 VDC, 100mA backup supply.

The wire codes for the Backup Power Supply are as follows

(from left to right on the back of the MOD 7a):

Black w/ white stripe : +BACKUP

Black : GROUND

Remember to check all connections before applying power

to the system.  A wire that is reversed could be very

destructive to the system.

Soundhead Connections

Solar Cell

Using three-conductor shielded cable, connect the wire

from the left solar cell (red) to the correspLEFT1

input terminal of the MOD 7a SOUNDHEAD connector.

Connect the wire from the right solar cell (green) to the

+RIGHT1 input terminal.  The common solar cell lead

(black) should be connected to both –LEFT1 and –RIGHT1,

and the shield of the cables should be connected to a

GROUND terminal.  Be sure to cut off the shield at the

projector end so that a ground loop is not created.  Only the

shields on the MOD 7a end of the cable should be grounded.

It is good practice to tape or shrink wrap the end of the

shielded cable at the sound head to prevent any stray

shield wires from grounding out to the sound head case.

Reverse Scan

If you are using a Reverse Scan system, use a two-conduc-

tor shielded cable to connect the -LEFT1 and +LEFT1

terminals on the MOD 7a to the corresponding terminals on

the Reverse Scan terminal block.  Connect another two-

conductor cable likewise from the -RIGHT1 and +RIGHT1

terminals to the corresponding terminals on the Reverse

Scan terminal block.  The “neutral” wires (-LEFT1 and -

RIGHT1) should not be tied together.

INSTALLATION

MOD 7 rear panel

Processor Placement

Before mounting the MOD 7a processor in the equipment rack or projector console, be sure to select a well ventilated area

that allows cool air to circulate around the individual components. Make sure that the processor is not immediately

adjacent to hum producing components such as power amplifiers with large transformers.

Summary of Contents for MOD7a

Page 1: ...OD7a Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to di...

Page 2: ...fective parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures...

Page 3: ...p matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11...

Page 4: ...have to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton Th...

Page 5: ...surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7a processes both stereo and mono music sources from tape CD or cartridge players The music is processed through...

Page 6: ...aserDisc VCR Factory setting Preamp Configuration The MOD 7a preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of ea...

Page 7: ...d CS channel Factory setting or an overhead OS chan nel Overhead Channel Configuration The MOD 7a can be configured to deliver an overhead channel from digital soundtracks If you are using a digital p...

Page 8: ...ors The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET...

Page 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Page 10: ...ripe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using th...

Page 11: ...e toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active when...

Page 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Page 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Page 14: ...PREAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While a...

Page 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Page 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or mult...

Page 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Page 18: ...R control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTROL...

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