Roland AX-EDGE Parameter Manual Download

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MFX/IFX Parameters

55 OD/DS

TWAH

Touch

Wah

Touch

Wah

Overdrive/

Distortion

Overdrive/

Distortion

Amp

Simulator

Amp

Simulator

2-Band

L out

R out

Pan L

Pan R

L in

R in

Parameter

Value

Explanation

Drive Switch

OFF, ON

Turns overdrive/distortion on/off

Type

(Drive Type)

OVERDRIVE,

DISTORTION

Type of distortion

Drive

0–127

Degree of distortion. Also changes the

volume.

Tone

0–127

Sound quality of the Overdrive effect

Amp Switch

OFF, ON

Turns the Amp Simulator on/off.

AmpType

(Amp Type)

SMALL, BUILT-IN,

2-STACK, 3-STACK

Type of guitar amp

SMALL:

Small amp

BUILT-IN:

Single-unit type amp

2-STACK:

Large double stack amp

3-STACK:

Large triple stack amp

TWah Switch

(TouchWah Switch)

OFF, ON

Wah on/off

TWah Mode

(TouchWah Mode)

LPF, BPF

Type of filter

LPF:

The wah effect will be applied over a

wide frequency range.

BPF:

The wah effect will be applied over a

narrow frequency range.

TWah Polar

(TouchWah Polarity)

DOWN, UP

Direction in which the filter will move

UP:

The filter will change toward a higher

frequency.

DOWN:

The filter will change toward a

lower frequency.

TWah Sens

(TouchWah Sens)

0–127

Sensitivity with which the filter is

modified

TWah Manual

(TouchWah Manual)

0–127

Center frequency at which the wah effect

is applied

TWah Peak

(TouchWah Peak)

0–127

Width of the frequency region at which

the wah effect is applied

Increasing this value will make the

frequency region narrower.

TWah Bal

(TouchWah Balance)

D100: 0W–D0:

100W

Adjusts the volume balance between the

sound that is sent through the wah (W)

and the sound that is not sent through

the wah (D).

Low Gain

-15–+15 [dB]

Amount of boost/cut for the low-

frequency range

High Gain

-15–+15 [dB]

Amount of boost/cut for the high-

frequency range

Level

0–127

Output Level

56 OD/DS

AWAH

Auto Wah

Overdrive/

Distortion

Overdrive/

Distortion

Amp

Simulator

Amp

Simulator

2-Band

L out

R out

Pan L

Pan R

L in

R in

Parameter

Value

Explanation

Drive Switch

OFF, ON

Turns overdrive/distortion on/off

Type

(Drive Type)

OVERDRIVE,

DISTORTION

Type of distortion

Drive

0–127

Degree of distortion. Also changes the

volume.

Tone

0–127

Sound quality of the Overdrive effect

Amp Switch

OFF, ON

Turns the Amp Simulator on/off.

AmpType

(Amp Type)

SMALL, BUILT-IN,

2-STACK, 3-STACK

Type of guitar amp

SMALL:

Small amp

BUILT-IN:

Single-unit type amp

2-STACK:

Large double stack amp

3-STACK:

Large triple stack amp

AWah Switch

(AutoWah Switch)

OFF, ON

Wah on/off

AWah Mode

(AutoWah Mode)

LPF, BPF

Type of filter

LPF:

The wah effect will be applied over a

wide frequency range.

BPF:

The wah effect will be applied over a

narrow frequency range.

AWah Manual

(AutoWah Manual)

0–127

Center frequency at which the wah effect

is applied

AWah Peak

(AutoWah Peak)

0–127

Width of the frequency region at which

the wah effect is applied
Increasing this value will make the

frequency region narrower.

AWah Sync

(AutoWah

Rate (sync switch))

OFF, ON

If this is ON, the rate synchronizes with

the tempo of the rhythm.

“Tempo”

(p. 8)

AWah Hz

(AutoWah Rate (Hz))

0.05–10.00 [Hz]

Frequency of modulation

AWah Hz

(AutoWah Rate (note))

Note

“Note”

(p. 72)

AWah Depth

(AutoWah Depth)

0–127

Depth at which the wah effect is

modulated

AWah Bal

(AutoWah Balance)

D100: 0W–D0:

100W

Adjusts the volume balance between the

sound that is sent through the wah (W)

and the sound that is not sent through

the wah (D).

Low Gain

-15–+15 [dB]

Amount of boost/cut for the low-

frequency range

High Gain

-15–+15 [dB]

Amount of boost/cut for the high-

frequency range

Level

0–127

Output Level

Summary of Contents for AX-EDGE

Page 1: ... Editor smartphone app You can download the app from the App Store if you re using an iOS device or from Google Play if you re using an Android device AX Edge Editor lets you edit all the parameters except system parameters of the AX Edge Parameter Guide 2018 Roland Corporation 02 ...

Page 2: ...between program categories In a parameter edit screen changes the value in steps of 10 SHIFT ARPEGGIO ON Jumps to the Arpeggio Edit screen SHIFT Octave Raises or lowers the notes of the keyboard in semitone units SHIFT Favorite Bank Shows the Battery Info screen SHIFT K J Jumps between parameter categories such as COMMON or SWITCH When entering a name Shortcut Explanation SHIFT Value Cycles betwee...

Page 3: ...Select 14 VOICE RESERVE Voice Reserve 14 ARPEGGIO 15 VOCODER 15 SETTING 15 CRR TONE Carrier Tone 15 CRR PITCH Carrier Pitch 16 CRR SCALE TUNE Carrier Scale Tune 16 CRR MODIFY Carrier Modify 17 CRR MFX Carrier MFX 17 CRR MFX EDIT 17 CRR EQ Carrier EQ 17 CRR KEYBOARD Carier Keyboard 17 CRR CTRL RX Carrier Control Receive Settings 18 CRR MIDI RX Carrier MIDI Receive Settings 18 Tone Parameters 19 COM...

Page 4: ...Contents 4 System Parameters 35 GENERAL 35 KEYBOARD 35 MIC 35 CTRL BUTTON 35 CTRL KNOB 36 CTRL PEDAL 36 CTRL RIBBON 37 CTRL MOD BAR 37 MIDI 38 MIDI TX 38 MIDI RX 38 MFX IFX Parameters 39 Note 72 ...

Page 5: ... generator section creates the sound It receives performance data sent from the controller section and produces sound Program On the AX Edge programs are the units by which you switch sounds A program consists of four parts and a vocoder part and also contains arpeggio and effect settings for that program Tone You can select one tone sound for each part A tone consists of four elements of sound pa...

Page 6: ...us Reverb To Reverb Partial Cho Send Partial Rev Send Partial Pan Level Partial Output Assign DRY DRY Part Pan Level Part Pan Level Part Cho Rev Send Part Cho Rev Send To Chorus Reverb To Chorus Reverb To Chorus Reverb Part Output Assign DRY Part Output Assign Tone Program Carrier Tone Part 1 Part 4 Vocoder Part IFX Cho Rev Send MIC INPUT Output From each route From each route Level Rev Send Level...

Page 7: ...h and spaciousness to the sound This also includes a delay effect Reverb Reverb is an effect adds the reverberation that is characteristic of sound heard in a hall MEMO Although chorus and reverb are system effects that are applied to the overall output sound they can also be specified for individual programs If you want to make these settings for individual programs go to PROGRAM SOUND CHORUS or ...

Page 8: ...se MONO if you want the tone assigned to the part to play monophonically choose POLY if you want to play it polyphonically Choose TONE if you want to use the setting specified by the tone Legato Sw Legato Switch OFF ON TONE If you play monophonically you can apply legato Legato is a performance technique that smoothly connects one note to the next This produces an effect similar to hammering on or...

Page 9: ...sic Key Scale Tune Key C B Sets the keynote C B 64 63 Finely adjusts the pitch MODIFY Part1 4 Parameter K J buttons Value buttons Explanation Cutoff Cutoff Offset 64 63 Adjusts how far the filter is open Increasing this value makes the sound brighter and decreasing it makes the sound darker Resonance Resonance Offset 64 63 Emphasizes the frequency components near the cutoff frequency giving a dist...

Page 10: ...Freq Mid Frequency 20 16000 Hz Specifies the center frequency for the mid frequency region Mid Q Mid Q 0 5 16 0 Specifies the width of mid frequency region Set a higher value for Q to narrow the range to be affected High Gain High Gain 24 24 dB Specifies the amount of boost cut for the high frequency region HighFreq High Frequency 20 16000 Hz Frequency of the high range KEYBOARD Part 1 4 Parameter...

Page 11: ...ntroller operations pressure data are received ON or not received OFF Mod Bar Modulation Bar OFF ON Specifies whether modulation bar operations are received ON or not received OFF Aftertouch After Touch OFF ON Specifies whether aftertouch is received ON or not received OFF Ctrl Knob Control Knob OFF ON Specifies whether control knob operations are received ON or not received OFF Ctrl Pedal Control...

Page 12: ...orus on off REV SW REVERB SWITCH Switch the reverb on off EQ SW MASTER EQ SWITCH Switch the master EQ on off COMP SW MASTER COMP SWITCH Switch the master compressor on off IFX SW IFX SWITCH Switch the IFX on off ARP SW ARPEGGIO SWITCH Switch the arpeggio on off ARP HOLD ARPEGGIO HOLD Switch arpeggio hold on off VOCODER SW VOCODER SWITCH Switch the vocoder on off UNISON SW UNISON SWITCH Switch unis...

Page 13: ...er follows the program s settings PRG or the system settings SYS Posi Position Function Specifies the function that is assigned to the ribbon controller left right axis when CTRL RIBBON Source is set to PRG OFF No function is assigned CC01 31 32 OFF 33 95 Controller number 1 31 32 33 95 NOTE If a CC with a value range of 0 127 is assigned to Position Function the value will be the center point 64 ...

Page 14: ...73 Attack and CC75 Decay vary in the range of 0 63 AFT Aftertouch BEND DOWN Lowers the pitch BEND UP Raises the pitch PART FADE1 Continuously control the level of parts 1 4 Part1 Part2 Part3 Part4 expression 127 expression 0 Value 0 127 Part1 Part3 Part4 expression 127 expression 0 Value 0 127 Part1 Part4 expression 127 expression 0 Value 0 127 PART FADE2 Continuously control the level of parts 1 ...

Page 15: ... specify that value 1 127 VOCODER Here you can make vocoder related settings Vocoder settings can be saved and switched for individual programs MEMO You can use the SHIFT button K J button to jump between parameter categories SETTING Parameter K J buttons Value buttons Explanation Switch OFF ON Turns the VOCODER on off Level 0 127 Adjusts the output level of the sound that passes through the vocod...

Page 16: ...d Range 0 24 TONE Specifies the amount of pitch change in semitone units maximum two octaves that occurs when you move a controller such as the ribbon controller when pitch bend is assigned to that controller Bend Mode Bend Mode Specifies what occurs when you operate a controller such as the ribbon controller when pitch bend is assigned to it NORMAL The conventional pitch bend effect occurs C L CA...

Page 17: ...rlSrc 1 4 OFF CC01 31 CC33 95 BEND AFT SYS1 4 Specifies the MIDI message that will control the corresponding MFX CONTROL parameter MFX CTRL Sens1 4 MFX CtrlSens 1 4 63 63 Specifies the depth of MFX CONTROL Specify a positive value if you want to change the value of the assigned destination in a positive direction larger toward the right faster etc or specify a negative value if you want to change ...

Page 18: ...mitted OFF You should also turn Ext Volume ON if you want to use master volume to adjust the volume of an external MIDI device CRR MIDI RX Carrier MIDI Receive Settings Parameter K J buttons Value buttons Explanation Rx PC Receive Program Change OFF ON Specifies whether program change is received ON or not received OFF Rx Bank Receive Bank Select OFF ON Specifies whether bank select is received ON...

Page 19: ...you play Due to considerations of polyphony turning UnisonSwitch ON imposes the following limitations 5 5 Operation is forced to MONO mode 5 5 Even if Legato Retrigger Interval is specified it operates as OFF 5 5 Even if Delay Time is specified it is ignored for operation Unizon Size 2 8 Number of notes assigned to each key when the Unison Switch is on Unison Detune 0 100 Detunes each of the notes...

Page 20: ...alid Parameter K J buttons Value buttons Explanation PMT Velocity Control OFF ON RANDOM CYCLE Specifies how partials are played according to your keyboard playing dynamics velocity If this is ON different partials are sounded according to the playing velocity and the Velocity Range Lower Upper and Velocity Fade Lower Upper settings If this is RANDOM or CYCLE each partial is sounded randomly or cyc...

Page 21: ... for creating dramatic sounds or sound effects FXM Color 1 4 Specifies how FXM will perform frequency modulation Higher settings result in a grainier sound while lower settings result in a more metallic sound FXM Depth 0 16 Specifies the depth of the modulation produced by FXM Parameter K J buttons Value buttons Explanation Delay Mode Partial Delay This produces a time delay between the moment a k...

Page 22: ...on t want such notes to be sounded STRUCTURE Structure lets you sound two partials as a set You can create a wide range of sounds by using partial 2 or 4 the modulator to modulate partial 1 or 3 the carrier Since the Structure uses two partials as a pair it provides parameters that are used in common by the carrier and modulator For the following parameters only the partial settings of the carrier...

Page 23: ...fective when Structure1 2 is CROSS MOD Sets the partial 2 OSC level CROSS MOD p 23 CrossMod OSC3 Level 0 127 Effective when Structure3 4 is CROSS MOD Sets the partial 3 OSC level CROSS MOD p 23 CrossMod OSC4 Level 0 127 Effective when Structure3 4 is CROSS MOD Sets the partial 4 OSC level CROSS MOD p 23 23 RING ADSR VCF ADSR VCF ADSR TVA ADSR TVA PAN PAN 3Band EQ 3Band EQ L R L R ADSR Pitch ADSR P...

Page 24: ...lanation Filter Type TVF VCF Selects the type of filter TVF stands for Time Variant Filter a filter that lets you specify in detail how the frequency components of the sound change over time If you select VCF the polyphony will be lower than if you select TVF TVF Type TVFSelects the type of filter If Filter Type is set to VCF this will be LPF OFF No filter is used LPF Low Pass Filter This reduces ...

Page 25: ...ative value if you want it to decrease Vibrato Cutoff Sens 100 100 Specifies how the TVF Depth of LFO1 is affected by the program s Modify Vib Depth FLITER ENVELOPE Parameter K J buttons Value buttons Explanation Depth 63 63 Specifies the depth of the filter envelope Higher settings increase the change produced by the filter envelope Negative settings will invert the shape of the envelope Velocity...

Page 26: ... key Higher settings will produce a greater amount of change Alternate Pan Depth L63 63R This setting causes panning to be alternated between left and right each time a key is pressed Higher settings will produce a greater amount of change L or R settings will reverse the order in which the pan will alternate between left and right For example if two partials are set to L and R respectively the pa...

Page 27: ...e according to the key pressed set this to 0 C4 C3 C2 C1 C5 C6 C7 Key Time 0 50 100 50 100 Fade Mode LFO1 LFO2 ON IN Specifies how the LFO will be applied After referring to How to Apply the LFO p 28 change the setting until the desired effect is achieved ON OUT OFF IN OFF OUT Parameter K J buttons Value Buttons Value buttons Fade Time LFO1 LFO2 0 1023 Specifies the time over which the LFO amplitu...

Page 28: ...ually after the key is pressed Fade Mode ON IN Note on high more low less Pitch Cutoff Frequency Level Pan Delay Time Fade Time Depth Apply the LFO immediately when the key is pressed and then gradually begin to decrease the effect Fade Mode ON OUT high more low less Pitch Cutoff Frequency Level Pan Note on Delay Time Fade Time Depth Apply the LFO gradually after the key is released Fade Mode OFF ...

Page 29: ...er System Exclusive messages tend to be complicated and the amount of data that needs to be transmitted can get quite large For that reason a number of the more typical of the AX Edge s partial parameters have been designed so they accept the use of Control Change or other MIDI messages for the purpose of making changes in their values This provides you with a variety of means of changing the way ...

Page 30: ... the PMT Velocity Control p 20 to OFF 5 5 If the Matrix Control is used to split partials we recommend setting the Sens p 30 to 63 Selecting a lower value may prevent switching of the partials Furthermore if you want to reverse the effect set the value to 63 5 5 If you want to use matrix control to switch smoothly between partials use the Velocity Fade Lower and Velocity Fade Upper p 22 The higher...

Page 31: ...s specifies the time from when the input decreases below Low Thres until the low frequency band stops being compressed Low Thres Low Threshold 60 0 dB Specifies the volume level at which compression starts for the low frequency band Low Ratio Low Ratio 1 1 2 1 3 1 4 1 8 1 16 1 32 1 INF 1 Specifies the compression ratio for the low frequency band Low Knee Low Knee 0 30 dB This is a function that sm...

Page 32: ...rc to SYS and edit them CHORUS This is a stereo chorus Parameter Value Explanation Rate 0 127 Frequency of modulation Depth 0 127 Depth of modulation Feedback 0 127 Level at which chorus sound is returned to the input CE 1 This models the classic BOSS CE 1 chorus effect unit It provides a chorus sound with a distinctively analog warmth Parameter Value Explanation Intensity 0 127 Chorus depth SDD 3...

Page 33: ...arameter Value Explanation Dly Sync sync sw OFF ON If this is ON the delay synchronizes with the tempo Dly Msec msec Dly Note note 1 1300 msec Adjusts the time until the second delay sound is heard Note Note p 72 Feedback 98 98 Adjusts the proportion of the delay sound that is fed back into the effect Negative settings will invert the phase HF Damp 200 8000 Hz BYPASS Adjusts the frequency above wh...

Page 34: ...t sound is cut BYPASS no cut Density 0 127 Density of reverb Diffusion 0 127 Adjusts how reverb density increases over time This effect is especially noticeable with long reverb times LF Damp F 50 4000 Hz Frequency below which the low frequency portion of the reverb sound is cut Parameter Value Explanation LF Damp G 36 0 dB LF damp attenuation amount 0 no effect HF DampF 4000 12500 Hz Frequency ab...

Page 35: ...eavier MIC Parameter K J button Value Buttons Explanation NS Switch Noise Suppressor Switch OFF ON Turns the noise suppressor on off The noise suppressor is a function that suppresses noise during periods of silence NS Threshold Noise Suppressor Threshold 0 127 Adjusts the volume at which noise starts being suppressed NS Release Noise Suppressor Release 0 127 Adjusts the time from when noise suppr...

Page 36: ...alue 0 127 Part1 Part4 expression 127 expression 0 Value 0 127 CTRL PEDAL You can specify whether the CTRL PEDAL settings follow the settings of the currently selected program or follow the system settings If the currently selected program s CTRL PEDAL Source parameter is set to SYS the system settings are used Parameter K J button Value Buttons Explanation Func Function Specifies the function tha...

Page 37: ...the level of parts 1 4 Part1 Part2 Part3 Part4 expression 127 expression 0 Value 0 127 Part1 Part3 Part4 expression 127 expression 0 Value 0 127 Part1 Part4 expression 127 expression 0 Value 0 127 Parameter K J button Value Buttons Explanation Pres Pressure Function PART FADE2 Continuously control the level of parts 1 4 Part1 Part2 Part3 Part4 expression 127 expression 0 Value 0 127 Part1 Part3 Pa...

Page 38: ...sages received at the USB COMPUTER port or MIDI IN connector are retransmitted without change from the MIDI OUT connector and USB COMPUTER port ON or not transmitted OFF Remote Kbd Remote Keyboard Switch OFF ON Turn this ON if you re using an external MIDI keyboard instead of the keyboard of the AX Edge In this case the MIDI transmit channel of the external MIDI keyboard does not matter Normally y...

Page 39: ... Delay effects 37 DELAY page 53 38 MODULATION DELAY page 54 39 3TAP PAN DELAY page 54 40 4TAP PAN DELAY page 55 41 MULTI TAP DELAY page 55 42 REVERSE DELAY page 56 43 TIME CTRL DELAY page 56 44 TAPE ECHO page 57 Lo fi effects 45 LOFI COMPRESS page 57 46 BIT CRUSHER page 57 Pitch effects 47 PITCH SHIFTER page 57 48 2V PITCH SHIFTER page 58 Combination effects 49 OD 0 CHORUS page 58 50 OD 0 FLANGER ...

Page 40: ...Hz Frequency of the middle range 2 Mid2 Gain 15 15 dB Gain of the middle range 2 Mid2 Q 0 5 1 0 2 0 4 0 8 0 Width of the middle range 2 Set a higher value for Q to narrow the range to be affected HighFreq High Frequency 2000 2500 3150 4000 5000 6300 8000 10000 12500 16000 Hz Frequency of the high range High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level 02 ...

Page 41: ...100 112 125 Hz Center frequency at which the lower range will be boosted Boost Gain 0 12 dB Center frequency at which the lower range will be boosted Boost Wid Boost Width WIDE MID NARROW Width of the lower range that will be boosted Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level 05 SUPE...

Page 42: ... 2 Band EQ 2 Band EQ Enhancer Enhancer Mix Mix Parameter Value Explanation Sens 0 127 Sensitivity of the enhancer Mix 0 127 Level of the overtones generated by the enhancer Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level 08 AUTO WAH Cyclically controls a filter to create cyclic change in ...

Page 43: ...Pan L64 63R Stereo location of the output sound Level 0 127 Output Level 10 SPEAKER SIM Simulates the speaker type and mic settings used to record the speaker sound L in L out R out R in Speaker Speaker Speaker Speaker Parameter Value Explanation Type Speaker Type Cabinet Speaker Microphone SMALL 1 small open back enclosure 10 dynamic SMALL 2 small open back enclosure 10 dynamic MIDDLE open back e...

Page 44: ...of the phaser sound that is fed back into the effect Negative settings will invert the phase Mix 0 127 Level of the phase shifted sound Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level 12 PHASER 2 This simulates an analog phaser of the past It is particularly suitable for electric piano L ...

Page 45: ...ost cut for the high frequency range Level 0 127 Output Level 15 MULTI STAGE PHSR Extremely high settings of the phase difference produce a deep phaser effect Multi Stage Phaser Multi Stage Phaser 2 Band EQ 2 Band EQ L out R out Pan L Pan R Mix L in R in Parameter Value Explanation Mode 4 STAGE 8 STAGE 12 STAGE 16 STAGE 20 STAGE 24 STAGE Number of stages in the phaser Manual 0 127 Adjusts the basi...

Page 46: ... Mod Wave Modulation Wave TRI SQR SIN SAW1 SAW2 TRP Modulation Wave TRI Triangle wave SQR Square wave SIN Sine wave SAW1 2 Sawtooth wave TRP Trapezoidal wave SAW1 SAW2 Rate Sync Rate sync switch OFF ON If this is ON the rate synchronizes with the tempo of the rhythm Tempo p 8 Rate Hz Rate Hz 0 05 10 00 Hz Frequency of the change Rate Note Rate note Note Note p 72 Depth 0 127 Depth to which the eff...

Page 47: ...ccurs even if the level of the following step is the same as the preceding step Shuffle 0 127 Timing of volume changes in levels for even numbered steps step 2 step 4 step 6 The higher the value the later the beat progresses Level 0 127 Output Level 21 ROTARY This simulates a classic rotary speaker of the past Since the operation of the high frequency and low frequency rotors can be specified inde...

Page 48: ...ead out Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level OD Switch Overdrive Switch OFF ON Overdrive on off OD Gain Overdrive Gain 0 127 Overdrive input level Higher values will increase the distortion OD Drive Overdrive Drive 0 127 Degree of distortion OD Level Overdrive Level 0 127 Volum...

Page 49: ... 0 127 Output Level 25 STEP FLANGER This is a flanger in which the flanger pitch changes in steps The speed at which the pitch changes can also be specified in terms of a note value of a specified tempo R out L out 2 Band EQ 2 Band EQ 2 Band EQ 2 Band EQ Balance W Balance W Feedback Feedback Balance D Balance D L in Step Flanger Step Flanger Step Flanger Step Flanger R in Parameter Value Explanati...

Page 50: ... Rate Hz 0 05 10 00 Hz Modulation frequency of the tremolo effect Trm Note Tremolo Rate note Note Note p 72 Trm Separate Tremolo Separation 0 127 Spread of the tremolo effect Trm Phase Tremolo Phase 0 180 deg Spread of the tremolo effect Parameter Value Explanation Balance D100 0W D0 100W Volume balance between the direct sound D and the tremolo chorus sound W Level 0 127 Output Level 28 SPACE D T...

Page 51: ...els a Fender Twin Reverb MATCH DRIVE This models the sound input to left input on a Matchless D C 30 A simulation of the latest tube amp widely used in styles from blues and rock BG LEAD This models the lead sound of the MESA Boogie combo amp The sound of a tube amp typical of the late 70s to 80s MS1959I This models the sound input to Input I on a Marshall 1959 This is a trebly sound suited to har...

Page 52: ...Level 0 127 Output Level 33 COMPRESSOR Flattens out high levels and boosts low levels smoothing out fluctuations in volume L in L out R out R in Compressor Compressor 2 Band EQ 2 Band EQ Compressor Compressor 2 Band EQ 2 Band EQ Parameter Value Explanation Attack 0 124 Sets the speed at which compression starts Release 0 124 Adjusts the time after the signal volume falls below the Threshold Level ...

Page 53: ...d D and the effect sound W Level 0 127 Output Level 37 DELAY This is a stereo delay When Feedback Mode is NORMAL R out L out 2 Band EQ 2 Band EQ 2 Band EQ 2 Band EQ Balance W Balance W Feedback Feedback Balance D Balance D L in Delay Delay Delay Delay R in When Feedback Mode is CROSS R out L out 2 Band EQ 2 Band EQ 2 Band EQ 2 Band EQ Balance W Balance W Feedback Feedback Balance D Balance D L in ...

Page 54: ...he sound Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high frequency range Balance D100 0W D0 100W Volume balance between the direct sound D and the delay sound W Level 0 127 Output Level 39 3TAP PAN DELAY Produces three delay sounds center left and right R out L out 2 Band EQ 2 Band EQ 2 Band EQ 2 Band EQ Balance W CenterTap Bala...

Page 55: ... four delays Each of the Delay Time parameters can be set to a note length based on the selected tempo You can also set the panning and level of each delay sound R out L out Balance W Balance W Balance D L in Multi Tap Delay Multi Tap Delay 2 Band EQ 2 Band EQ 2 Band EQ 2 Band EQ Balance D Delay 1 Feedback Delay 2 Delay 3 Delay 4 R in Parameter Value Explanation Dly 1 Sync Delay 1 Time sync switch...

Page 56: ...heard Dly 3 Note Delay 3 Time note Note Note p 72 Dly 3 Fbk Delay 3 Feedback 98 98 Proportion of the delay sound that is to be returned to the input of the tap delay negative values invert the phase Dly HF Delay HF Damp 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 BYPASS Hz Frequency at which the hi frequency content of the tap delay sound will be cut BYPASS no cut...

Page 57: ...ilter Post Filter Type OFF LPF HPF Type of filter OFF No filter is used LPF Cuts the frequency range above the Cutoff Freq HPF Cuts the frequency range below the Cutoff Freq Parameter Value Explanation Cutoff Post Filter Cutoff 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz Basic frequency of the Post Filter Low Gain 15 15 dB Amount of boost cut for the low freque...

Page 58: ...he pitch shifted sound W Level 0 127 Output Level 49 OD 0 CHORUS L in R in Overdrive Overdrive Chorus Chorus L out R out Balance W Balance W Balance D Balance D Parameter Value Explanation OD Drive Overdrive Drive 0 127 Degree of distortion Also changes the volume OD Pan Overdrive Pan L64 63R Stereo location of the overdrive sound Cho PreDly Chorus Pre Delay 0 0 100 msec Adjusts the delay time fro...

Page 59: ... 127 Output Level 53 DS 0 FLANGER L out R out Flanger Flanger Balance W Feedback Balance W Balance D Balance D Distortion Distortion L in R in Parameter Value Explanation Dist Drive Distortion Drive 0 127 Degree of distortion Also changes the volume Dist Pan Distortion Pan L64 63R Stereo location of the overdrive sound Flg PreDly Flanger Pre Delay 0 0 100 msec Adjusts the delay time from when the ...

Page 60: ...ange High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level 56 OD DS 0 AWAH Auto Wah Auto Wah Overdrive Distortion Overdrive Distortion Amp Simulator Amp Simulator 2 Band EQ 2 Band EQ L out R out Pan L Pan R L in R in Parameter Value Explanation Drive Switch OFF ON Turns overdrive distortion on off Type Drive Type OVERDRIVE DISTORTION Type of distortion Drive ...

Page 61: ...er Pre Amp Master 0 127 Volume of the entire pre amp Gain Pre Amp Gain LOW MIDDLE HIGH Amount of pre amp distortion Bass Pre Amp Bass 0 127 Tone of the bass mid treble frequency range Middle cannot be set if Match Drive is selected as the Pre Amp Type Middle Pre Amp Middle 0 127 Treble Pre Amp Treble 0 127 Parameter Value Explanation Speaker Sw Speaker Switch OFF ON Selects whether the sound will ...

Page 62: ...E HIGH Amount of pre amp distortion Bass Pre Amp Bass 0 127 Tone of the bass mid treble frequency range Middle cannot be set if Match Drive is selected as the Pre Amp Type Middle Pre Amp Middle 0 127 Treble Pre Amp Treble 0 127 Parameter Value Explanation Speaker Sw Speaker Switch OFF ON Selects whether the sound will be sent through the speaker simulation ON or not OFF SpType Speaker Type Cabinet...

Page 63: ... distortion of the amp Master Pre Amp Master 0 127 Volume of the entire pre amp Gain Pre Amp Gain LOW MIDDLE HIGH Amount of pre amp distortion Bass Pre Amp Bass 0 127 Tone of the bass mid treble frequency range Middle cannot be set if MATCH DRIVE is selected as the Pre Amp Type Middle Pre Amp Middle 0 127 Treble Pre Amp Treble 0 127 Parameter Value Explanation Speaker Sw Speaker Switch OFF ON Sele...

Page 64: ...stortion Bass Pre Amp Bass 0 127 Tone of the bass mid treble frequency range Middle cannot be set if MATCH DRIVE is selected as the Pre Amp Type Middle Pre Amp Middle 0 127 Treble Pre Amp Treble 0 127 Parameter Value Explanation Speaker Sw Speaker Switch OFF ON Selects whether the sound will be sent through the speaker simulation ON or not OFF SpType Speaker Type Cabinet Speaker Microphone SMALL 1...

Page 65: ...ho Note Chorus Rate note Note Note p 72 Cho Depth Chorus Depth 0 127 Depth of modulation Parameter Value Explanation Cho Bal Chorus Balance D100 0W D0 100W Adjusts the volume balance between the sound that is sent through the chorus W and the sound that is not sent through the chorus D Sp Type Speaker Type LINE OLD NEW WURLY TWIN Type of speaker If LINE is selected the sound will not be sent throu...

Page 66: ... time from the direct sound until the delay sound is heard Dly Note Delay Time note Note Note p 72 Parameter Value Explanation Dly Accel Delay Accel 0 15 Speed at which the current delay time changes to the specified delay time when you change the delay time The speed of the pitch change will change simultaneously with the delay time Dly Fbk Delay Feedback 98 98 Adjusts the proportion of the delay...

Page 67: ...he phase Dly HF Delay HF Damp 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 BYPASS Hz Adjusts the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequencies set this parameter to BYPASS Dly Bal Delay Balance D100 0W D0 100W Adjusts the volume balance between the sound that is sent through the delay W and the sound t...

Page 68: ...tput Level 71 CHORUS 0 FLANGER L out R out Balance D Flanger Flanger Balance D Balance W Balance W Feedback Balance D Chorus Chorus Balance W Balance W Balance D L in R in Parameter Value Explanation Cho PreDly Chorus Pre Delay 0 0 100 msec Adjusts the delay time from the direct sound until the chorus sound is heard Cho Sync Chorus Rate sync switch OFF ON If this is ON the rate synchronizes with t...

Page 69: ... out R out R in SDD 320 SDD 320 2 Band EQ 2 Band EQ 2 Band EQ 2 Band EQ Parameter Value Explanation Mode 1 2 3 4 1 4 2 4 3 4 Switches the mode Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high frequency range Level 0 127 Output Level 75 2TAP PAN DELAY R out L out Balance W Balance W Balance D Balance D L in Double Tap Delay Double...

Page 70: ...eter Value Explanation M Mid3 F M Mid3 Frequency 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz Frequency of the middle range 3 M Mid3G M Mid3 Gain 12 00 12 00 dB Gain of the middle range 3 M Mid3 Q 0 5 1 0 2 0 4 0 8 0 Width of the middle range 3 Set a higher value for Q to narrow the range to be affected M High F M High Frequency 2000 2500 3150 4000 5000 6300 800...

Page 71: ...nd S Comp Sw S Compressor Switch OFF ON Switches whether to adjust the sense of volume for left right input signals whose phase is distant opposite phase S Attack 0 124 Sets the speed at which compression starts S Release 0 124 Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied S Thres S Threshold 60 0 dB Adjusts the volume at which comp...

Page 72: ...e Sixteenth note triplet Dotted thirty second note Sixteenth note Eighth note triplet Dotted sixteenth note Eighth note Quarter note triplet Dotted eighth note Quarter note Half note triplet Dotted quarter note Half note Whole note triplet Dotted half note Whole note Double note triplet Dotted whole note Double note ...

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Roland AX-EDGE, Parameter Manual

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