The Advanced MCACC menu
10
84
En
How to interpret the graphical output
The g
r
a
p
h shows decibels on the ve
r
tical axis and time (in
milliseconds) on the ho
r
izontal axis. A st
r
aight line
indicates a flat-
r
es
p
onse
r
oom (no
r
eve
r
b), whe
r
eas a
slo
p
ing line indicates the
pr
esence of
r
eve
r
be
r
ation when
out
p
utting test tones. The slo
p
ing line will eventually
flatten out when the
r
eve
r
be
r
ant sound stabilizes (this
usually takes about 100 ms o
r
so).
By analyzing the g
r
a
p
h, you should be able to see how
you
r
r
oom is
r
es
p
onding to ce
r
tain f
r
equencies.
Diffe
r
ences in channel level and s
p
eake
r
distance a
r
e
taken into account automatically (com
p
ensation is
pr
ovided fo
r
com
p
a
r
ison
p
u
rp
oses), and the f
r
equency
measu
r
ements can be examined both with and without
the equalization
p
e
r
fo
r
med by this
r
eceive
r
.
1
Setting Acoustic Calibration EQ Professional
according to your room characteristics
Using the manual setu
p
, you can set the time
p
e
r
iod at
which the f
r
equency
r
es
p
onse is analyzed,
p
in
p
ointing
the time that is best fo
r
system calib
r
ation with you
r
p
a
r
ticula
r
r
oom cha
r
acte
r
istics.
The g
r
a
p
h below shows the diffe
r
ence between
conventional acoustic calib
r
ation and
pr
ofessional
calib
r
ation (the g
r
ay ci
r
cle indicates the
p
oint whe
r
e the
mic
r
o
p
hone ca
p
tu
r
es sound du
r
ing f
r
equency analysis).
As soon as audio is out
p
ut f
r
om you
r
s
p
eake
r
system, it
is influenced by
r
oom cha
r
acte
r
istics, such as walls,
fu
r
nitu
r
e, and the dimensions of the
r
oom. The soone
r
the f
r
equency analysis, the less it is influenced by the
r
oom. We
r
ecommend an ea
r
lie
r
time setting of
30-50ms
to com
p
ensate fo
r
two majo
r
facto
r
s that will influence
the sound of most
r
ooms:
•
Reverberance of high vs. low frequencies
–
De
p
ending on you
r
r
oom, you may find that lowe
r
f
r
equencies seem ove
r
ly
r
eve
r
be
r
ant com
p
a
r
ed to
highe
r
f
r
equencies (i.e. you
r
r
oom sounds ‘boomy’).
This may
r
esult in a skewed f
r
equency analysis if the
measu
r
ement is done too late.
•
Reverb characteristics for different channels
–
Reve
r
b cha
r
acte
r
istics can be somewhat diffe
r
ent fo
r
each channel. Since this diffe
r
ence inc
r
eases as the
sound is influenced by the va
r
ious
r
oom
cha
r
acte
r
istics, it is often bette
r
to ca
p
tu
r
e a
f
r
equency analysis ea
r
ly on fo
r
smoothe
r
mixing of
channel f
r
equencies/sounds.
If you
r
r
oom isn’t affected by the facto
r
s above, it is often
not necessa
r
y to make a
30-50ms
setting. Late
r
time
settings may
pr
ovide a mo
r
e detailed sound ex
p
e
r
ience
with you
r
s
p
eake
r
system. It is best to t
r
y and see what
wo
r
ks best fo
r
you
r
p
a
r
ticula
r
r
oom.
Note that changing the
r
oom (fo
r
exam
p
le, moving
fu
r
nitu
r
e o
r
p
aintings) will affect the calib
r
ation
r
esults.
In such cases, you should
r
ecalib
r
ate you
r
system.
Using Acoustic Calibration EQ Professional
1
Select ‘EQ Professional’, then press ENTER.
Note
1 Note that due to an effect known as ‘g
r
ou
p
delay’, lowe
r
f
r
equencies will take longe
r
to be gene
r
ated than highe
r
f
r
equencies (this is most
obvious when com
p
a
r
ing the f
r
equencies at 0 ms). This initial slo
p
e is not a
pr
oblem (i.e. excessive
r
eve
r
b) with you
r
listening
r
oom.
Level
Test tone
Acoustic Cal. EQ P
r
o.
calib
r
ation
r
ange
Conventional MCACC
EQ calib
r
ation
r
ange
Time
(in msec)
80
160
0
Level
Low
f
r
equencies
Acoustic Cal. EQ P
r
o.
calib
r
ation
r
ange
Time
(in msec)
80
160
High
f
r
equencies
Conventional MCACC
EQ calib
r
ation
r
ange
0
Level
F
r
ont L
Acoustic Cal. EQ P
r
o.
calib
r
ation
r
ange
Time
(in msec)
80
160
F
r
ont R
Conventional MCACC
EQ calib
r
ation
r
ange
0
1. Fine Channel Level
2. Fine SP Distance
3. Standing Wave
1c.Manual MCACC
4. EQ Adjust
5. EQ Professional
A/V RECEIVER
Exit
Return
a. Reverb Measurement
b. Reverb View
c. Advanced EQ Setup
1c5.EQ Professional
A/V RECEIVER
Exit
Return
VSX-9140TXH_CUXJ.book 84 ページ 2009年4月16日 木曜日 午前10時36分