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A Lens that Produces an Astonishing Image

The Sigma DP2x feature 
an integral standard lens

A lens with a focal length of 40mm 
to 60mm on a 35mm film camera is 
known as a “standard lens” because 
it delivers natural perspective, close to 
what the human eye perceives.  
The usual definition of a standard lens 
is one that has a focal length close 
to the diagonal length of the image 
format. The focal length of the DP2x's 
lens is 24.2mm, and the diagonal 
length of the image sensor is 24.86mm. 
So, the lens used in the DP2x 
really does deserve to be called 
a standard lens.

In the past, standard lenses have 
traditionally been of either the Tessar 
or the Gauss type. The Gauss type is 
basically used for larger apertures with 
high performance. Its disadvantages 
include susceptibility to saggital 
coma flare when used with a point 
light source, and a tendency for the 
light volume to decrease towards the 
periphery. The Tessar type, on the other 
hand, has a simple structure, making 
it easy to miniaturize. However, its 
drawback is that it tends not to deliver 
high performance at larger apertures.

Adapting SLR lens technology 
for our own purposes

Sigma believes that a photo is only 
as good as the lens it was taken with. 
So we decided that the kind of quality 
we wanted for the DP2x would not 
be attainable using the traditional 
techniques used to design standard 
lenses. We rethought the design from 
the development stage, and 
set out in pursuit of the highest 
possible lens performance. 
We took the bold step of using 
a retrofocus lens of the type mainly 
used as wide-angle lenses for SLRs.

Besides having the excellent 
telecentricity vital in lenses for digital 
cameras, this retrofocus lens has 

many other advantages: for example, 
this format makes it easy to suppress 
field curvature and astigmatism, 
and to ensure that the light volume 
stays the same right to the periphery. 
However the lens does need to be 
longer. Therefore, in order to minimize 
the total length of the lens while still 
attaining ideal image quality, 
we used two groups of lens elements: 
the group at the front have a high 
refractive index, and the group at the 
rear are aspherical glass-mold lenses. 
This way, we successfully developed 
a standard lens with a relatively 
modest overall length, but very high 
optical performance.

A super-high-performance lens that's 
flat as a pancake right to the edge

In order to maintain high resolution 
and contrast from the center of the 
screen right to the edge, 
and to allow scope for those cool 
background-blur effects, we aimed 
for the kind of MTF and all-round 
lens performance only available with 
single-index lenses. We are confident 
that the DP2x's lens, improved time 
and time again in the interests of 
delivering the best possible finished 
image, encapsulates Sigma's expertise 
as a leading manufacturer of lenses. 
The impact of the eye-popping 
image quality delivered by the DP2x's 
lens is something you really need to 
see for yourself.

The DP2x's integral lens is of the retrofocus 
type. Besides having the excellent telecentricity 
vital in lenses for digital cameras, this 
retrofocus lens has many other advantages: 
for example, this format makes it easy to 
suppress field curvature and astigmatism, 
and to ensure that the light volume stays the 
same right to the periphery. However the lens 
does need to be longer. Therefore, in order 
to minimize the total length of the lens while 
still attaining ideal image quality, we used two 
groups of lens elements: the group at the front 
have a high refractive index, and the group 
at the rear are aspherical glass-mold lenses. 
This way, we successfully developed 
a standard lens with a modest overall length, 
but very high optical performance.

As well as employing a rear-focus system, 
we used aspherical glass-mold lenses, 
enabling aberration variation to be minimized. 
And the elements that make up the DP2x's 
lens have been treated with a super-multilayer 
coating that succeeds in keeping ghosting 
and flare to a minimum.

That's not all. Some of the DP2x's lens 
elements are hyperchromatic, which enables 
chromatic aberrations to be corrected to a large 
extent, without impacting other aberrations. 
This means that even with a wide-open 
aperture, the images produced have minimal 
color flare, and are nice and sharp and crisp, 
right to the edge. The Foveon X3®, which 
delivers amazing color resolution, also makes 
a big contribution to the very high level of 
“emotional image quality” delivered.

The construction of the special-design lens

Sigma Lens 24.2mm F2.8 / MTF Chart

10 lp

30 lp

Spatial Frequency

Sagittal Line

Meridional Line

The MTF chart gives the results at the wide-open aperture.

Glassmold Aspherical Lens

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IMAGE HEIGHT (mm)

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Summary of Contents for DP2X

Page 1: ...The Sigma DP series The world s only all in one compact camera with the full spec of an SLR Well now we ve taken things even further Meet the Sigma DP2x ...

Page 2: ... that principle Camera formats and mechanisms may change with the times But the definition of a good camera is timeless It s one that takes a great picture Those are Sigma s photographic convictions as embodied in the DP1 Considering its compact body the DP1 delivers amazing picture quality It created a whole new high performance category and won a whole lot of fans The DP2x the successor to the D...

Page 3: ...Camera SIGMA DP2 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 30s Aperture Value F2 8 Focal Length 24 2 mm 03 ...

Page 4: ...Camera SIGMA DP2 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 60s Aperture Value F2 8 Focal Length 24 2 mm 04 ...

Page 5: ...specific jobs An expensive large format camera tends to be brought out for a clear cut purpose a family celebration a trip a special event Those shots are fun to take and certainly pack an emotional punch But if you had to choose your own best ever picture would it be one you took on a special occasion We re guessing it wouldn t That glimpse of unexpected beauty on your daily commute early in the ...

Page 6: ...he product Sure when you have to shoot from just one spot with no physical room to move a high magnification zoom lens covering the range from wide angle to telephoto is the height of convenience And conversely when your single focal length lens has the wrong field angle for the situation you might not get the ideal shot Nevertheless despite this inconvenience many amateur photographers still love...

Page 7: ...07 ...

Page 8: ...Camera SIGMA DP2 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 640s Aperture Value F2 8 Focal Length 24 2 mm 08 ...

Page 9: ...Camera SIGMA DP2 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 640s Aperture Value F2 8 Focal Length 24 2 mm 09 ...

Page 10: ...10 ...

Page 11: ...Camera SIGMA DP2 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 6s Aperture Value F8 Focal Length 24 2 mm 1 1 ...

Page 12: ...Camera SIGMA DP2 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 1000s Aperture Value F5 6 Focal Length 24 2 mm 12 ...

Page 13: ...13 ...

Page 14: ...o a different dimension Picture this Light traveling through a small lens is captured by a small sensor and turned into an image Light travelling through a large sensor is captured by a large sensor and turned into an image What s the difference between these two images Essentially it s a difference in quality In the case of the small image sensor the image is magnified by a high ratio when it s p...

Page 15: ...This photograph shows the approximate dimensions of the Sigma DP2x 15 ...

Page 16: ...dging Bayer filter image sensor the Foveon X3 takes color resolution to a new and truly amazing level Since it does not need a color filter the direct image sensor does not generate the color artifacts that color filters by their very nature tend to produce This of course means that no optical low pass filter is needed either This full color capture system can cope with all kinds of high frequency...

Page 17: ... cameras using a Bayer color filter has yet another filter known as an optical low pass or blurring filter interposed between the lens and the sensor in order to suppress color artifacts The optical low pass filter acts on the images resolved at a high level by the imaging lens its job being to eliminate any detailed elements likely to generate color artifacts high frequency areas above a certain ...

Page 18: ...ical performance A super high performance lens that s flat as a pancake right to the edge In order to maintain high resolution and contrast from the center of the screen right to the edge and to allow scope for those cool background blur effects we aimed for the kind of MTF and all round lens performance only available with single index lenses We are confident that the DP2x s lens improved time an...

Page 19: ...19 ...

Page 20: ...amera into your printer and the image data files are ready to share with your friends and family If you want email friendly image files that can be transferred straight from your camera JPEG mode wins hands down on convenience However when you create a JPEG file the data is subjected to irreversible compression which leaves very little scope for image correction afterwards And here s the rub if yo...

Page 21: ... is less sensitive to color data than to brightness data this historical format has survived intact to this day and is still used as the mainstream format in digital cameras However now that digital camera performance has improved so dramatically people are using their photos in different ways displaying enlargements on their computer screens and large photo prints are mainstream Today s output co...

Page 22: ...nto the essence of photography Sigma s design policy is to empower the photographer to concentrate on the core task taking pictures Our top priority is to deliver the functionality and reliability this requires That s way in adding extra features we ve been generous to a fault The rather simple user interface we gave the DP1 has been refined for the DP2 making it even easier to shoot pictures just...

Page 23: ...23 ...

Page 24: ... Number of Pixels Aspect Ratio Foveon X3 direct image sensor CMOS 20 7 x 13 8mm 0 8in x 0 5in Total Pixel 14 45 MP 2 688 x 1 792 x 3 layers Effective Pixel 14 06 MP 2 652 x 1 768 x 3 layers 3 2 IMAGE SENSOR Metering System Exposure Control System Exposure Compensation AE Lock Auto Bracketing TTL Full Aperture Metering 1 Evaluative Metering 2 Center Weighted Average Metering 3 Spot Metering P Progr...

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