Roland AX-EDGE, Parameter Manual

Page: 56 / 72

MFX/IFX Parameters
56
42 REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
R out
L out L in
Rev. Delay Rev. Delay Delay Delay
2-Band
EQ
2-Band
EQ
2-Band
EQ
2-Band
EQ
D1
Rev
D2 D3
Feedback
R in
Parameter Value Explanation
Threshold 0–127
Volume at which the reverse delay will
begin to be applied
Dly R Sync
(Reverse
Delay Time (sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
“Tempo” (p. 8)
Dly R Msec
(Reverse
Delay Time (msec))
1–1300 [msec]
Delay time from when sound is input into
the reverse delay until the delay sound
is heard
Dly R Note
(Reverse
Delay Time (note))
Note
& “Note” (p. 72)
Dly R Fbk
(Reverse
Delay Feedback)
-98–+98 [%]
Proportion of the delay sound that is to
be returned to the input of the reverse
delay negative (-) values invert the phase
Dly R HF
(Reverse
Delay HF Damp)
200, 250, 315, 400,
500, 630, 800,
1000, 1250, 1600,
2000, 2500, 3150,
4000, 5000, 6300,
8000, BYPASS [Hz]
Frequency at which the high-frequency
content of the reverse-delayed sound will
be cut (BYPASS: no cut)
Dly R Pan
(Reverse Delay Pan)
L64–63R Panning of the reverse delay sound
Dly R Level
(Reverse Delay Level)
0–127 Volume of the reverse delay sound
Dly 1 Sync
(Delay 1
Time (sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
“Tempo” (p. 8)
Dly 1 Msec
(Delay 1 Time (msec))
1–1300 [msec]
Delay time from when sound is input
into the tap delay until the delay sound
is heard
Dly 1 Note
(Delay 1 Time (note))
Note
&
“Note” (p. 72)
Dly 2 Sync
(Delay 2
Time (sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
“Tempo” (p. 8)
Dly 2 Msec
(Delay 2 Time (msec))
1–1300 [msec]
Delay time from when sound is input
into the tap delay until the delay sound
is heard
Dly 2 Note
(Delay 2 Time (note))
Note
& “Note” (p. 72)
Dly 3 Sync
(Delay 3
Time (sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
“Tempo” (p. 8)
Dly 3 Msec
(Delay 3 Time (msec))
1–1300 [msec]
Delay time from when sound is input
into the tap delay until the delay sound
is heard
Dly 3 Note
(Delay 3 Time (note))
Note
& “Note”
(p. 72)
Dly 3 Fbk
(Delay 3 Feedback)
-98–+98 [%]
Proportion of the delay sound that is to
be returned to the input of the tap delay
(negative (-) values invert the phase)
Dly HF
(Delay HF Damp)
200, 250, 315, 400,
500, 630, 800,
1000, 1250, 1600,
2000, 2500, 3150,
4000, 5000, 6300,
8000, BYPASS [Hz]
Frequency at which the hi-frequency
content of the tap delay sound will be cut
(BYPASS: no cut)
Dly 1 Pan
(Delay 1 Pan)
L64–63R
Panning of the tap delay sounds
Dly 2 Pan
(Delay 2 Pan)
L64–63R
Dly 1 Level
(Delay 1 Level)
0–127
Volume of the tap delay sounds
Dly 2 Level
(Delay 2 Level)
0–127
Low Gain -15–+15 [dB]
Amount of boost/cut for the low-
frequency range
Parameter Value Explanation
High Gain -15–+15 [dB]
Amount of boost/cut for the high-
frequency range
Balance
D100: 0W–D0:
100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level
0–127 Output Level
43 TIME CTRL DELAY
A stereo delay in which the delay time can be varied smoothly.
R out
L out
2-Band EQ 2-Band EQ
2-Band EQ 2-Band EQ
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L in
Time Ctrl
Delay
Time Ctrl
Delay
Time Ctrl
Delay
Time Ctrl
Delay
R in
Parameter Value Explanation
Dly Sync
(Delay Time
(sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
&
“Tempo” (p. 8)
Dly Msec
(Delay Time (msec))
1–1300 [msec]
Adjusts the delay time from the direct
sound until the delay sound is heard.
Dly Note
(Delay Time (note))
Note
& “Note” (p. 72)
Acceleration 0–15
Adjusts the speed which the Delay Time
changes from the current setting to a
specified new setting. The rate of change
for the Delay Time directly affects the rate
of pitch change.
Feedback -98–+98 [%]
Adjusts the proportion of the delay sound
that is fed back into the effect.
Negative (-) settings will invert the phase.
HF Damp
200, 250, 315, 400,
500, 630, 800,
1000, 1250, 1600,
2000, 2500, 3150,
4000, 5000, 6300,
8000, BYPASS [Hz]
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Low Gain -15–+15 [dB]
Amount of boost/cut for the low-
frequency range
High Gain
-15–+15 [dB]
Amount of boost/cut for the high-
frequency range
Balance
D100: 0W–D0:
100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level