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INSTALLATION & OPERATION

13

Required Equipment

·

sound pressure level meter

·

real time analyzer (RTA) with a calibrated microphone

·

dual trace oscilloscope

·

multimeter

·

a tuning wand

·

S.M.P.T.E. Buzz Track Loop

·

C.A.T. #97 Stereo Cell Alignment Film

·

C.A.T. #69 Test Film

Before Calibrating

Turn on sound systems for 1/2 hour.

Turn off the EX feature.

Close the auditorium doors.

A-CHAIN CALIBRATION

The A chain is usually considered to be the signal path

originating from the solar cell and continuing to the

processor’s master fader.  This signal path includes the

preamp, noise reduction and matrix stages.

Preliminary

Clean soundhead optics, exciter lamp, optical lens and

solar cell before attempting a soundhead alignment.

Set exciter lamp voltage for at least 80% of rated voltage.

BMX 9 volt 4 amp – 7.2 volts

BXN 10 volt 5 amp – 8 volts

Most foreign 6.3 volt 4 amp – 5 volts

Make sure film/cell spacing is approximately 1 mm with

the slit image striking the top one-third of the solar cell.

Open the MOD 7a front panel and connect Oscilloscope

and real time analyzer to the TP7 (left preamp) and TP8

(right preamp) test points.

TP7 and TP8 are located on the bottom side of the front

center of the MOD 7a main board between the J1 and J2

connectors.  TPG (GROUND) is located to the left of J1, also

on the bottom side.

Turn Gain controls fully clockwise.

Turn Slit Loss controls fully counterclockwise.

The Preamp Gain controls are R1 and L1 for projector 1,

and R2 and L2 for projector 2.  The Slit Loss controls are

LHF1 and RHF1 for projector 1, and LHF2 and RHF2 for

projector 2.  Both sets of trimpots are located on the left

hand side of the front of the main circuit board.

SYSTEM SETUP

Turn the master FADER all the way down to avoid exces-

sive noises in the auditorium for the next steps.

Soundhead Alignment

1

Play a S.M.P.T.E. Buzz Track loop.

2 Adjust the lateral film guide assembly, laser lens

assembly or exciter lamp assembly while monitoring the

preamp signals with the oscilloscope.

3 Adjust for minimum signal on the left and right chan-

nels.

Refer to specific instructions in the projector soundhead

manual.  Minor variations in alignment procedure depend

on the individual mechanical design of the soundhead.

4.

Play C.A.T. # 97 Stereo Cell Alignment Film.

5. Move laser lens or solar cell laterally and vertically

until you have achieved minimum crosstalk between

channels (see figure 6).

6. Repeat steps 1-5 until no further improvement can be

obtained.

7.

Play Pink Noise side of C.A.T. #69 Test Film.

8. Switch oscilloscope to X/Y Mode.

9. Adjust sound head optical lens azimuth for narrowest

diagonal trace (see figure 7).

Figure 6.  Low crosstalk between channels

Summary of Contents for MOD7a

Page 1: ...OD7a Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to di...

Page 2: ...fective parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures...

Page 3: ...p matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11...

Page 4: ...have to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton Th...

Page 5: ...surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7a processes both stereo and mono music sources from tape CD or cartridge players The music is processed through...

Page 6: ...aserDisc VCR Factory setting Preamp Configuration The MOD 7a preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of ea...

Page 7: ...d CS channel Factory setting or an overhead OS chan nel Overhead Channel Configuration The MOD 7a can be configured to deliver an overhead channel from digital soundtracks If you are using a digital p...

Page 8: ...ors The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET...

Page 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Page 10: ...ripe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using th...

Page 11: ...e toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active when...

Page 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Page 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Page 14: ...PREAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While a...

Page 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Page 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or mult...

Page 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Page 18: ...R control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTROL...

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