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Roland XV-2020, Owner'S Manual

The Roland XV-2020 offers an extensive range of high-quality sounds to enhance your musical creations. Unlock its full potential with the comprehensive Owner's Manual that you can easily download for free from our website. Discover endless possibilities and unleash your creativity with this exceptional synthesizer module.

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MIDI Implementation

MIDI Implementation

|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 9                 (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 27 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 10                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 2B | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 11                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 2F | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 12                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 33 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 13                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 37 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 14                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 3B | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 15                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 3F | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 16                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 43 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 17                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 47 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 18                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 4B | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 19                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|#      00 4F | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | Reverb Parameter 20                (12768 — 52768) |
|             |           |                                   —20000 — +20000  |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 53 | Total Size                                                     |
+——————————————————————————————————————————————————————————————————————————————+

❍

1-4-2-5 Rhythm Tone

+——————————————————————————————————————————————————————————————————————————————+
| Offset      |                                                                |
|     Address |                  Description                                   |
|—————————————+————————————————————————————————————————————————————————————————|
|       00 00 | 0aaa aaaa | Tone Name 1                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 01 | 0aaa aaaa | Tone Name 2                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 02 | 0aaa aaaa | Tone Name 3                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 03 | 0aaa aaaa | Tone Name 4                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 04 | 0aaa aaaa | Tone Name 5                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 05 | 0aaa aaaa | Tone Name 6                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 06 | 0aaa aaaa | Tone Name 7                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 07 | 0aaa aaaa | Tone Name 8                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 08 | 0aaa aaaa | Tone Name 9                             (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 09 | 0aaa aaaa | Tone Name 10                            (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 0A | 0aaa aaaa | Tone Name 11                            (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|       00 0B | 0aaa aaaa | Tone Name 12                            (32 — 127) |
|             |           |                                  32 — 127 [ASCII]  |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 0C | 0000 000a | Assign Type                                (0 — 1) |
|             |           |                                     MULTI, SINGLE  |
|       00 0D | 000a aaaa | Mute Group                                (0 — 31) |
|             |           |                                       OFF, 1 — 31  |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 0E | 0aaa aaaa | Tone Level                               (0 — 127) |
|       00 0F | 0aaa aaaa | Tone Coarse Tune                         (0 — 127) |
|             |           |                                          C—1 — G9  |
|       00 10 | 0aaa aaaa | Tone Fine Tune                          (14 — 114) |
|             |           |                                         —50 — +50  |
|       00 11 | 000a aaaa | Tone Random Pitch Depth                   (0 — 30) |
|             |           |                      0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
|             |           |                    10, 20, 30, 40, 50, 60, 70, 80, |
|             |           |                       90, 100, 200, 300, 400, 500, |
|             |           |                    600, 700, 800, 900, 1000, 1100, |
|             |           |                                              1200  |
|       00 12 | 0aaa aaaa | Tone Pan                                 (0 — 127) |
|             |           |                                         L64 — 63R  |
|       00 13 | 00aa aaaa | Tone Random Pan Depth                     (0 — 63) |
|       00 14 | 0aaa aaaa | Tone Alternate Pan Depth                 (1 — 127) |
|             |           |                                         L63 — 63R  |
|       00 15 | 0000 000a | Tone Env Mode                              (0 — 1) |
|             |           |                                   NO—SUS, SUSTAIN  |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 16 | 0aaa aaaa | Tone Dry Send Level                      (0 — 127) |
|       00 17 | 0aaa aaaa | Tone Chorus Send Level                   (0 — 127) |
|       00 18 | 0aaa aaaa | Tone Reverb Send Level                   (0 — 127) |
|       00 19 | 0aaa aaaa | Tone Chorus Send Level (non MFX)         (0 — 127) |
|       00 1A | 0aaa aaaa | Tone Reverb Send Level (non MFX)         (0 — 127) |
|       00 1B | 0000 aaaa | Tone Output Assign                        (0 — 12) |
|             |           |                          MFX, A, B<*>, C<*>, D<*>, |
|             |           |          1, 2, 3<*>, 4<*>, 5<*>, 6<*>, 7<*>, 8<*>  |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 1C | 00aa aaaa | Tone Pitch Bend Range                     (0 — 48) |
|       00 1D | 0000 000a | Tone Receive Expression                    (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 1E | 0000 000a | Tone Receive Hold—1                        (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 1F | 0000 000a | Tone Receive Pan Mode                      (0 — 1) |
|             |           |                                CONTINUOUS, KEY—ON  |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 20 | 0000 00aa | WMT Velocity Control                       (0 — 2) |
|             |           |                                   OFF, ON, RANDOM  |
|—————————————+———————————+————————————————————————————————————————————————————|

|       00 21 | 0000 000a | WMT1 Wave Switch                           (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 22 | 0000 00aa | WMT1 Wave Group Type                       (0 — 3) |
|             |           |                      INT, SR—JV80, SRX, SAMPLE<*>  |
|#      00 23 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT1 Wave Group ID                     (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|#      00 27 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT1 Wave Number L (Mono)              (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|#      00 2B | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT1 Wave Number R                     (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|       00 2F | 0000 00aa | WMT1 Wave Gain                             (0 — 3) |
|             |           |                               —6, 0, +6, +12 [dB]  |
|       00 30 | 0000 000a | WMT1 Wave FXM Switch                       (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 31 | 0000 00aa | WMT1 Wave FXM Color                        (0 — 3) |
|             |           |                                             1 — 4  |
|       00 32 | 000a aaaa | WMT1 Wave FXM Depth                       (0 — 16) |
|       00 33 | 0000 000a | WMT1 Wave Tempo Sync                       (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 34 | 0aaa aaaa | WMT1 Wave Coarse Tune                   (16 — 112) |
|             |           |                                         —48 — +48  |
|       00 35 | 0aaa aaaa | WMT1 Wave Fine Tune                     (14 — 114) |
|             |           |                                         —50 — +50  |
|       00 36 | 0aaa aaaa | WMT1 Wave Pan                            (0 — 127) |
|             |           |                                         L64 — 63R  |
|       00 37 | 0000 000a | WMT1 Wave Random Pan Switch                (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 38 | 0000 00aa | WMT1 Wave Alternate Pan Switch             (0 — 2) |
|             |           |                                  OFF, ON, REVERSE  |
|       00 39 | 0aaa aaaa | WMT1 Wave Level                          (0 — 127) |
|       00 3A | 0aaa aaaa | WMT1 Velocity Range Lower                (1 — 127) |
|             |           |                                         1 — UPPER  |
|       00 3B | 0aaa aaaa | WMT1 Velocity Range Upper                (1 — 127) |
|             |           |                                       LOWER — 127  |
|       00 3C | 0aaa aaaa | WMT1 Velocity Fade Width Lower           (0 — 127) |
|       00 3D | 0aaa aaaa | WMT1 Velocity Fade Width Upper           (0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 3E | 0000 000a | WMT2 Wave Switch                           (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 3F | 0000 00aa | WMT2 Wave Group Type                       (0 — 3) |
|             |           |                      INT, SR—JV80, SRX, SAMPLE<*>  |
|#      00 40 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT2 Wave Group ID                     (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|#      00 44 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT2 Wave Number L (Mono)              (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|#      00 48 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT2 Wave Number R                     (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|       00 4C | 0000 00aa | WMT2 Wave Gain                             (0 — 3) |
|             |           |                               —6, 0, +6, +12 [dB]  |
|       00 4D | 0000 000a | WMT2 Wave FXM Switch                       (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 4E | 0000 00aa | WMT2 Wave FXM Color                        (0 — 3) |
|             |           |                                             1 — 4  |
|       00 4F | 000a aaaa | WMT2 Wave FXM Depth                       (0 — 16) |
|       00 50 | 0000 000a | WMT2 Wave Tempo Sync                       (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 51 | 0aaa aaaa | WMT2 Wave Coarse Tune                   (16 — 112) |
|             |           |                                         —48 — +48  |
|       00 52 | 0aaa aaaa | WMT2 Wave Fine Tune                     (14 — 114) |
|             |           |                                         —50 — +50  |
|       00 53 | 0aaa aaaa | WMT2 Wave Pan                            (0 — 127) |
|             |           |                                         L64 — 63R  |
|       00 54 | 0000 000a | WMT2 Wave Random Pan Switch                (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 55 | 0000 00aa | WMT2 Wave Alternate Pan Switch             (0 — 2) |
|             |           |                                  OFF, ON, REVERSE  |
|       00 56 | 0aaa aaaa | WMT2 Wave Level                          (0 — 127) |
|       00 57 | 0aaa aaaa | WMT2 Velocity Range Lower                (1 — 127) |
|             |           |                                         1 — UPPER  |
|       00 58 | 0aaa aaaa | WMT2 Velocity Range Upper                (1 — 127) |
|             |           |                                       LOWER — 127  |
|       00 59 | 0aaa aaaa | WMT2 Velocity Fade Width Lower           (0 — 127) |
|       00 5A | 0aaa aaaa | WMT2 Velocity Fade Width Upper           (0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|       00 5B | 0000 000a | WMT3 Wave Switch                           (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 5C | 0000 00aa | WMT3 Wave Group Type                       (0 — 3) |
|             |           |                      INT, SR—JV80, SRX, SAMPLE<*>  |
|#      00 5D | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT3 Wave Group ID                     (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|#      00 61 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT3 Wave Number L (Mono)              (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|#      00 65 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | WMT3 Wave Number R                     (0 — 16384) |
|             |           |                                    OFF, 1 — 16384  |
|       00 69 | 0000 00aa | WMT3 Wave Gain                             (0 — 3) |
|             |           |                               —6, 0, +6, +12 [dB]  |
|       00 6A | 0000 000a | WMT3 Wave FXM Switch                       (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 6B | 0000 00aa | WMT3 Wave FXM Color                        (0 — 3) |
|             |           |                                             1 — 4  |
|       00 6C | 000a aaaa | WMT3 Wave FXM Depth                       (0 — 16) |
|       00 6D | 0000 000a | WMT3 Wave Tempo Sync                       (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 6E | 0aaa aaaa | WMT3 Wave Coarse Tune                   (16 — 112) |
|             |           |                                         —48 — +48  |
|       00 6F | 0aaa aaaa | WMT3 Wave Fine Tune                     (14 — 114) |
|             |           |                                         —50 — +50  |
|       00 70 | 0aaa aaaa | WMT3 Wave Pan                            (0 — 127) |
|             |           |                                         L64 — 63R  |
|       00 71 | 0000 000a | WMT3 Wave Random Pan Switch                (0 — 1) |
|             |           |                                           OFF, ON  |
|       00 72 | 0000 00aa | WMT3 Wave Alternate Pan Switch             (0 — 2) |
|             |           |                                  OFF, ON, REVERSE  |
|       00 73 | 0aaa aaaa | WMT3 Wave Level                          (0 — 127) |
|       00 74 | 0aaa aaaa | WMT3 Velocity Range Lower                (1 — 127) |
|             |           |                                         1 — UPPER  |
|       00 75 | 0aaa aaaa | WMT3 Velocity Range Upper                (1 — 127) |
|             |           |                                       LOWER — 127  |
|       00 76 | 0aaa aaaa | WMT3 Velocity Fade Width Lower           (0 — 127) |
|       00 77 | 0aaa aaaa | WMT3 Velocity Fade Width Upper           (0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|

Summary of Contents for XV-2020

Page 1: ...feature provided by your new unit Owner s Manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference Listening to the Demo Songs fig Cover 1 Turn CATEGORY BANK to choose DEMO ALL flashes on the display 2 Turn VALUE to choose the song you want to hear 3 Press VALUE The display shows PLy and Demo Play starts 4 Press VALUE once more to stop the Perform...

Page 2: ...fying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug NEUT...

Page 3: ...r electric shock 009 Do not excessively twist or bend the power cord nor place heavy objects on it Doing so can damage the cord producing severed elements and short circuits Damaged cords are fire and shock hazards 010 This unit either alone or in combination with an amplifier and headphones or speakers may be capable of producing sound levels that could cause permanent hearing loss Do not operate...

Page 4: ...n 102d Always grasp only the output plug or the body of the AC adaptor when plugging into or unplugging from this unit or an outlet 103b Whenever the unit is to remain unused for an extended period of time disconnect the AC adaptor 104 Try to prevent cords and cables from becoming entangled Also all cords and cables should be placed so they are out of the reach of children 106 Never climb on top o...

Page 5: ... result of a malfunction or the improper operation of the unit To protect yourself against the risk of loosing important data we recommend that you periodically save a backup copy of important data you have stored in the unit s memory in another MIDI device e g a sequencer 552 Unfortunately it may be impossible to restore the contents of data that was stored in another MIDI device e g a sequencer ...

Page 6: ...erformance 38 Switching the Mode Patch Performance 39 Using an External MIDI Device to Select Patches and Change Other Settings 40 Advanced Use 43 Creating a Patch 44 How a Patch Is Organized 44 Tips for Creating a Patch 45 Choosing the Tones That Sound Tone On Off 45 Confirming Tones 45 Patch Parameter 46 More Advanced Editing of Tones 51 Tips for Choosing a Waveform 52 Adjusting Effect Settings ...

Page 7: ...MIDI System Basic Settings 96 Playing Back a GM Score 96 Making Effects Settings in GM Mode EFFECTS 97 Making Settings for Each Part 98 Examples of Applications Using the XV 2020 99 Controlling the XV 2020 in real time Using an External MIDI Device 99 Applications for Patches 100 Changing Part Settings from an External MIDI Device 103 Appendix 105 Installing a Wave Expansion Board 106 Installation...

Page 8: ... Connector The XV 2020 has a USB connector on its front panel so that you can easily connect your computer Supports General MIDI system Level 2 The XV 2020 provides a mode compatible with General MIDI System Level 2 the standard format for desktop music DTM systems The upwardly compatible General MIDI 2 standards pick up where the original General MIDI standard left off offering enhanced expressiv...

Page 9: ...de Pressing the VALUE knob while holding down the VOLUME knob switches you to the Edit mode 9 CATEGORY BANK Knob Used to switch the sound selection range In the Edit mode it is used to select the parameter to be set For more information about the CATEGORY BANK knob s functions in Edit mode refer to the EDIT PARAMETER SELECT chart on the XV 2020 s top panel fig 00 01a 10 POWER Switch Pressed to swi...

Page 10: ...r feet when attaching them fig 00 03e Installing on the Rack Mount Adaptor When installing on the rack mount adaptor RAD 50 sold separately use the screw M4 x 8 included with the rack mount adaptor fig 00 04e OU T IN MID I AC IN 12V 500 mA USE BOS S BRA ADA PTO R ONL Y JV 101 0 THR U affix the supplied rubber feet onto the bottom of the unit Screw M4 x 8 When mounting the unit using the rack mount...

Page 11: ...nd MIDI cables as shown in the diagram If connecting headphones plug the headphones into the PHONES jack If using the XV 2020 with a computer also refer to the following pages USB connection Windows p 13 USB connection Macintosh p 24 Connection with MIDI cable p 30 DC IN AC adaptor USB cable Computer MIDI IN MIDI OUT Headphones MIDI keyboard MIDI sequencer etc Monitor speakers powered Stereo set e...

Page 12: ...their factory defaults so that the XV 2020 operates as described in the procedures in the owner s manual This returns all settings stored in memory in the XV 2020 to the values they had when the unit was shipped from the factory fig 00 06 1 While holding down VOLUME press VALUE The indication in the display begins flashing and the mode changes 2 Turn CATEGORY BANK to choose PIANO UTILITY 3 Rotate ...

Page 13: ...I cable to make a MIDI connection Depending on the type of connection you are using install the appropriate driver and make the appropriate settings USB connection Windows p 13 USB connection Macintosh p 24 Connecting with MIDI cables p 30 What is a driver fig USB 00 e A driver is software that transfers data between the XV 2020 and application software running on your computer when your computer ...

Page 14: ...g software applications Also close any open windows If you are using virus checking or similar software be sure to exit it as well 7 Prepare the CD ROM Insert the CD ROM into the CD ROM drive of your computer 8 Open the Run dialog box Click the Windows start button From the menu that appears select Run If you are using Windows XP Professional you must log on using a user name with an administrativ...

Page 15: ...to connect the XV 2020 to your computer 12 Set the XV 2020 s power switch to the ON position Near the task bar your computer will indicate Found New Hardware Please wait fig 2 6_30 13 The Found New Hardware wizard will appear Make sure that the screen indicates ROLAND XV 2020 select Install from a list or specific location Advanced and click Next fig 2 7_30 14 The screen will indicate Please choos...

Page 16: ...ick Yes If you changed What action do you want Windows to take If you changed the What action do you want Windows to take setting in step 4 restore the original setting after Windows restarts 1 If you are using Windows XP Professional log on to Windows using the user name of an administrative account e g Administrator 2 Click the Windows start menu and from the menu select Control Panel 3 In Pick ...

Page 17: ...e Driver Signing Options dialog box Click the Hardware tab and then click Driver Signing If in step 4 the What action do you want Windows to take setting was not set to Ignore a Digital signature not found dialog box will appear fig 2 5_35 If What action do you want Windows to take is set to Warn 1 Click Continue Anyway 2 Continue the installation fig 2 5a_35 If What action do you want Windows to ...

Page 18: ...ive name of your CD ROM drive fig 2 15_40 11 The SETUPINF dialog box will appear You are now ready to install the driver Do not click OK at this time 12 Connect the XV 2020 1 With the XV 2020 s power switch turned off connect it to the AC adaptor 2 Plug the AC adaptor into an AC power outlet 3 Use the USB cable to connect the XV 2020 to your computer 13 Set the XV 2020 s power switch to the ON pos...

Page 19: ... Restart Windows The System Settings Change dialog box may appear Click Yes Windows will restart automatically If in step 5 the File signature verification setting was not set to Ignore a Digital signature not found dialog box will appear fig 2 16_40 If File signature verification is set to Warn 1 Click Yes 2 Continue the installation fig 2 16a_40 If File signature verification is set to Block 1 C...

Page 20: ...install the driver Do not click OK at this time If you changed File signature verification If you changed the File signature verification setting in step 5 restore the original setting after Windows restarts 1 After Windows restarts log in to Windows as a user with administrative privileges such as Administrator 2 In the Windows desktop right click the My Computer icon and from the menu that appea...

Page 21: ... menu that appears select Control Panel 2 Open the Sounds and Multimedia Properties dialog box or in Windows XP Sounds and Audio Devices Properties Windows 2000 Me In Control Panel double click the Sounds and Multimedia icon to open the Sounds and Multimedia Properties dialog box Windows XP In Pick a category click Sound Speech and Audio Devices Next in or pick a Control Panel icon click the sound...

Page 22: ...utton and from the menu that appears select Settings Control Panel fig 2 29_50 2 Open the Multimedia Properties dialog box In Control Panel double click the Multimedia icon to open the Multimedia Properties dialog box 3 Click the MIDI tab 4 Set MIDI output Select Single instrument and choose the ROLAND XV 2020 5 Click OK to complete the settings Proceed to the following page Windows XP users Enabl...

Page 23: ...ng field select Background services and click OK 8 In the System Properties dialog box click OK The System Properties dialog box will close Deleting the USB MIDI Driver If you were not able to install the XV 2020 driver according to the procedure or if you are unable to use the XV 2020 even after installing the driver you must delete the driver After deleting the driver use the procedure described...

Page 24: ...C power outlet 4 Use the USB cable to connect the XV 2020 to your computer 5 Turn on the peripheral devices connected to the Macintosh except for the XV 2020 Then turn on the power of the Macintosh itself Do not turn on the power of the XV 2020 at this time What is a driver fig USB 00 e A driver is software that transfers data between the XV 2020 and application software running on your computer w...

Page 25: ...the XV 2020 is turned on a message like the following will appear when the Macintosh is started up Perform the steps described below as appropriate for the message that is displayed If the screen indicates Driver required for USB device unknown device is not available Search for driver on the Internet click Cancel If the screen indicates Software required for using device unknown device cannot be ...

Page 26: ...Macintosh fig USB 02 e fig oms 05_50 2 Double click the OMS Setup icon fig oms 06 e_70 3 If the Apple Talk dialog box appears click Turn It Off Then in the dialog box that appears next click OK fig oms 07 e_75 4 The Create a New Studio setup dialog box appears Click OK This unit is equipped with a protection circuit A brief interval a few seconds after power up is required before the unit will ope...

Page 27: ...ny other names except XV 2020 fig oms 11 e_70 9 The Save dialog box appears Input the desired file name and click Save fig oms 12 e_75 10 Select Test Studio in the Studio Menu and check it in order to verify whether sound is produced 11 In the My Studio Setup Window click the keyboard icon When you move the mouse pointer near the keyboard icon the pointer will change to the shape of an eighth note...

Page 28: ... are using a virus checker or similar software be sure to exit this as well 2 Prepare the CD ROM Insert the CD ROM into the CD ROM drive fig 3 3_50 3 Double click the FM E icon found in the XV 2020 folder XV Driver E folder of the CD ROM to start up the installer 4 Verify the installation location and click Install fig 3 2_40 5 If a message like the following is displayed click Continue The other ...

Page 29: ...in Studio Location and click Add fig fm 07 e eps_70 7 When settings are complete click Done A setting window like the following appears fig fm 08_70 8 From the File menu select Save and save your settings To prevent malfunction and or damage to speakers or other devices always turn down the volume and turn off the power on all devices before making any connections USB cable Computer XV 2020 If you...

Page 30: ...lling the Included Editor Software To help you get more out of your XV 2020 it comes with XV Editor software Use XV Editor to freely create your own original sounds Detailed instructions on installing the software can be found in the online manual contained on the XV Editor CD ROM Windows users In the XV Editor CD ROM open the Readme_E txt Macintosh users In the XV Editor CD ROM open the ReadMe XV...

Page 31: ...mance as being the orchestra itself To continue the orchestra analogy a Performance is made up of the parts assigned to the respective instruments called naturally enough Parts You can enjoy ensemble play by combining a total of 16 Patches or Rhythm Sets into one such Part fig 00 10e In other words a Performance allows you to produce sixteen separate sounds with a single XV 2020 Tone 1 Tone 2 Tone...

Page 32: ...32 MEMO ...

Page 33: ...33 Quick Start Quick Start ...

Page 34: ... the currently selected bank USr USER and the patch number appear in alternation on the display fig 01 08e 3 Rotate VALUE to reselect the Patch and check out the sounds of other patches Playing a Patch on the XV 2020 from an External MIDI Device MIDI Keyboard The XV 2020 produces sound in response to MIDI messages it receives from an external MIDI device such as a MIDI keyboard or sequencer Try co...

Page 35: ...ctory Reset is executed the Receive channel is set to the channel selected with the PART knob 3 Turn PART to choose 1 Here 1 becomes the XV 2020 s receive channel 4 Play the MIDI keyboard to hear the currently selected XV 2020 Patch MIDI message indicator will lights when a MIDI message is received via MIDI connector or USB connector fig 01 05 Choosing Patches You can use either of two methods to ...

Page 36: ...512 patches with 128 Patches in a single bank stored in memory which cannot be overwritten GM General MIDI p 129 These are patches for the General MIDI System which is designed to standardize the specifica tions for MIDI functions for all manufacturers and models There are 128 patches stored in mem ory which cannot be overwritten EXP A B These are banks for use with Wave Expansion Boards installed...

Page 37: ...O Electric Piano KEY ORGAN KEY KEYBOARDS Other Keyboards Clav Harpsichord etc BEL BELL Bell Bell Pad MLT MALLET Mallet ORG ORGAN Electric and Church Organ ACD ACCORDION Accordion HRM HARMONICA Harmonica Blues Harp GTR BS AGT AC GUITAR Acoustic Guitar EGT EL GUITAR Electric Guitar DGT DIST GUITAR Distortion Guitar BS BASS Acoustic and Electric Bass SBS SYNTH BASS Synth Bass OCH BRS STR STRINGS Stri...

Page 38: ...he part 3 Rotate CATEGORY BANK to switch the bank then rotate VALUE to select the Patch SYN PAD HLD HARD LEAD Hard Synth Lead SLD SOFT LEAD Soft Synth Lead TEK TECHNO SYNTH Techno Synth PLS PULSATING Pulsating Synth FX SYNTH FX Synth FX Noise etc SYN OTHER SYNTH Poly Synth BPD BRIGHT PAD Bright Pad Synth SPD SOFT PAD Soft Pad Synth VOX VOX Vox Choir ETHNIC PLK PLUCKED Plucked Harp etc ETH ETHNIC O...

Page 39: ...his mode when changing Rhythm Set settings XV 2020 Rhythm Sets can be used in any Part in a Performance You can also select the desired multi effects for a Rhythm Set Choose this mode when changing GM2 settings To change to Edit mode While holding down VOLUME press VALUE You can switch between Play modes by pressing VALUE Rotate the CATEGORY BANK knob to the DEMO position Choose this mode when lis...

Page 40: ...nsmission by the external MIDI device and the XV 2020 s reception channel to the same MIDI channel see p 94 Immediately after Factory Reset is executed the Receive channel is set to the channel selected with the PART knob 4 Send a Bank Select MSB Control Number 0 value of 87 to the XV 2020 If you want to select a Rhythm Set send a value of 86 5 Next send a Bank Select LSB Control Number 32 value o...

Page 41: ... external MIDI device s send channel to 16 For instructions on making this setting refer to the owner s manual for the external MIDI device 4 Send a Bank Select MSB Control Number 0 with a value of 85 to the XV 2020 5 Next send a Bank Select LSB Control Number 32 with a value of 65 6 Send a Program Change with a value of 29 The Performance number appearing in the display changes to 29 Each Perform...

Page 42: ...42 MEMO ...

Page 43: ...eters That Can Be Affected Using the XV 2020 p 117 Connecting the XV 2020 to your computer with a USB cable requires installation of the USB driver For Those Using a Computer p 13 For more on installing XV Editor Refer to p 30 The mode indicators change from solidly lit to flashing whenever a parameter is edited If you turn off the power or choose another Patch Rhythm set Performance while the ind...

Page 44: ...waveform material that provides the basis of the Tone Two waveforms can be assigned to each Tone The XV 2020 has 1083 different waveforms See Waveform List p 121 All Patches built into the XV 2020 consist of combinations of Tones based on these waveforms TVF Time Variant Filter This specifies how the frequency components of the Tone change TVA Time Variant Amplifier This determines how the volume ...

Page 45: ... you understand how the currently selected Tones are affecting each other p 48 Turn off effects Since the XV 2020 effects have such a profound impact on its sounds turn off a Patch s effects during programming so you can more clearly hear the changes you re making Actually sometimes just changing effects settings can give you the sound you want p 76 Choosing the Tones That Sound Tone On Off Here s...

Page 46: ... or rightward OUTPUT ASSIGN MFX A 1 2 TONE Specifies the output destination for the Patch MFX Sends the Patch into the Multi Effects The output destination is deter mined by the Multi Effects output setting A Output from OUTPUT 1 Output from L 2 Output from R TONE Sends each Tone in the Patch to its programmed output destination OCTAVE SHIFT 3 3 Sets the pitch of the Patch in units of an octave CO...

Page 47: ... or more notes can be played simultaneously LEGATO SW Legato Switch OFF ON Turn this parameter on when you want to use the Legato feature and off when you don t Legato is a function that works only when the Key Assign Mode is MONO When Legato is ON pressing one key when another is already pressed causes the currently playing note s pitch to change to that of the newly pressed key while continuing ...

Page 48: ... similar to the dis tortion often used on an electric guitar What is a Ring Modulator A Ring Modulator mathematically multiplies two Tones creating a new sound that includes inhar monic overtones that were not present in either of the two original Tones Since the difference in pitch between the two Tones changes the overtone structure an un pitched metallic sound often results Ring mod ulation is ...

Page 49: ...er 1 UPPER Sets the lowest velocity at which the Tone sounds UPPER TMT Velocity Range Upper LOWER 127 Sets the highest velocity at which the Tone sounds It is not possible to set the Lower value higher than the Upper value or the Up per value below the Lower value FADE UPPER TMT Velocity Fade Width Upper 0 127 Determines what happens to the Tone s level when the Tone is played at a velocity greate...

Page 50: ...tch 1 4 OFF ON REV Selects the Tone to which the two previous parameter settings are ap plied ON turns signifies that the Tone is selected for control OFF that it s not selected and REV REVERSE that the change being ap plied is inverted when applied to this Tone Parameter Value Description RCV BENDER Tone Receive Bender Switch OFF ON If you want the Tone to respond to Pitch Bend messages turn this...

Page 51: ...e C B 64 63 Adjusts the pitch of each note in one cent steps 1 100th of a semitone relative to its equal tempered pitch Equal Temperament This scale divides an octave into 12 equal parts using the tuning system that is most widely used in Western music Pure Temperament Tonic is C With this tuning the three fundamental chords sound richer compared to equal temperament This effect only applies to on...

Page 52: ...ustaining sound by using an envelope If you were to program such an envelope you would be attempting to shape a portion of the sound that simply doesn t exist and the envelope would have no effect Notes for editing looped waveforms With many acoustic instruments such as piano and sax extreme timbral changes occur during the first few moments of each note This initial attack is what defines much of...

Page 53: ...pecified Delay Time HOLD The Tone will only sound if the key is held for longer than the specified Delay Time If the key is released before the Delay Time has elapsed the Tone will not sound KEY OFF NOR The Tone doesn t sound while the key is being pressed but sounds after the specified Delay Time when the key is released KEY OFF DCY The Tone doesn t sound while the key is be ing pressed but sound...

Page 54: ...ch time a key is pressed If you don t want a random pitch change set this parameter to 0 The setting is adjustable in units of 1 cent 1 100th of a semitone PITCH KF Wave Pitch Key follow 200 200 Sets the amount of pitch change that occurs per octave on the keyboard If you want the pitch to change by one octave for each 12 keys on the keyboard as on traditional keyboard in struments set this parame...

Page 55: ... above Middle C Negative settings cause the times to be lengthened for notes above Middle C ENV VEL SENS Pitch Envelope Velocity Sensitivity 63 63 Adjust this parameter when you want your keyboard playing dynamics velocity to affect the amount of pitch enveloping With higher settings there is a greater difference in the amount of enveloping when notes are played softly or when they re played hard ...

Page 56: ...plied the effect is continuous with each higher key that is pressed in the upper registers select a positive value To in crease the elapsed time select a negative value Higher values result in greater change If you don t want the elapsed time before the LFO effect is applied to change according to the key pressed set this to 0 Refer to the diagrams for Pitch Envelope Time Keyfollow LFO1 2 FADE MOD...

Page 57: ...or creating percussive sounds by rolling of their low er frequencies thus emphasizing their higher ones PKG A Peaking Filter emphasizes frequencies around the cutoff frequency by raising their level You can use this to create wah wah effects by employing an LFO to change the cutoff frequency cyclically LPF2 Low Pass Filter 2 This reduces the volume of all frequencies above the cutoff frequency Thi...

Page 58: ...ency When V Curve is set to FIXED the cutoff frequency remains unchanged regardless of how hard or soft the keys are played VEL SENS Cutoff Frequency Velocity Sensi tivity 63 63 Sets the amount of change to the Cutoff setting to be applied as a result of changes in playing velocity With higher settings there is a greater amount of change be tween softly and strongly played notes Negative settings ...

Page 59: ...Value Description LEVEL Tone Level 0 127 Sets the Tone s basic volume This setting is useful primarily for adjusting the volume balance between Tones in a Patch The overall volume of the Patch is set by the Patch Level PATCH COMMON p 46 set ting raising or lowering the Tone level settings of its individual Tones by the selected amount VEL CURVE TVA Level Velocity Curve FIXED 1 7 Chooses one of sev...

Page 60: ... TVA Envelope Time Key follow 100 100 Use this parameter when you want a note s keyboard position to affect times T2 T4 of the TVA envelope Higher settings change the times by a greater amount as you move away from Middle C C4 at Middle C the original T1 T4 settings are in effect Pos itive settings cause the times to shorten as you play above Middle C Negative settings cause the times to lengthen ...

Page 61: ...Y Multi Effects Dry Send Level SEND LEVEL CHO Multi Effects Chorus Send Level SEND LEVEL REV Multi Effects Reverb Send Level OUTPUT ASSIGN Multi Effects Output Assign CONTROL SOURCE 1 4 Multi Effects Control Source 1 4 DESTINATION 1 4 Multi Effects Control Destination 1 4 SENS 1 4 Multi Effects Control Sensitivity 1 4 Parameter Description TYPE Chorus Type Refer to p 80 LEVEL Chorus Level OUTPUT S...

Page 62: ...l change TVA Time Variant Amplifier This sets how the Rhythm Tone s volume and stereo positioning will change Envelope An envelope applies changes to the Rhythm Tone over time There are separate envelopes for pitch TVF filter and TVA volume For example you would use the TVA Envelope to modify the way in which the Rhythm Tone attacks and decays Choosing the Tones That Sound Tone On Off Refer to p 4...

Page 63: ... using up to 12 alphanumeric characters When using the XV editor click on the left side to name the Tone LEVEL Rhythm set level 0 127 This sets the overall volume of the Rhythm Set To set the volume of each Rhythm Tone use the Rhythm Tone Level p 67 OUTPUT ASSGIN Rhythm output assign MFX A 1 2 TONE This sets the output destination of the Rhythm Set MFX The Rhythm Set is sent into the Multi Effects...

Page 64: ... Width Upper 0 127 This determines what will happen to the waveform s level when it is played at a velocity upper than its specified velocity range Higher settings produce a more gradual change in volume If you don t want notes played outside the specified velocity range to be heard at all set this to 0 Parameter Value Description WAVE GROUP INT EXP A EXP B This selects the desired waveform s grou...

Page 65: ... pitch settings that occur over time the effect of velocity on the pitch envelope and the basic characteristics of the pitch envelope itself ENV DEPTH Pitch envelope depth 12 12 This determines the amount of pitch enveloping to be used higher settings result in more extreme enveloping Negative settings invert the direction of the changes made by the Pitch Envelope ENV VEL SENS Pitch envelope veloc...

Page 66: ...disables the Resonance setting LPF3 Low Pass Filter 3 reduces the volume of frequencies above the cutoff frequency While similar to LPF2 it filter reduces the frequencies more gently than LPF2 This can be very effective with acoustic instrument based Tones since nothing is done to weak en the power and energy of the sound This disables the Resonance setting CUTOFF Cutoff frequency 0 127 This selec...

Page 67: ...lue will change more signif icantly depending on whether you play softly or with greater force With positive set tings greater keyboard velocity will reduce the T1 setting With negative settings greater keyboard velocity will increase the T1 setting Use this parameter when you want velocity to affect T1 time of the TVF envelope For higher settings there will be a greater difference between softly ...

Page 68: ...velocity sensitivity 63 63 Use this parameter when you want key off velocity the speed at which you release a key to affect T4 Time 4 of the TVA envelope With higher settings the T4 value will change more significantly depending on whether you release the key slowly or quick ly With positive settings faster key off velocity will reduce the T4 setting With negative settings faster key off velocity ...

Page 69: ...u want the Tone to respond to Hold 1 messages turn this parameter on If not turn it off RCV PAN MODE Rhythm tone receive pan mode CONTINUOUS KEY ON CONTINUOUS Pan messages will be responded to immediately instantly changing the stereo position of the Rhythm Tone KEY ON The stereo loca tion of the Rhythm Tone will be changed only when the next note is played If a Pan message is received while a not...

Page 70: ...me This type of Performance is referred to as a Layer fig 01 11e Playing Different Patches In Different Areas of the Keyboard Split In a Performance you can divide the keyboard into separate ranges and assign a different Patch to each range This can be done by selecting the same MIDI reception channel for multiple Parts and then changing the pitch range over which each Part plays This type of keyb...

Page 71: ...mance Name space A Z a z 0 9 _ You can give a Performance a name of up to 12 characters When using the XV editor click on the left side to name the Tone SOLO PART SELECT OFF 1 16 Select the Part whose sound you want to hear Parts other than the Part you choose here will not sound MFX CTRL CH Multi Effects Control Channel 1 16 OFF Sets the channel that controls Multi effects assigned to the Perform...

Page 72: ... instrument Patch such as sax or flute MONO Only one note sounds at a time POLY Two or more notes can be played simultaneously PAT The Part uses the Patch s Mono Poly setting LEGATO Part Legato Switch OFF ON PAT Turn this parameter ON when you want to use the Legato feature and OFF when you don t Legato is a feature that works only when the Key Assign Mode is MONO When Legato is ON pressing one ke...

Page 73: ...quen cy Resonance and TVF and TVA Envelope attack and release time settings OFFSET COF Part Cutoff Offset 64 63 Raises or lowers the TVF cutoff frequency settings for each of the Tones in the Part s sound OFFSET RES Part Resonance Offset 64 63 Raises or lowers the TVF Resonance settings for each of the Tones in the Part s sound OFFSET ATK Part Attack Time Offset 64 63 Raises or lowers the TVF TVA ...

Page 74: ...Modulation Switch OFF ON Sets whether the Part responds to received MIDI Modulation messages ON or not OFF RCV VOLUME Receive Volume Switch OFF ON Sets whether the Part responds to received MIDI Volume messages ON or not OFF RCV PAN Receive Pan Switch OFF ON Sets whether the Part responds to received MIDI Pan messages ON or not OFF RCV EXP Receive Expression Switch OFF ON Sets whether the Part res...

Page 75: ...qual temperament Turn this on when you wish to use a tuning scale other than equal temperament KEY C B SCALE 64 63 Adjusts the pitch of each note in one cent steps 1 100th of a semitone relative to its equal tem pered pitch Parameter Value TYPE Multi Effects Type Refer to p 80 SEND LEVEL DRY Multi Effects Dry Send Level SEND LEVEL CHO Multi Effects Chorus Send Level SEND LEVEL REV Multi Effects Re...

Page 76: ... connecting effects in series or in parallel Furthermore while chorus and reverb can be found among the Multi effects types the following chorus and reverb are handled with a different system In GM mode you cannot use Multi effects Chorus Chorus adds fatness and breadth to the sound A GM exclusive Chorus can be used in GM mode Reverb Reverb adds an ambience to sounds so they seem to be playing in ...

Page 77: ...g MIDI messages to change the Multi effects parameters in realtime select the Multi effects controller 5 Setting the Output Destination and Volume for the Sounds Passing Through the Multi Effects p 80 Select the output jack and set the output level volume of the sounds passing through the Multi effects You can also apply Chorus or Reverb to the sound that passes through Multi effects 6 Making Chor...

Page 78: ...You can also settings for a Patch or Rhythm Set assigned to a Part 2 Setting the Amount of Each Effect Applied Send Level p 79 Sets the level volume of each effect signal to be sent for each Part 3 Making Multi Effects Settings p 80 Select the type of Multi effects to be used and set the parameters for the selected Multi effect You can also Multi effects settings for a Patch or Rhythm Set assigned...

Page 79: ...sounds from the L and 2 jacks When the Output Assign parameter is set to PATCH the output level settings for the Patch or Rhythm Set as well as the Part go into effect If you want the various level settings of the Patch Rhythm Set to be reflected as they are set the various Part levels to 127 maximum For more on how to set each effect refer to the pages shown below Multi effects p 80 Chorus p 81 R...

Page 80: ...ction i e a lower value toward the left or slower etc from its current setting select a negative value Higher numbers produce a greater amount of change SOURCE MFX Multi Effects Source PERFORM PART 1 16 Selects the Multi effects parameter settings that will be used by the Perfor mance If you wish to use the Performance settings select PERFORM If you wish to use the settings of the Patch Rhythm Set...

Page 81: ...Basic frequency of the filter PHASE 0 180 deg Spatial spread of the sound Parameter Value Description TYPE ROOM1 ROOM2 STAGE1 STAGE2 HALL1 HALL2 DELAY PAN DELAY Type of reverb delay ROOM1 short reverb with high density ROOM2 short reverb with low density STAGE1 reverb with greater late reverberation STAGE2 reverb with strong early reflections HALL1 very clear sounding reverb HALL2 rich reverb DELA...

Page 82: ...VE Creates a soft distortion similar to that produced by vacuum tube amplifiers fig 02 002m 3 DISTORTION Produces a more intense distortion than Overdrive The parameters are the same as for 2 OVERDRIVE fig 02 003m Parameter Value Description Low Freq 200 400 Hz Frequency of the low range Low Gain 15 15 dB Gain of the low frequency range Mid1 Freq 200 8000 Hz Frequency of Middle Range 1 Mid1 Gain 1...

Page 83: ...e Description Sens 0 127 Sensitivity of the enhancer Mix 0 127 Level of the overtones generated by the enhancer Low Gain 15 15 dB Gain of the low frequency range of fre quencies High Gain 15 15 dB Gain of the high frequency range of fre quencies Level 0 127 Output level Phaser Resonance Mix L in R in L out R out Pan R Pan L Spectrum L out R out Pan R Pan L L in R in L in R in L out R out Mix Mix E...

Page 84: ... Pan L64 63R Stereo location of the LIMITER output L in R in L out R out Pan R Pan L Compressor 2 Band EQ L in R in L out R out Pan R Pan L Limiter 2 Band EQ Parameter Value Description Rate 0 05 10 00 Hz Frequency of modulation Depth 0 127 Depth of modulation Depth Deviation 20 20 Adjusts the difference in modula tion depth between each chorus layer Pre Delay 0 0 100 0 ms Adjusts the time until c...

Page 85: ...15 dB Gain of the high frequency range Balance D100 0W D0 100W Volume balance between the direct sound D and the chorus sound W Level 0 127 Output level L in R in Space D Space D L out R out 2 Band EQ 2 Band EQ Balance W Balance W Balance D Balance D L in R in Chorus Chorus L out R out 2 Band EQ 2 Band EQ Balance W Balance W Balance D Balance D Parameter Value Description Rate 0 05 10 00 Hz Freque...

Page 86: ...eedback Balance W Balance D Balance W Balance D 2 Band EQ 2 Band EQ Delay Delay R in R out L in L out Feedback Feedback Balance W Balance D Balance W Balance D 2 Band EQ 2 Band EQ Delay Delay Parameter Value Description Delay Left 0 0 500 0 ms Adjusts the time until the delay sound is heard Delay Right Feedback 98 98 Adjusts the amount of the delay sound that s fed back into the effect Negative se...

Page 87: ...d D and the delay sound W Level 0 127 Output level L in R in L out R out Left Tap Right Tap Triple Tap Delay 2 Band EQ 2 Band EQ Balance W Balance D Balance W Balance D Feedback Center Tap L in R in L out R out Quadruple Tap Delay Balance W Balance D Balance W Balance D Delay 1 Delay 2 Delay 3 Delay 4 Feedback 1 2 3 4 L R Parameter Value Description Delay 200 1000 ms Adjusts the time until the del...

Page 88: ...l As the frequency is set lower more of the high frequencies are cut resulting in a softer and more muted reverb If you don t want to cut any high fre quencies set this parameter to BY PASS Low Gain 15 15 dB Gain of the low frequency range High Gain 15 15 dB Gain of the high frequency range Balance D100 0W D0 100W Volume balance between the direct sound D and the reverb sound W Level 0 127 Output ...

Page 89: ...the overdrive Delay Time 0 0 500 0 ms Adjusts the time until the delay is heard Dly Feedback 98 98 Adjusts the amount of the delay sound that s fed back into the ef fect Negative settings invert the phase Dly HF Damp 200 8000 Hz BYPASS Adjusts the frequency above which sound fed back to the effect is filtered out If you don t want to filter out any high frequencies set this parameter to BYPASS Dly...

Page 90: ...h of modulation Cho Delay 0 0 100 0 ms Adjusts the time until the cho rus is heard Cho Balance D100 0W D0 100W Volume balance between the direct sound D and the cho rus sound W Delay Time 0 0 500 0 ms Adjusts the time until the delay is heard Dly Feedback 98 98 Adjusts the amount of the de lay sound that s fed back into the effect Negative settings invert the phase Dly HF Damp 200 8000 Hz BYPASS A...

Page 91: ...ance between the direct sound D and the chorus sound W Flg Rate 0 05 10 00 Hz Modulation frequency of the flanger effect Flg Depth 0 127 Modulation depth of the flanger effect Flg Feedback 98 98 Adjusts the amount of the flanger sound that s fed back into the effect Negative settings invert the phase Flg Delay 0 0 100 0 ms Adjusts the time until the flanger sound is heard Flg Balance D100 0W D0 10...

Page 92: ...se are changed You cannot save GM Bank Patch and Rhythm Set settings Saving with the Included XV Editor When using XV Editor included with the XV 2020 you can click WRITE to save data fig 07 01 To load saved Patches Rhythm Sets Performances click READ Initializing a Sound INITIALIZE This feature resets all of the parameters in the current Patch Performance Rhythm Set or Rhythm Tone to their standa...

Page 93: ...erformance Mode Parameters for the currently selected Performance and the Patches and Rhythm Sets assigned to its Parts GM Mode Bank Select and Program Changes are transmitted not by Exclusive messages but by means of MIDI Channel messages For more on the MIDI Channel messages that are transmitted refer to the MIDI Implementation p 136 1 Select the Performance Patch Rhythm Set or GM mode settings ...

Page 94: ... de vice so the tempo value will be ignored PERFORM CTRL CH Performance Control Channel 1 16 OFF When changing Performances by MIDI messages from the external device set the transmit channel of the external device and this channel to the same channel When you perform a Factory Reset operation Control Channel is reset to 16 PATCH RCV CH Patch Rhythm Set Receive Channel 1 16 Set this channel to use ...

Page 95: ... Edit mode Parameter Value Description MIDI USB Thru OFF ON OFF MIDI messages arriving at the MIDI IN and the USB connectors are all sent to the sound generator ON MIDI messages arriving at the MIDI IN connector are output as is from the USB con nector while the MIDI messages that arrive at the USB connector are output through the MIDI OUT connector When this parameter is set to ON the sound gener...

Page 96: ... the GM indicator to light up to switch to GM mode 2 While holding down VOLUME press VALUE 3 Turn CATEGORY BANK to choose UTILITY PIANO 4 Press VALUE to choose ini 5 When you press VALUE Sur is displayed and a confirmation screen appears 6 Press VALUE Initialize is executed Playing Back a GM Score When the XV 2020 is in GM mode it plays back GM scores correctly But beyond this the XV 2020 provides...

Page 97: ...Description CHORUS TYPE CHORUS1 4 FB CHORUS FLANGER Selects the type of Chorus CHORUS 1 4 Chorus1 4 FB CHORUS Feedback Chorus FLANGER Flanger CHORUS RATE 0 127 Specifies the modulation frequency of the Chorus sound CHORUS DEPTH 0 127 Sets the depth of the modulations of the Chorus sound CHORUS FEEDBACK LEVEL 0 127 Adjusts the amount of Chorus sound that is returned fed back to the Chorus Higher se...

Page 98: ...M Patch or Rhythm Set assigned to a Part RESONANCE OFFSET Part Resonance Offset 64 63 Adjusts the Resonance for the GM Patch or Rhythm Set assigned to a Part ATTACK OFFSET Part Attack Time Offset 64 63 Adjusts the TVA Envelope Attack Time for the GM Patch or Rhythm Set assigned to a Part RELEASE OFFSET Part Release Time Offset 64 63 Adjusts the TVA Envelope Release Time for the GM Patch or Rhythm ...

Page 99: ...et to 00 THROUGH CONTROL SOURCE MFX CONTROL SOURCE1 4 DESTINATION MFX CONTROL DESTINATION1 4 This chooses the Multi Effects parameter to be controlled using the MFX Control Source 1 4 SENS MFX CONTROL SENS1 4 If you wish to change the selected parameter in a positive direction i e a higher value toward the right or faster etc from its current setting choose a positive value If you wish to change t...

Page 100: ...er settings ON activates the control of a Tone OFF de activates it and REV reverses the or nature of the change being applied Applications for Patches Syncing the LFO Cycle to the System Tempo 1 Click PATCH 2 Click the for PATCH NAME to select the Patch to be synchronized fig 08 01 eps_50 fig 08 02 eps_50 3 Click DETAIL for PATCH COMMON then set CLOCK SOURCE to SYSTEM fig 08 06a eps_50 fig 08 06b ...

Page 101: ...ANGER is used for the Multi Effects 1 Click PATCH 2 Click the for PATCH NAME to select the Patch to be used fig 08 01 eps_50fig 08 02 eps_50 3 Click DETAIL for PATCH COMMON then set CLOCK SOURCE to SYSTEM fig 08 06a eps_50 fig 08 06b 4 Click PARAM for MFX This puts you in the PATCH MFX screen 5 Click TYPE and select 16 STEP FLANGER fig 08 03 eps_50fig 08 10 eps_50 6 Make sure that STEP RATE is set...

Page 102: ... s delay time changes along with it fig 08 08a eps_50 fig 08 08b Playing Phrase Loops at a System s Tempo An optional Wave Expansion Board can contain Patches based on waveforms that are timed in BPM phrase loops You can play these phrase loops in sync with the System Tempo 1 Click PATCH 2 Click the for PATCH NAME and select the Patch being used in the phrase loop fig 08 01 eps_50 fig 08 02 eps_50...

Page 103: ...g Part Settings from an External MIDI Device By sending Control Change messages for different Part settings including volume panning and pitch you can change these settings remotely from an external MIDI device connected to the XV 2020 This lets you control fade ins and fade outs open and close filters and exercise other controls in real time from the external MIDI device The parameters that can b...

Page 104: ... the MIDI channel of the Part whose volume you want to change For information on how to set up your external MIDI controller refer to its owner s manual 2 Operate the external MIDI device adjust its controls play its sequencer etc to send the desired MIDI messages As sound changes occur displayed parameter values reflect the changes you make About RPN RPN Registered Parameter Number is an extended...

Page 105: ...105 Appendix Appendix ...

Page 106: ... need to store or transport it Do not touch any of the printed circuit pathways or connection terminals Never use excessive force when installing a circuit board If it doesn t fit properly on the first attempt remove the board and try again When circuit board installation is complete double check your work Install only the specified board and remove only the specified screws Be careful not to cut ...

Page 107: ...he board is attached EXP A or B and the last two digits of the Wave Expansion Board s model name flash twice in the display For example If you have an SRX 01 Dynamic Drum Kits connected to the EXP A connector A01 will flash twice 3 Turn CATEGORY BANK to choose EXP A B fig 1 05 If 001 appears in the display the Wave Expansion Board has been installed correctly If the display shows it s likely that ...

Page 108: ... la carte dedans si vous devez la ranger ou la transporter 911 F Ne pas toucher aux circuits imprimés ou aux connecteurs 912 F Ne jamais forcer lors de l installation de la carte de circuits imprimés Si la carte s ajuste mal au premier essai enlevez la carte et recommencez l installation 913 F Quand l installation de la carte de circuits imprimés est terminée revérifiez si tout est bien installé I...

Page 109: ... chiffres du numéro de modèle de la carte d expansion Wave clignotent deux fois sur l affichage Par exemple si la carte d expansion Wave SRX 01 Dynamic Drum Kits est installée A01 clignote deux fois sur l affichage 3 Tournez CATEGORY BANK pour sélectionner EXP A iB fig 1 05 Si 001 s affiche la carte d expansion Wave a été installée correctement Si est affiché il est probable que la carte d expansi...

Page 110: ...e key range settings correct Check the key range settings of each Tone and each Part Tone p 49 Part p 73 Has the volume been lowered by volume expression messages received from an external device The volume will return to normal when the power is turned on once again Are the effect settings correct Check settings such as Effect On Off p 76 and Effect Balance and Level p 76 Are the output destinati...

Page 111: ... XV 2020 is a General MIDI system compatible sound source there may be cases in which GS format song data will not playback correctly If playing back GM scores is the sound generator in GM mode Switch to GM mode p 39 Is the Patch mode selected When song data is played back in the Patch mode only the sound of a single Part is played Change to the Performance mode then play the song data p 31 Proble...

Page 112: ...sing the procedure for Deleting the USB MIDI Driver p 23 delete the USB audio device driver installed in your computer and then re install the XV 2020 driver as described in Installing Setup the Driver Windows p 13 Also check whether there is any Unknown device in Other devices or Universal Serial Bus Controllers If you find any delete them Is OMS or FreeMIDI installed The XV 2020 driver cannot be...

Page 113: ...or Windows XP 2000 click the Hardware tab and then click the Device Manager button 3 Double click Other device or Universal Serial Bus Controller to display a list of devices 4 From the list select the unknown device and click Delete 5 In the dialog box that asks you to confirm the deletion click OK 6 Verify that Other device or Unknown device is not displayed in the list and click Close to close ...

Page 114: ... USB Device USB Device USB Device and USB composite device that you find 9 If you find ROLAND XV 2020 USB Driver with a yellow or a red displayed beside it delete this in the same way 10 When you have finished deleting the unwanted devices click OK in the System Properties dialog box 11 Turn off the power of the XV 2020 then delete the driver Deleting the USB MIDI Driver p 23 12 Restart Windows Th...

Page 115: ...uspend or Sleep mode If so get your computer to resume normal operation then exit all applications that are using the XV 2020 Next turn the XV 2020 s power off then switch it on again Did you reconnect the USB cable or turn the power of the XV 2020 off and on Exit all applications that are using the XV 2020 and turn the power of the XV 2020 off and then on once again Is OMS FreeMIDI set correctly ...

Page 116: ...DI cable to check this More MIDI messages were received in a short time than could be processed correctly Reduce the amount of MIDI messages that are trans mitted A system exclusive message that was re ceived had an incorrect check sum value Correct the check sum value A system exclusive message was not proper ly received Repeated appearance of this same error message means that there is a problem...

Page 117: ...ant to set Turn VALUE to select the desired setting Pressing VALUE to set values Write While holding down VOLUME press VALUE Changes made to the MIDI USB Thru and USB Descriptor settings are not reflected until the power is turned off then on again Performance Control Channel p 94 MIDI USB thru p 95 USB Descriptor p 95 Parameter Page Procedure LEVEL p 46 Press VALUE to make the PATCH indicator lig...

Page 118: ...GORY BANK to select UTILITY Rotating VALUE to select wrt Press VALUE to select the write destination Patch number rotating VALUE to select the write destination number Press VALUE to recheck Press VALUE to execute Transmitting Sound Settings p 93 While holding down VOLUME press VALUE Rotating CATEGORY BANK to select UTILITY Rotating VALUE to select dtr Press VALUE to recheck Press VALUE to execute...

Page 119: ... p 44 2 p 92 3 p 76 4 p 45 5 p 48 6 p 49 7 p 50 8 p 50 9 p 51 10 p 94 11 p 46 12 p 53 13 p 55 14 p 57 15 p 59 16 p 45 RHYTHM MODE fig 00 12 1 p 62 2 p 92 3 p 76 4 p 45 5 p 64 6 p 94 7 p 63 8 p 64 9 p 65 10 p 68 11 p 66 12 p 67 13 p 45 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 ...

Page 120: ...120 XV Editor Screens Page to Turn to for Info on a Parameter PERFORMANCE MODE fig 00 13 1 p 70 2 p 92 3 p 78 4 p 45 5 p 71 6 p 71 7 p 74 8 p 75 9 p 94 10 p 71 11 p 45 1 2 3 4 5 6 7 8 9 10 11 ...

Page 121: ...Stratus A 180 Stratus B 181 Stratus C 182 Scrape Gut 183 Strat Sust 184 Strat Atk 185 OD Gtr A 186 OD Gtr B 187 OD Gtr C 188 OD Gtr A 189 Heavy Gtr A 190 Heavy Gtr B 191 Heavy Gtr C 192 Heavy Gtr A 193 Heavy Gtr B 194 Heavy Gtr C 195 PowerChord A 196 PowerChord B 197 PowerChord C 198 EG Harm 199 Gt FretNoise 200 Syn Gtr A 201 Syn Gtr B 202 Syn Gtr C 203 Harp 1A 204 Harp 1B 205 Harp 1C 206 Harp Har...

Page 122: ... 555 JD SynPulse2 556 JD SynPulse3 557 JD SynPulse4 558 Synth Pulse1 559 Synth Pulse2 560 JD SynPulse5 561 Sync Sweep 562 Triangle 563 JD Triangle 564 Sine 565 Metal Wind 566 Wind Agogo 567 Feedbackwave 568 Spectrum 569 CrunchWind 570 ThroatWind 571 Pitch Wind 572 JD Vox Noise 573 Vox Noise 574 BreathNoise 575 Voice Breath 576 White Noise 577 Pink Noise 578 Rattles 579 Ice Rain 580 Tin Wave 581 An...

Page 123: ...REV RkRimpL 918 REV RkRimpR 919 REV RkRimmfL 920 REV RkRimmfR 921 REV RkRimfL 922 REV RkRimfR 923 REV RkGstL 924 REV RkGstR 925 REV SnareGst 926 REV JzSNpL 927 REV JzSNpR 928 REV JzSNmfL 929 REV JzSNmfR 930 REV JzSNfL 931 REV JzSNfR 932 REV JzSNffL 933 REV JzSNffR 934 REV JzRimpL 935 REV JzRimpR 936 REV JzRimmfL 937 REV JzRimmfR 938 REV JzRimfL 939 REV JzRimfR 940 REV JzRimffL 941 REV JzRimffR 942...

Page 124: ...ass BS GTR BS 46 4 POLY 64 D9 Trcker SBS GTR BS 63 2 MONO No Name Category Category No Voice Key Assign 65 HybStringsXV STR OCH BRS 10 4 POLY 66 Wind Wood WND OCH BRS 45 4 POLY 67 NewR RBrass BRS OCH BRS 58 8 POLY 68 PortaSynLd HLD SYN PAD 9 2 MONO 69 Sine Lead SLD SYN PAD 25 1 MONO 70 Happy Brass TEK SYN PAD 66 8 POLY 71 GermanBounce PLS SYN PAD 69 4 POLY 72 Waspy Pulse SYN SYN PAD 132 2 POLY 73 ...

Page 125: ...21 4 POLY 63 Belfry Chime BEL 22 3 POLY 64 True Vibe MLT 23 2 POLY No Name Category Category No Voice Key Assign 65 Warm Vibes MLT 24 2 POLY 66 Dyna Marimba MLT 25 1 POLY 67 Ambient Wood MLT 26 2 POLY 68 Nomad Perc MLT 27 3 POLY 69 Exotic Velo MLT 28 4 POLY 70 Islands Mlt MLT 29 4 POLY 71 Steel Drums MLT 30 1 POLY 72 Soft Perky ORG 31 5 POLY 73 Soft B ORG 32 2 POLY 74 Gospel Spin ORG 33 3 POLY 75 ...

Page 126: ... POLY 63 Dolce p m f STR 3 6 POLY 64 Sad Strings STR 4 6 POLY No Name Category Category No Voice Key Assign 65 Marcato STR 5 2 POLY 66 String Ens STR 6 4 POLY 67 Marcato Str STR 7 4 POLY 68 Fat Strings STR 8 3 POLY 69 UltraSmooth STR 9 2 POLY 70 HybStringsXV STR 10 4 POLY 71 ViolinCello STR 11 4 POLY 72 Lead 4x Vlns STR 12 4 POLY 73 ChmbrQuartet STR 13 4 POLY 74 FullChmbrStr STR 14 6 POLY 75 Film ...

Page 127: ... 4 POLY 62 Phunky DC TEK 42 2 MONO 63 Shortrave TEK 43 2 POLY 64 Cross Fire TEK 44 2 POLY No Name Category Category No Voice Key Assign 65 Velo Tekno TEK 45 2 POLY 66 Rezoid TEK 46 4 POLY 67 Booster Bips TEK 47 2 POLY 68 Mental Chord TEK 48 4 MONO 69 House Chord TEK 49 4 MONO 70 GenderBender TEK 50 4 MONO 71 MinorIncidnt TEK 51 4 MONO 72 Winky TEK 52 8 POLY 73 Dance Zipper TEK 53 4 MONO 74 5ths in...

Page 128: ...2 JP 8Haunting SPD 170 4 POLY 63 Earth Blow SPD 171 2 POLY 64 Jet Pad SPD 172 2 POLY No Name Category Category No Voice Key Assign 65 Dimensional SPD 173 2 POLY 66 Jupiterings SPD 174 2 POLY 67 3D Flanged SPD 175 1 POLY 68 Glassy Pad SPD 176 3 POLY 69 2 2 Strings SPD 177 5 POLY 70 Moving Glass SPD 178 1 POLY 71 ShiftedGlass SPD 179 2 POLY 72 Heirborne SPD 180 4 POLY 73 Translucence SPD 181 4 POLY ...

Page 129: ...Trombone 2 1 1 125 Bright Tb 1 2 126 Tuba 1 0 59 127 MutedTrumpet 1 0 60 128 MuteTrumpet2 1 1 No Name Voice LSB PC 129 French Horns 2 0 61 130 Fr Horn 2 2 1 131 Brass 1 3 0 62 132 Brass 2 2 1 133 Synth Brass1 2 0 63 134 Pro Brass 2 1 135 Oct SynBrass 2 2 136 Jump Brass 3 3 137 Synth Brass2 2 0 64 138 SynBrass sfz 2 1 139 Velo Brass 1 2 2 140 Soprano Sax 1 0 65 141 Alto Sax 1 0 66 142 Tenor Sax 2 0...

Page 130: ...rcHit House Spectr House Train House StrSip House Crunch House Tel House Bubble Bird House Gun 2 House Metro House BakHit House TekHit House SNRoll House Loop R8 Click Metronome Hand Claps House Tom L House Tom M House Rim House Tom H 003 Techno Kit TechnoKick 6 TechnoKick 5 TechnoClHH 4 TechnoKick 4 TechnoSNGhst TechnoKick 3 TechnoClHH 3 TechnoKick 2 TechnoKick 1 TechnoStick TechnoSN 1 808 Clap T...

Page 131: ...ord House OrcHit House Spectr House Train House StrSip House Crunch House Tel House Bubble Bird House Gun 2 House Metro House BakHit House TekHit House SNRoll House Loop R8 Click Metronome Hand Claps House Tom L House Tom M House Rim House Tom H 003 Techno Kit TechnoKick 6 TechnoKick 5 TechnoClHH 4 TechnoKick 4 TechnoSNGhst TechnoKick 3 TechnoClHH 3 TechnoKick 2 TechnoKick 1 TechnoStick TechnoSN 1...

Page 132: ...ca Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick Old Kick Pop Voice Wind Agogo OpHH FX 1 Anklungs OpHH FX 2 Metronome 2 R8 Click Metronome 1 Hand Claps Jazz CrCym Crash 2 Rock RdCym2 Crash 1 003 XV Rust Kit 70s Kick 3 Old Kick Rock Roll 909 Kick 2 Rock Ghost 909 Kick 1 Rock PdHH 808Kick Long Dance Kick 1 RockStick Old Fi...

Page 133: ...ogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo 004 PC 25 GM2 ELECTRIC High Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm Click Mtrnm Bell Mix Kick Elec Kick 1 Side Stick Elec Snare 909 HandClap Elec Snare 2 Synth Drum 2 Close HiHat2 Synt...

Page 134: ...STRA Close HiHat2 Pedal HiHat2 Open HiHat2 Ride Cymbal Sticks SquareClick Mtrnm Click Mtrnm Bell Concert BD ConcertBD Mt Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym Cowbell Con Cymbal2 Vibraslap Concert Cym Bongo High Bongo Lo Mute H Conga Conga Hi Opn Conga Lo Opn High Ti...

Page 135: ...ra 006 Road2Glass 007 Analog Stack 008 Flying Keys 009 House Kit 010 Soaring 2020 011 Seven Hills 012 TeknoSplit 1 013 Nirvana 2020 014 StChorusStak 015 Bell Stack 016 Trance Fair 017 AggressiveXV 018 Techno Kit 019 PhsDyno Bs 020 Dawn Choir 021 DulcimaSteel 022 TeknoSplit 2 023 InstantScore 024 Voltage Ctrl 025 CrystalChoir 026 BlisteringLd 027 Asian Split 028 PhasePadStk 029 Hybrid Str 030 Dear ...

Page 136: ...m B 001 004 087 000 001 128 User Patch 001 128 064 001 128 Preset Patch A 001 128 065 001 128 Preset Patch B 001 128 092 000 001 SRX Rhythm 001 093 000 001 SRX Patch 001 120 001 057 GM Rhythm 001 009 121 000 001 128 GM Patch 001 256 Modulation Controller number 1 Status 2nd byte 3rd byte BnH 01H vvH n MIDI channel number 0H FH ch 1 16 vv Modulation depth 00H 7FH 0 127 Not received in Performance m...

Page 137: ... 0 63 In Performance mode the Part Attack Time Offset parameter Performance Part will change Cutoff Controller number 74 Status 2nd byte 3rd byte BnH 4AH vvH n MIDI channel number 0H FH ch 1 16 vv Cutoff value relative change 00H 40H 7FH 64 0 63 In Performance mode the Part Cutoff Offset parameter Performance Part will change Decay Time Controller number 75 Status 2nd byte 3rd byte BnH 4BH vvH n M...

Page 138: ...s that is received at the same MIDI channel after that are recognized as changing toward the value of the RPN messages In order not to make any mistakes transmitting RPN Null is recommended after setting parameters you need This device receives the following RPNs RPN Data entry MSB LSB MSB LSB Notes 00H 00H mmH llH Pitch Bend Sensitivity mm 00H 18H 0 24 semitones ll ignored processed as 00H Up to ...

Page 139: ...tus 2nd byte 3rd byte BnH 7BH 00H n MIDI channel number 0H FH ch 1 16 When All Notes Off is received all notes on the corresponding channel will be turned off However if Hold 1 or Sostenuto is ON the sound will be continued until these are turned off OMNI OFF Controller number 124 Status 2nd byte 3rd byte BnH 7CH 00H n MIDI channel number 0H FH ch 1 16 The same processing will be carried out as wh...

Page 140: ...essage Status Data byte Status F0H 7EH dev 06H 01H F7H Byte Explanation F0H Exclusive status 7EH ID number Universal Non realtime Message dev Device ID dev 10H 1FH 7FH 06H Sub ID 1 General Information 01H Sub ID 2 Identity Request F7H EOX End Of Exclusive When this message is received Identity Reply message p 146 will be transmitted GM1 System On Status Data byte Status F0H 7EH 7FH 09H 01H F7H Byt...

Page 141: ...change Master Coarse Tuning Status Data byte Status F0H 7FH 7FH 04H 04H llH mmH F7 Byte Explanation F0H Exclusive status 7FH ID number universal realtime message 7FH Device ID Broadcast 04H Sub ID 1 Device Control 04H Sub ID 2 Master Coarse Tuning llH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX End Of Exclusive llH ignored processed as 00H mmH 28H 40H 58H 24 0 24 semitones The Ma...

Page 142: ...sal realtime message 7FH Device ID Broadcast 09H Sub ID 1 Controller Destination Setting 03H Sub ID 2 Control Change 0nH MIDI Channel 00 0F ccH Controller number 01 1F 40 5F ppH Controlled parameter rrH Controlled range pp 0 Pitch Control rr 28H 58H 24 24 semitones pp 1 Filter Cutoff Control rr 00H 7FH 9600 9450 cents pp 2 Amplitude Control rr 00H 7FH 0 200 pp 3 LFO Pitch Depth rr 00H 7FH 0 600 ce...

Page 143: ...r each type of data And data requests must be made with a fixed starting address and size Refer to the address and size given in Parameter Address Map p 146 For the checksum refer to p 159 Data set 1 DT1 12H Status Data byte Status F0H 41H dev 00H 10H 12H aaH bbH F7H ccH ddH eeH ffH sum Byte Explanation F0H Exclusive status 41H ID number Roland dev Device ID dev 00H 1FH 7FH 00H Model ID 1 XV 2020 ...

Page 144: ...yte BnH 0AH vvH n MIDI channel number 0H FH ch 1 16 vv Panpot 00H 40H 7FH Left Center Right Portamento Controller number 65 Status 2nd byte 3rd byte BnH 41H vvH n MIDI channel number 0H FH ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Resonance Controller number 71 Status 2nd byte 3rd byte BnH 47H vvH n MIDI channel number 0H FH ch 1 16 vv Resonance value relative change 00H 40H 7FH 64...

Page 145: ...er number specified by RPN RPN Control Changes include RPN Registered Parameter Numbers which are extended When using RPNs first RPN Controller numbers 100 and 101 they can be sent in any order should be sent in order to select the parameter then Data Entry Controller numbers 6 and 38 should be sent to set the value Once RPN messages are received Data Entry messages that is received at the same MI...

Page 146: ... will be divied to 0AH and 0BH and is sent received in this order marked adddress or parameters are ignored when the XV 2020 received them 1 XV 2020 ModelID 00H 10H Start Address Description 01 00 00 00 Setup 1 1 02 00 00 00 System 1 2 10 00 00 00 Temporary Performance 1 3 11 00 00 00 Temporary Patch Rhythm Performance Mode Part 1 1 4 11 20 00 00 Temporary Patch Rhythm Performance Mode Part 2 14 6...

Page 147: ...aa Solo Part Select 0 32 OFF 1 16 17 32 00 0D 000a aaaa MFX Control Channel 0 16 1 16 OFF 00 0E 0000 000a MFX Control MIDI1 0 1 OFF ON 00 0F 0000 000a MFX Control MIDI2 0 1 OFF ON 00 10 0aaa aaaa Voice Reserve 1 0 64 0 63 FULL 00 11 0aaa aaaa Voice Reserve 2 0 64 0 63 FULL 00 12 0aaa aaaa Voice Reserve 3 0 64 0 63 FULL 00 13 0aaa aaaa Voice Reserve 4 0 64 0 63 FULL 00 14 0aaa aaaa Voice Reserve 5 ...

Page 148: ...52768 20000 20000 01 01 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 29 12768 52768 20000 20000 01 05 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 30 12768 52768 20000 20000 01 09 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 31 12768 52768 20000 20000 01 0D 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 32 12768 52768 20000 20000 00 00 01 11 Total Size 1 3 3 Perfo...

Page 149: ...0 128 0 127 PATCH 00 11 0aaa aaaa Part Cutoff Offset CC 74 0 127 64 63 00 12 0aaa aaaa Part Resonance Offset CC 71 0 127 64 63 00 13 0aaa aaaa Part Attack Time Offset CC 73 0 127 64 63 00 14 0aaa aaaa Part Release Time Offset CC 72 0 127 64 63 00 15 0000 0aaa Part Octave Shift 61 67 3 3 00 16 0aaa aaaa Part Velocity Sens Offset 1 127 63 63 00 17 0aaa aaaa Keyboard Range Lower 0 127 C 1 UPPER 00 18...

Page 150: ... LFO1 RATE LFO2 RATE PIT ATK PIT DCY PIT REL TVF ATK TVF DCY TVF REL TVA ATK TVA DCY TVA REL TMT FXM MFX CTRL1 MFX CTRL2 MFX CTRL3 MFX CTRL4 00 3C 0aaa aaaa Matrix Control 2 Sens 4 1 127 63 63 00 3D 0aaa aaaa Matrix Control 3 Source 0 109 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 VELOCITY KEYFOLLOW TEMPO LFO1 LFO2 PIT ENV TVF ENV TVA ENV 00 3E 00aa aaaa Matrix Control 3 Destination 1 0 33 OFF PCH...

Page 151: ...20000 00 65 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 22 12768 52768 20000 20000 00 69 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 23 12768 52768 20000 20000 00 6D 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 24 12768 52768 20000 20000 00 71 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 25 12768 52768 20000 20000 00 75 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd ...

Page 152: ...000 000a TMT3 Tone Switch 0 1 OFF ON 00 18 0aaa aaaa TMT3 Keyboard Range Lower 0 127 C 1 UPPER 00 19 0aaa aaaa TMT3 Keyboard Range Upper 0 127 LOWER G9 00 1A 0aaa aaaa TMT3 Keyboard Fade Width Lower 0 127 00 1B 0aaa aaaa TMT3 Keyboard Fade Width Upper 0 127 00 1C 0aaa aaaa TMT3 Velocity Range Lower 1 127 1 UPPER 00 1D 0aaa aaaa TMT3 Velocity Range Upper 1 127 LOWER 127 00 1E 0aaa aaaa TMT3 Velocit...

Page 153: ...127 00 73 000a aaaa LFO1 Delay Time Keyfollow 54 74 100 100 00 74 0000 00aa LFO1 Fade Mode 0 3 ON IN ON OUT OFF IN OFF OUT 00 75 0aaa aaaa LFO1 Fade Time 0 127 00 76 0000 000a LFO1 Key Trigger 0 1 OFF ON 00 77 0aaa aaaa LFO1 Pitch Depth 1 127 63 63 00 78 0aaa aaaa LFO1 TVF Depth 1 127 63 63 00 79 0aaa aaaa LFO1 TVA Depth 1 127 63 63 00 7A 0aaa aaaa LFO1 Pan Depth 1 127 63 63 00 7B 0000 aaaa LFO2 W...

Page 154: ... 20000 01 09 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 31 12768 52768 20000 20000 01 0D 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 32 12768 52768 20000 20000 00 00 01 11 Total Size 1 4 2 3 Rhythm Common Chorus Offset Address Description 00 00 0000 aaaa Chorus Type 0 1 OFF CHORUS 00 01 0aaa aaaa Chorus Level 0 127 00 02 0000 00aa Chorus Output Assign 0 3 A B C D 00 03 0000 00...

Page 155: ...WMT1 Wave Group ID 0 16384 OFF 1 16384 00 27 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd WMT1 Wave Number L Mono 0 16384 OFF 1 16384 00 2B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd WMT1 Wave Number R 0 16384 OFF 1 16384 00 2F 0000 00aa WMT1 Wave Gain 0 3 6 0 6 12 dB 00 30 0000 000a WMT1 Wave FXM Switch 0 1 OFF ON 00 31 0000 00aa WMT1 Wave FXM Color 0 3 1 4 00 32 000a aaaa WMT1 Wave FXM Depth 0 16 00 33 ...

Page 156: ...TVA Env Level 3 0 127 00 00 01 41 Total Size 2 GS Model ID 42H System Parameter Start Address Description 40 00 00 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Master Tune 24 2024 100 0 100 0 cent 40 00 04 0aaa aaaa Master Volume 0 127 40 00 05 0aaa aaaa Master Key Shift 40 88 24 24 semitone 40 00 06 0aaa aaaa Master Pan 1 127 L63 63R 40 00 7F 0aaa aaaa Mode Set 0 127 GS RESET GS EXIT Common Parameter ...

Page 157: ...epth 0 127 0 2400 cent 40 2x 2A 0aaa aaaa CAf LFO2 TVA Depth 0 127 0 100 0 40 2x 30 0aaa aaaa PAf Pitch Control 40 88 24 24 semitone 40 2x 31 0aaa aaaa PAf TVF Cutoff Control 0 127 9600 9600 cent 40 2x 32 0aaa aaaa PAf Amplitude Control 0 127 100 0 100 0 40 2x 33 0aaa aaaa PAf LFO1 Rate Control 0 127 10 0 10 0 Hz 40 2x 34 0aaa aaaa PAf LFO1 Pitch Control 0 127 0 600 cent 40 2x 35 0aaa aaaa PAf LFO...

Page 158: ...ple2 CE 49 CnH is the Program Change status and n is the MIDI channel number Since EH 14 and 49H 73 this is a Program Change message with MIDI CH 15 program number 74 Example3 EA 00 28 EnH is the Pitch Bend Change status and n is the MIDI channel number The 2nd byte 00H 0 is the LSB and the 3rd byte 28H 40 is the MSB but Pitch Bend Value is a signed number in which 40 00H 64 x 12 80 8192 is 0 so t...

Page 159: ...H 00H 00H 31H 32 2 34 0 0 0 0 49 117 sum 117 sum 128 0 quotient 117 remainder checksum 128 117 remainder 11 0BH This means that F0 41 10 00 10 11 20 02 22 00 00 00 00 31 0B F7 is the message should be sent Example3 Getting Temporary Performance data RQ1 According to the Parameter Address Map p 146 the start address of Temporary Performance is assigned as following 10 00 00 00H Temporary Performanc...

Page 160: ... Equal Temperament Just Temperament Key tone C Arabian Scale C 0 0 6 C 0 8 45 D 0 4 2 Eb 0 16 12 E 0 14 51 F 0 2 8 F 0 10 43 G 0 2 4 G 0 14 47 A 0 16 0 Bb 0 14 10 B 0 12 49 The values in the table are given in cents Convert these values to hexadecimal and transmit them as Exclusive data For example to set the tune C B of the Part 1 Arabian Scale send the following data F0 41 10 42 12 40 11 40 3A 6...

Page 161: ... 1 O O 0 127 0 127 O 1 O 1 O 1 O 1 0 127 O 1 X X X O X O 120 126 127 O X O 123 127 O X Bank select Modulation Breath type Foot type Portamento time Data entry Volume Balance Panpot Expression Hold 1 Portamento Sostenuto Soft Legato Foot Switch Hold 2 Resonance Release Time Attack Time Cutoff Decay Time Vibrato Rate Vibrato Depth Vibrato Delay General Purpose Controller 5 General Purpose Controller...

Page 162: ...types Display 7 segments 3 characters LED Connectors Headphones Jack Stereo 1 4 inch phone type USB Connector Output Jacks L MONO R 1 4 inch phone type Output Jacks L R RCA phono type MIDI Connectors IN OUT THRU DC IN Jack Ground Terminal Power Supply DC 9 V AC Adaptor Current Draw 600 mA Dimensions 218 W x 237 D x 45 H mm 8 5 8 W x 9 3 8 D x 1 13 16 H inches Weight 1 4 kg 3 lbs 2 oz excluding AC ...

Page 163: ...stall Windows 13 Settings and checking 21 Dry Send Level Multi Effects 80 part 79 tone 78 E ENHANCER 83 ENHANCER CHORUS 89 Envelope 44 62 Expansion Board 106 F Factory Reset 12 FB PITCH SHIFTER 88 Filter 57 FINE TUNE 46 FLANGER 85 FLANGER DELAY 91 FreeMIDI 28 FXM Frequency Cross Modulation 54 65 G GATED REVERB 88 General MIDI 39 General MIDI 2 39 GM Mode 96 GM GM2 System On Message 96 H HEXA CHORU...

Page 164: ...7 72 PROGRAM VERSION 95 Q QUADRUPLE TAP DELAY 87 R Rack Mount Adaptor 10 Random pitch depth 65 Receive Bank Select Switch 74 94 Receive Channel 74 Receive Channel Pressure Switch 74 Receive Expression Switch 74 Receive Hold 1 Switch 74 Receive Modulation Switch 74 Receive Pan Switch 74 Receive Pitch Bend Switch 74 Receive Polyphonic Pressure Switch 74 Receive Program Change Switch 74 94 Receive Sw...

Page 165: ...d 1 Switch 50 Tone Receive Pan Mode 50 Tone Redamper Switch 50 Tones 44 TREMOLO CHO 84 TRIPLE TAP DELAY 87 TVA 44 62 TVA ENVELOPE 60 68 TVA Level Velocity Curve 59 TVA Level Velocity Sensitivity 59 TVF 44 62 TVF ENVELOPE 58 67 TVF VELOCITY 66 U USB DESCRIPTOR 95 V VELOCITY CURVE TYPE 74 Velocity Range 64 VELOCITY SENS OFFSET 47 Voice Priority 47 VOICE RESERVE 73 W Wave FXM Color 54 Wave FXM Depth ...

Page 166: ...ment Ltd 17 Diagorou Street Nicosia CYPRUS TEL 022 66 9426 DENMARK Roland Scandinavia A S Nordhavnsvej 7 Postbox 880 DK 2100 Copenhagen DENMARK TEL 3916 6200 FRANCE Roland France SA 4 Rue Paul Henri SPAAK Parc de l Esplanade F 77 462 St Thibault Lagny Cedex FRANCE TEL 01 600 73 500 FINLAND Roland Scandinavia As Filial Finland Lauttasaarentie 54 B Fin 00201 Helsinki FINLAND TEL 0 9 68 24 020 GERMAN...

Page 167: ...ions However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separ...

Page 168: ...Owner s Manual 03011445 03 03 A3 21N ...

Page 169: ...alog Stack 008 Flying Keys 009 House Kit 010 Soaring 2020 011 Seven Hills 012 TeknoSplit 1 013 Nirvana 2020 014 StChorusStak 015 Bell Stack 016 Trance Fair 017 AggressiveXV 018 Techno Kit 019 PhsDyno Bs 020 Dawn Choir 021 DulcimaSteel 022 TeknoSplit 2 023 InstantScore 024 Voltage Ctrl 025 CrystalChoir 026 BlisteringLd 027 Asian Split 028 PhasePadStk 029 Hybrid Str 030 Dear Friends 031 Pop Kit 032 ...

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