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MOD 7a STEREO PROCESSOR

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The MOD 7a system is one of the easiest systems to operate.

The Managaer/Operator of the sound booth should review

the operation instructions to assure that emergency func-

tions are also understood in the unlikely event of an

equipment failure.

TURNING ON THE SYSTEM

The sound engineer who installed the sound system has

provided a way to apply power to the system through a

master power switch or circuit breaker.  Also, several of the

individal components in the equipment rack have their

own power switches.  Become familiar with all switches or

breakers that control power to the sound equipment.

The MOD 7a is equipped with a power up muting circuit

that allows time for the low level circuits to stabilize before

enabling the processor outputs.  This circuit prevents a

“turn-on thump” from being passed to the auditorium

speakers.  However, since most amplifiers are not equipped

with a comparable muting circut for the power down

sequence, it is recommended that the amplifiers be turned

off  before the processor to avoid a “turn-off thump” in the

auditorium.

PROGRAM SELECTION

The automation should be set to select the proper formats

when needed.  However, any format may be overriden by

simply pushing one of the Format buttons located on the

front of the MOD 7a.

DEFAULT PROGRAM SELECTION

The MOD 7a can be “programmed” to power up in any

desired format.  While the unit is powered up, set the EX

mode as desired.  Then, press and hold the format button for

the desired default format for two seconds.  The indicator

light for that format should flash off and on.  This indicates a

successful “programmed” default.

VOLUME LEVEL

The front panel 

FADER 

control is used to set the system level

for any format.  The system was calibrated with the 

FADER

at the one o’clock position, which is where most prints will

play at a normal level.

MUSIC LEVEL CONTROL

The music level should have been preset by the installer of

the sound system.  However, if any change in music level is

desired then the LM (Left) and RM (Right) music level

controls can be turned to change the overall volume level.

These trimpots are located behind the front panel on the

right front of the main circuit board.  The front panel is

mounted on hinges and latched by magnets, so a light tug on

the top of the panel should open it for access.

BYPASS SWITCH

The MOD 7a contains an emergency bypass system that will

keep the sound on the screen in the event of a failure of the

processor. This special circuitry is activated by the 

BYPASS

switch, which is located behind the front panel on the front

right of the main circuit board. The switch is bright red, and

switching it to the right puts the system in 

BYPASS

, to the

left is 

NORMAL 

mode. During 

BYPASS

, sound is pro-

duced only through the Center channel.

BYPASS 

uses the same preamp circuitry as normal opera-

tion.  The power is supplied simultaneously by the main

supply and a small backup power pack.  In the unlikely

event of preamp circuitry failure, the backup system may

not function.  If this happens, please contact your service

technician or call the SMART factory.

EX Format

The 

EX 

function (activated by the button on the front panel)

applies special processing to the Left Surround and Right

Surround channels in 

DIGITAL 

format.  This process

extracts the Center Surround (REAR) channel. If your

system is equipped for EX playback, SMART recommends

keeping EX turned on all the time.

If your cinema is NOT equipped to play in EX format, then

make sure to keep the EX format turned off.

OPERATING INSTRUCTIONS

Summary of Contents for MOD7a

Page 1: ...OD7a Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to di...

Page 2: ...fective parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures...

Page 3: ...p matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11...

Page 4: ...have to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton Th...

Page 5: ...surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7a processes both stereo and mono music sources from tape CD or cartridge players The music is processed through...

Page 6: ...aserDisc VCR Factory setting Preamp Configuration The MOD 7a preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of ea...

Page 7: ...d CS channel Factory setting or an overhead OS chan nel Overhead Channel Configuration The MOD 7a can be configured to deliver an overhead channel from digital soundtracks If you are using a digital p...

Page 8: ...ors The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET...

Page 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Page 10: ...ripe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using th...

Page 11: ...e toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active when...

Page 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Page 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Page 14: ...PREAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While a...

Page 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Page 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or mult...

Page 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Page 18: ...R control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTROL...

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