SILVER Audio Processor 4Bmini User’s manual
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Audemat-Aztec SA – Audemat-Aztec INC
web: www.audemat-aztec.com - e-mail: [email protected]
Factory Presets
The factory presets in the SILVER Audio Processor 4Bmini are not supposed to be de facto standards by any means
but are starting points for you to create your own user presets. It is impossible to create presets that will suit every
format and market. What is right for one market is not usually right for another. The staff at AUDEMAT-AZTEC will be
able to help you refine your sound further if none of the factory presets meet your requirement.
V1.2 contains the following factory presets:
F1 BYPASS
This preset force gates the AGC’s setting them to unity gain and disables the limiter. The clipper thresholds are
raised and drives are appropriately set so that audio passes through the unit unprocessed.
F2 AC
A nice balance for lighter formats where loudness is not everything.
F3 CHR1
This preset provides a good starting point for pop music formats in competitive markets. Nice, open sound.
F4 CHR2
More aggressive preset for pop and Top40 formats. Can sound distorted with certain program material, but
produces very consistent sound on various program material.
F5 LOUD BASS
A preset for competitive stations who want loudness and more of a signature sound with lots of bass. This presets
packs a maximum amount of bass while still remaining loud.
F6 HOT!
Very loud presets that pushes it to the limit. Can sound fatiguing and distorted, but for those who like presence
and loudness ,this one is the choice.
F7 ROCK
For various rock programming. It's competitively loud as well. High-end is open and airy which complements the
genre well, while bass is solid and punchy.
F8 SMOOTH
Controlled bass and highs with this preset will make your sound roll.
F9 EASY LISNIN
Another nicely flowing preset for easy listening music. Soft and a bit closed-in. Your female audience will
appreciate this one.
F10 CLASSICAL
Name speaks for itself. Very transparent and preserves the tonal balance of the source material.
F11 TALK
Fast releases and tight transient control keeps the voices intelligible and where they should be - in the mix.
F12 URBAN
Has the most amount of bass of all presets as it appropriate for urban, hip-hop, dance and other formats looking
for huge amounts of bass. With other music this preset can sound a bit muddy, so be careful. It's not as loud as
some other factory presets.
