manualshive.com logo in svg

Omnia Omnia.9, Installation & User Manual, Page: 67 / 264

Share
Download
Omnia Omnia.9 Installation & User Manual Download Page 67

CHAPTER 11 | 

50

FM MENU INTERMEDIATE MODE

11 

FM Menu Intermediate Mode

Switching to 

Intermediate

 mode makes a significantly larger number of controls available and is much more akin to Expert 

mode than Basic. For instance, the three simple controls for multiband adjustments in Basic mode are replaced by entire 
menus that allow complete control over parameters like attack rate, release rate, targets, and thresholds for each band of the 
multiband AGC’s and multiband limiters.  While the number of selections (as above) is the same as Expert mode, there are 
fewer sub-menus at this level.

 

♦

Intermediate

 mode is best suited for anyone who knows the art of processing well, understands how these controls work 

and interact with one another, and wants to fine tune their sound with tools that are not available in Basic mode. 

Summary of Contents for Omnia.9

Page 1: ...OMNIA 9 All you can imagine And more Installation User s Guide Version 3 18 99 MKII Revised May 2018 1490 00082 007 USER MANUAL OMNIA 9...

Page 2: ...an easily accessible safety disconnect device should be included in the rack design To reduce the risk of electrical shock do not expose this product to rain or moisture This unit is for indoor use on...

Page 3: ...liance which are mentioned in this manual or accompanying material are informational only The Telos Alliance makes no endorsement of any particular product for any purpose nor claims any responsibilit...

Page 4: ...Please do not include cables or accessories un less specifically requested by the Technical Support Engineer Be sure to adequately insure your shipment for its replacement value Packages without prop...

Page 5: ...The Omnia 9Toolbox 2 That s A Lot of Power 3 2 QuickStartGuide 4 Quick Start 4 Initial Startup 4 Network Connectivity 4 NfRemote Software 5 Physical Installation and Initial Configuration 6 Input Con...

Page 6: ...Auto Balance Menu 24 Internal Playback Menu 25 8 Inputs1 2 3UndoMenu 26 What Exactly Is Undo 26 Undo Menu 28 Load Preset Save Preset and Preset Protection Menus 28 Undo Main Menu 29 Undo Metering Menu...

Page 7: ...49 11 FMMenuIntermediateMode 50 Phase Processing Menu 51 Downward Expanders Menu 52 Input AGC Menu 53 Wideband AGC 1 Menu 54 Solar Plexus 55 Parametric Equalizer Menu 55 Stereo Enhancer 56 Multiband S...

Page 8: ...idechain PEQ 74 Solar Plexus 74 Parametric Equalizer 75 Stereo Enhancer 76 Multiband Setup 77 Multiband AGC 78 MB AGC Main 78 MB AGC Levels 79 MB AGC Speed 80 Ratio Override 81 Multiband Compression 8...

Page 9: ...Modulation Meters and Modulation Numeric Menus 97 Oscilloscope Menu 98 RTA Menu 101 FFT Spectrum Analyzer Menu 102 14 FMMenuITU RBS 412Processing MPXPowerLimiting 106 MPX Power Graphs 108 Power Graph...

Page 10: ...nu 126 Processing Menu 127 19 HDProcessingMenu 128 Processing Menu 128 HD Processing Final 129 Meter Options Menu 129 Loudness Meters Menu 130 Test Input Menu 130 Loudness Matched A B Menu 131 Compari...

Page 11: ...Points 149 Load Preset Menu 150 Save Preset Menu 151 Main 1 Menu 151 X Over Menu 152 Delay Phase Menu 153 Channel Coupling Menu 153 Protection Limiting Menu 154 Loudness Menu 154 Left EQ1 Left EQ2 Ri...

Page 12: ...PI Banks 1 4 185 GPO Function A B and Livewire GPO 1 4 185 Task Scripts 186 System Configuration Menu 188 Sample Rate Menu 189 Processing Paths Menu 189 Password Menu 190 Power Menu 190 IP Configurati...

Page 13: ...Graffam 204 Motor City by Jesse Graffam 204 NewYork by Jesse Graffam 205 Northridge FM by Jim Kuzman and Leif Claesson 205 Northridge HD by Jim Kuzman and Leif Claesson 205 NYC Attack of the Camclones...

Page 14: ...213 Client Microphone Input Menu 216 Client File Recorder 216 Speaker Calibration 217 Choosing a Calibrated Mic 217 Setting Up the Mic 217 Setting Up the Client Software for Calibration 217 Connect th...

Page 15: ...233 MPX Patch Point 234 Pre emphasis Patch Point 235 Undo 236 Input AGC WB AGC1 237 WB AGC2 AGC3 Post Multiband 238 WB AGC2 AGC3 BassWideband 239 WB AGC2 AGC3 Bass Only 240 Multiband Processing 241 S...

Page 16: ...ters can excel in this ever evolving digital world Omnia Audio not only lets you stand out on the dial with your unique signature sound via legendary audio processors audio codecs and microphone proce...

Page 17: ...BLANK PAGE...

Page 18: ...or FM AM HD Studio and Streaming Audio In the original Omnia 9 each processing core contained an Input AGC a 6 band fully parametric equalizer multiband noise reduction via downward expanders a multib...

Page 19: ...ference since it denotes the current shipping product or units that have undergone a platform upgrade Please understand that this manual describes the current state of the software as of 3 18 98 and h...

Page 20: ...right out of the box or will get you close enough to your desired sound so that you can make some tweaks to suit your individual needs and tastes for your format in your market That said we highly rec...

Page 21: ...rtup All controls for the Omnia 9 are available via the front panel touch screen While we consider it far easier to control the Omnia 9 from the NfRemote software as described below initial control an...

Page 22: ...ust be entered in the System System Configuration Password menu The factory default is 1234 The IP address mask of the computer used to access the http server must be white listed in the System System...

Page 23: ...Network setup is required Legacy users seeking AoIP IO should contact their dealers or Telos Customer Support and ask for the MKII upgrade A Word about AES Reference and Sample Rates If you need to sy...

Page 24: ...ecome unavailable though the L R clipper does employ psychoacoustic distortion masking From the Home menu go to System then System Configuration then Processing Paths The default setting for the FM dr...

Page 25: ...l of the factory presets to get a feel for each of them Preset Selection Note Omnia 9 contains a relay bypass feature that allows unprocessed audio to pass directly through the unit to prevent complet...

Page 26: ...on outside of the box your unit may have had a really rough ride Please contact technical support if you suspect your unit suffered a shipping related injury The unit boots up normally but there is n...

Page 27: ...to Home System I O Options Main Outputs and set the AES EBU output you are using to FM Pre emph L R I found a preset I like but I need more loudness Some of the factory presets are custom built for sp...

Page 28: ...ackaging is not covered under warranty Our shipping address is Telos Alliance 1241 Superior Avenue East Cleveland Ohio 44114 USA ATTN RA Number obtained from Omnia Customer Service Support via theWeb...

Page 29: ...ey will have Another suggestion for getting to know your way around Omnia 9 is to find a factory preset that you like and then go exploring in the various menus to see how that sound was achieved For...

Page 30: ...rs to tire even more quickly and mask both gain riding artifacts and distortion Most listeners play the radio in the background and problems tend to be more audible at comfortable listening levels DO...

Page 31: ...es for Client Volume and Client CPU Usage A location name of the particular Omnia 9 can be user customized path Home System System Configuration SNMP If you wanted each drop down menu could have the s...

Page 32: ...button such as the Menu control opens up drop down menus or navigates to a sub menu The Speaker Volume control adjusts the output level of whatever audio you have routed to the Speaker Output Likewise...

Page 33: ...e the clipper and the final MPX output to see what the various stages within Omnia 9 are doing to the audio signal These display preset buttons allow you to customize your display so you can quickly g...

Page 34: ...e places so you can re visit them directly Double tapping on any of the controls brings up a magnified view that has two large sliders one for a coarse adjustment and one for a fine adjustment Some hi...

Page 35: ...oted to the display windows The middle portion of the screen shows the first second and third tier buttons The bottom portion of the screen shows where the third tier controls populate as selected You...

Page 36: ...clicking and holding with a mouse a slider allows you to drag it back and forth to adjust its parameter Dragging the slider faster will accelerate the rate of change As long as you haven t lifted your...

Page 37: ...nput meters indicate the loudness of the unprocessed source audio coming into Omnia 9 with floating peak indicators above each bar The Auto Balance meter AB indicates any corrective left to right chan...

Page 38: ...of the multiband AGC meters Freezing the condition in which release stops completely is indicated by the same red ribbon but slightly brighter Dry voice detection is indicated by a green ribbon in th...

Page 39: ...onfigure the Monitor Outputs and access system settings If you ever lose your way in the menu system going back to the Home Menu will get you quickly back on familiar ground The Home menu and its navi...

Page 40: ...ds the HD 2 Streaming 2 path while Input 3 feeds the HD 3 Streaming 3 path The menus and controls are identical for each Source Audio Menu The Source Audio Menu provides access to the Auto Balance and...

Page 41: ...h channel can be boosted by up to 3dB and attenuated by up to 3dB Each channel contains an ITU BS 1770 loudness monitor which measures and compares the frequency shaped RMS level in each channel The I...

Page 42: ...fault user name is either anonymous or Omnia There is no password as access is controlled by the HTTP Access White List found in the System System Configuration HTTP Access menu The internal drive can...

Page 43: ...neither wideband nor multiband If the possibility of clipping the STL at the studio is a concern simply turn down the input level to the STL and use Omnia 9 s Input Gain control to compensate Omnia 9...

Page 44: ...io that has been excessively compressed Each of the five bands of the expander has a corresponding psychoacoustic dynamics detector and a peak detector that examine the peak levels of the incoming aud...

Page 45: ...most out of this powerful tool by using one of the provided factory Undo presets For the more curious and brave read on Load Preset Save Preset and Preset Protection Menus The Load Preset menus allows...

Page 46: ...ently respectively Undo Metering Menu The Undo Metering menu determines which of Undo s four metering functions are displayed in the Undo Meters window A more comprehensive explanation of how to read...

Page 47: ...what the de clipper is doing is to view the pre de clipper and post de clipper waveforms side by side using Omnia 9 s built in oscilloscopes Details of how to configure the display windows and set up...

Page 48: ...causing a sum greater than 100 Undo interprets that information and adjusts the settings of each band to maintain the desired proportion of influence you have set for each band relative to 100 Dynamic...

Page 49: ...o Meter Peak Detector Menu Undo measures audio peaks as a means by which to set the expander thresholds based upon the incoming program audio The Peak Detector Menu controls the attack and release spe...

Page 50: ...provide more expansion Higher thresholds moving the slider to the left narrow the peak to threshold distance and provide less expansion In addition to an adjustable per band peak detector with adjust...

Page 51: ...ettings menu of this manual The Expander Release speed control adjusts how quickly the expander levels will fall once the expansion is no longer called for Faster settings will allow the levels to fal...

Page 52: ...tios Menu Each Undo expander band can operate in a range of ratios between 1 1 and 4 1 The Minimum Ratio and Maximum Ratio determine the absolute minimum and maximum ratios respectively for each band...

Page 53: ...o after the de clipper but before the multiband expanders and at the output of Undo following the de clipper and expanders In each case the bright orange bar indicates average levels the darker orange...

Page 54: ...l peak control By familiarizing yourself with the FM section which is the primary and perhaps most familiar section of any processor you can get to know the menu interfaces and the function of the var...

Page 55: ...hase Rotator and Bass EFX circuit This is also where you can adjust audio parameters including the Downward Expanders Input AGC Wideband AGCs Parametric Equalizer Multiband Stereo Enhancer Multiband A...

Page 56: ...to do your initial setup using the basic controls to get you in the ball park Then you can choose the intermediate or expert sets of adjustments to fine tune your Onmia 9 Whatever works best for you...

Page 57: ...p Preset also becomes the former and unmodified Current Preset This allows you to toggle back and forth to hear the difference between the original and modified presets on air by simply clicking the b...

Page 58: ...ve Preset Save to PC This will save a copy of the preset to your PC This is highly recommended in order to have a backup of your work just in case It is also convenient for sharing presets between Omn...

Page 59: ...e in the Save Preset menu Protected presets appear in green in the Load Preset menu Remember not to accidentally leave an unencrypted version of your preset in the Backup Preset slot To un protect a p...

Page 60: ...manually make multiple adjustments Input Conditioning Menu The Input Conditioning menu is one of the five tabs available under the Basic Adjustment Level that are used to tailor the audio of your stat...

Page 61: ...udness as it can adversely affect transient punch desirable on music formats Enhance Menu The Enhance Menu under the Basic Adjustment level is a combination of controls that are separated under the hi...

Page 62: ...ettings of Omnia 9 s various wideband AGC sections are simultaneously controlled by the settings in the Gain Riding menu The setting of the Gain Riding Range control affects the Input AGC only and det...

Page 63: ...GC Speed simultaneously adjusts the attack and release rates of all bands of the multiband AGC s Higher settings translate to faster attack and release rates though actual attack and release speeds ar...

Page 64: ...dditional loudness only more distortion We strongly recommend using Omnia 9 s oscilloscope as well as your ears to monitor the MPX Output signal while adjusting the final clip drive This control range...

Page 65: ...or the stereo generator Peak control is absolute even with bypass enabled You can adjust the bypass gain to compensate for the differences in levels between processed and unprocessed audio Be careful...

Page 66: ...ntheFMprocessingmetersection The HD Limiter Drive control allows you to increase or decrease the drive to the look ahead limiter used for the crossfeed so that you can achieve the cleanest possible so...

Page 67: ...ire menus that allow complete control over parameters like attack rate release rate targets and thresholds for each band of the multiband AGC s and multiband limiters While the number of selections as...

Page 68: ...the final clipper The result is a dramatically improved high end and less distortion The Phase Rotator button enables or disables the phase rotator Phase rotation is recommended primarily for stations...

Page 69: ...ed in the Current Preset The Downward Expanders operate in a manner similar to a traditional noise gate and are useful for reducing unwanted background noise from less than perfect program material or...

Page 70: ...nfinity 1 The Maximum Gain control works in conjunction with the Ratio control to determine how much gain is available below threshold If the Input AGC Ratio is set at Infinity 1 and the Input AGC Max...

Page 71: ...tional wideband compression as determined by its various controls Disabling the Wideband AGC1 also makes this patch point unavailable in an oscilloscope or RTA display window The Bypass button removes...

Page 72: ...nergy in the lowest octaves Parametric Equalizer Menu The Parametric Equalizer menu allows you to set up the 6 band phase linear parametric equalizer which is located just ahead of the multiband secti...

Page 73: ...works on bass because listener perception of bass is not directional This is why Band 1 is never represented and Band 2 may be grayed out This approach significantly reduces the chance that quieter h...

Page 74: ...lease of the audio to slow or stop A Gate condition will be indicated by a dim dark red bar at the bottom of the multiband meters A Freeze condition will be indicated by a brighter dark red bar Note S...

Page 75: ...is available below threshold The Ratio control determines how much the output audio will be increased or decreased in relationship to the input audio of the Input AGC section For example a ratio of 3...

Page 76: ...s a convenience It can be used very effectively to tailor the overall spectral balance of your sound but keep in mind that this is the final point of adjustment before the audio reaches the Final Clip...

Page 77: ...nt The Release coupled control allows you to adjust the release speed of all the bands simultaneously by and equal amount The Speed coupled control allows you to adjust both the Attack speed and Relea...

Page 78: ...n setting the range is reduced by half to 18dB The scale to the left of the Input AGC meter automatically adjusts as needed when changes are made to the Input AGC Maximum Gain or the Input AGC Ratio t...

Page 79: ...ut level of each band of the Multiband AGC A lower setting provides a lower output level while a higher setting provides a higher output level These controls have a range between 12 and 12dB in one te...

Page 80: ...oice Force overrides the main multiband settings and uses the Dry Voice Detection settings at all times It is useful to force detection of voice while testing with music in order to facilitate adjusti...

Page 81: ...d Release speed Progressive Release Target Gate Threshold and Freeze Threshold controls work in the same manner as their counterparts in the Wideband AGC1 section The Wideband AGC2 dropdown control en...

Page 82: ...be used very effectively to tailor the overall spectral balance of your sound but keep in mind that this is the final point of adjustment before the audio reaches the Final Clipper FM and AM cores or...

Page 83: ...oudness only more distortion We strongly recommend using Omnia 9 s oscilloscope as well as your ears to monitor the MPX Output signal while adjusting the final clip drive This control ranges from 6 0...

Page 84: ...ssing path up to the point where those paths must diverge For example if FM and HD paths share early stage processes such as input conditioning WB AGC Undo and insert points for watermarking etc they...

Page 85: ...be removed by clipping the sound may become dull and distorted The Phase Scrambler without employing limiting or clipping of its own slightly offsets the various harmonics present in the audio to dra...

Page 86: ...Downward Expanders section is determined by the number of bands of processing used in the Current Preset The Downward Expanders operate in a manner similar to a traditional noise gate and is useful fo...

Page 87: ...Input AGC Menu The Input AGC Menu is used to set the ratio maximum gain attack rate release rate target gate threshold freeze threshold and sidechain equalizer controls The Input AGC is the first gai...

Page 88: ...sed audio to enter subsequent sections Because all of Omnia 9 s processing stages are to some extent program dependent putting actual measures of time on these controls would be pointless and so the n...

Page 89: ...and The range of this control is 20 to 22 050Hz The Width slider determines how much audio above and below the center frequency will also be affected by any boosts or cuts in gain The range of this co...

Page 90: ...anaging the amount of low frequency power while increasing bass punch This is an especially useful trick for maintaining apparent loudness when operating under MPX Power regulations The Maximum Gain R...

Page 91: ...e shared by using the Paste control Solar Plexus The Solar Plexus control switch activates a sub harmonic bass enhancement effect Unlike other attempts at this that use simple frequency dividers that...

Page 92: ...d by any boosts or cuts in gain The range of this control is 0 0 to 10 0 octaves in one tenth octave increments Lower values provide a narrower sharper boost or cut while higher values provide a wider...

Page 93: ...r off The Target Width control determines the ratio of L R to L R Higher settings provide more stereo enhancement Adjust this control carefully to avoid turning the stereo image inside out by allowing...

Page 94: ...se of the audio to slow or stop A Gate condition will be indicated by a dim dark red bar at the bottom of the multiband meters A Freeze condition will be indicated by a brighter dark red bar Note Sett...

Page 95: ...audio will be increased or decreased in relationship to the input audio of the Input AGC section For example a ratio of 3 1 means for every 3dB of change in the level of the input audio the output wi...

Page 96: ...convenience It can be used very effectively to tailor the overall spectral balance of your sound but keep in mind that this is the final point of adjustment before the audio reaches the Final Clipper...

Page 97: ...The Release coupled control allows you to adjust the release speed of all the bands simultaneously by and equal amount The Speed coupled control allows you to adjust both the Attack speed and Release...

Page 98: ...C Ratio is set at Infinity 1 and the Input AGC Maximum Gain is set to 36dB the Input AGC has 36dB of range below threshold At a ratio of 2 0 1 and the same Maximum gain setting the range is reduced by...

Page 99: ...s simultaneously by an equal amount The Peak Sense Coupled control simultaneously adjusts the attack and release rates but in opposition to one another Sliding the control to the right increases the a...

Page 100: ...higher setting provides a higher output level These controls have a range between 12 and 12dB in one tenth dB increments The Comp Target controls set the target compression level for each band of the...

Page 101: ...the dynamics section to do more of the heavy lifting and reduces the amount of clipping necessary to maintain the same level of loudness The Dry Voice dropdown menu can be set to Off Auto Detect or Fo...

Page 102: ...left decreases the attack rate and speeds up the release rate making it less peak sensitive The AGC Target for dry voice detection controls works the same way that it does for the MB AGC section exce...

Page 103: ...target compression level for each band of the Dry Voice Detect AGC A lower setting provides less compression while a higher setting provides additional compression These controls have a range between...

Page 104: ...Wideband AGC2 section and allows you to choose whether it is situated before or after the Multiband AGC section or used as a dedicated Bass Compressor If you use the AGC2 as a Bass Compressor it will...

Page 105: ...reacts to the full audio spectrum When set to cut or boost a particular range of frequencies the Input AGC becomes less sensitive cut or more sensitive boost Wideband AGC 3 Main The Wideband AGC3 menu...

Page 106: ...after all Wideband and Multiband processing has been applied It can be used very effectively to tailor the overall spectral balance of your sound but keep in mind that this is the final point of adjus...

Page 107: ...reasing the drive moving the slider to the right will result in more clipping Less clipping will result in a more open less processed cleaner sound but at the expense of overall loudness More clipping...

Page 108: ...ighs control preserves the openness and enhances the texture of very high frequencies especially when the incoming program material has a high degree of high frequency content Phat Mids warms up and e...

Page 109: ...otection Threshold controls are set to the same value the bass clipper will operate in the traditional manner with a fixed threshold in all cases The Punch Threshold control allows the initial edge of...

Page 110: ...r the first FM processor FM1 can provide processing for MPX composite only L R only or MPX L R together The second FM processor FM2 can provide processing for MPX or L R but not for both together To c...

Page 111: ...window The ten main groups are Undo Meters Processing Meters Input Meters Loudness Meters Modulation Level as bar graph meters Modulation as a numeric readout Oscilloscope RTA and FFT Spectrum Analyz...

Page 112: ...ed to fill the screen This shows the flexibility of metering options available on the Omnia 9 Have fun configuring yours Displays This is where you start Undo Meters Menu The Undo Meters button allows...

Page 113: ...onal metering options you will see how you can customize your displays exactly as you like them The Delay control which is also present in and coupled to the Processing Meters Oscilloscope RTA and FFT...

Page 114: ...nput Loudness Match MPX Output and if enabled L R Output and the output levels of external gear feeding Omnia 9 s MPX1 and MPX 2 inputs The Modulation Meters menu displays the modulation levels of the...

Page 115: ...the L R Pre emphasis Output However since oversampling consumes more CPU resources it is turned off by default The Phosphor Persistence control adjusts how long latent images remain on the screen A s...

Page 116: ...atch points allow you to view the audio signal from each individual band or the combined output of all bands of the Undo section after the de clipper AND after Undo s multiband expansion in either the...

Page 117: ...zed output the one you d be using if you used an external stereo generator whether fed with Analog or AES EBU so you can see just how much additional HF headroom Omnia 9 s own stereo generator provide...

Page 118: ...ter response might be more useful for calibrating speakers Higher averages are also useful for adjusting lower frequencies The recommended setting for speaker calibration is 100 Regardless of how the...

Page 119: ...a dynamic section of the processing core lowering the Averages slider will yield more of a real time view FFT Spectrum Analyzer Menu The FFT menu allows you to monitor the same sources as those menti...

Page 120: ...the displayed frequency range in kHz The Y Center control centers the display vertically around the selected level in dB The Y Range control sets the displayed level range in dB The dB Scale Position...

Page 121: ...Set X Center to 57kHz Set X Width 10kHz Set Y Center to 80dB Set Y Range to 100dB Set dB Scale Position to 100 To display the RDS biphase signal extracted from the MPX composite signal through a PLL...

Page 122: ...105 FM MENU DISPLAY SETTINGS A phase flip two peaks in the same direction is a ONE No phase change is a ZERO The RDS bit stream really is this simple despite how complex it looks on the spectrum anal...

Page 123: ...Power Limiter meter at all during normal programming and only 2dB 3dB with very bass heavy material Speaking of bass managing bass heavy content presents a special challenge because of the amount of...

Page 124: ...menu The Peak Limiter Drive control sets the amount of limiting performed by the final peak limiters and has a 12dB range and is adjustable in one quarter dB increments These limiters are the same typ...

Page 125: ...sible by navigating to the FM Processing Display Settings Modulation Monitor Power Graph menu The graph is color coded according to the setting of the Power Limit control in the Meter Options menu Any...

Page 126: ...ogram Type PTY selectable flags and a section for selecting alternative frequencies RDS Main Menu The Main menu controls allow you to enable RDS choose the mode in which it operates and set the inject...

Page 127: ...external MPX inputs separately regardless of whether they are selected here In the Internal mode Omnia 9 s built in RDS encoder is active The Program Identification field must contain a 4 digit hexade...

Page 128: ...to BNC adapter in order to physically connect Omnia 9ator in the drop down OutRDS encoder s reference input From Multiband Section MPX Input 1 MPX Input 2 PLL 57k Recovery MPX Output 2 Pilot 2 MPX Fre...

Page 129: ...support UECP directly but for those that do not an ASCII mode is supported for sending commands in plain text UECP input port is a text field where you can enter the port to listen for UECP commands...

Page 130: ...cessed The Stereo decoder information control when enabled identifies the station as broadcasting in stereo as opposed to mono When enabled the Artificial Head decoder information control indicates th...

Page 131: ...with the symbol each text will alternate for 3 seconds WOMN FM 88 5 FM NOW WITH OMNIA 9 or WOMN FM TODAYS HOTTEST HITS To change the amount of time the text is displayed put the desired time in front...

Page 132: ...ies when using a Static Program Type These 31 program types are defined differently for RDS and RBDS so it is important that you set the RDS RBDS switch correctly for your location Most of the world i...

Page 133: ...DS Field installing RDS To upgrade a unit already operating in the field with RDS you must purchase a key to enter into the unit The key is then entered into the unit along the path Home System System...

Page 134: ...s and take a closer look at other signals in your market on the oscilloscope or spectrum analyzer You could feed the composite output of your existing processor into the Omnia 9 to check its performan...

Page 135: ...nitors and tuners have some tilt present controls to adjust compensate for Tilt Amount and Tilt Coefficient are provided To get a good square wave reference tune in a station with bass heavy programmi...

Page 136: ...source is flat or pre emphasized The Pre emphasis control should be set to match the amount of pre emphasis the incoming signal has or used to have if it was de emphasized prior to being fed into Omn...

Page 137: ...17 FM Menu Meter Options The Meter Options Menu contains sub menus for Meter Options Test Options Loudness Matched A B and Display Settings NfRemote also includes TCP Link Status which shows paramete...

Page 138: ...t Level Meter and L R Level Meter can be added to the Modulation Meter display of any enabled MPX section including MPX Output MPX Input 1 and MPX Input 2 The MPX Power Numeric Peak Modulation Numeric...

Page 139: ...loop and takes your mind off the careful study of the changes you re making to your processing To make A B comparisons easier Omnia 9 can apply automatic leveling to several key input patch points an...

Page 140: ...splay As mentioned earlier the selection of possible sources is determined by selections in the Meter Options menu By default the graphs display data in Relative time that is since the graph was first...

Page 141: ...such thing as perfect radio reception and some noise will always be present so this control helps level the playing field a bit To use this feature set up two FFT spectrum analyzer displays one looki...

Page 142: ...CHAPTER 17 125 FM MENU METER OPTIONS Display Settings Menu The Display Settings menu is the same menu found in the Processing Menu of the Processing section This is an example...

Page 143: ...ncy processing core mainly designed for talent monitoring Its menu allows you to choose the input source load and save presets and make changes to the Parametric Equalizer Downward Expanders Input AGC...

Page 144: ...Level controls Adjustments here should be made carefully especially additional gain as the only processing stage following this section is the Final Limiter The Studio processing core does not use a f...

Page 145: ...ished in the System System Config Sample Rate menu Processing Menu All processing parameters for the individual HD cores are found here Their functions are similar to those in the FM processing core A...

Page 146: ...log FM from HD The reason for having this control in the HD section despite the multitude of other ways to reduce high frequency content available is to be able to easily modify an FM preset without h...

Page 147: ...d an option for meter activity TheDelaysliderprovidesbetween0and10 000msofdelaytotime alignaudiocominginfromtheTestInput The Physical Input drop down menu determines the source of the audio feeding th...

Page 148: ...Program Input to the HD core or from the Test Input as selected in the Test Input Menu Comparison Output Menu Like the Test Input menu the Comparison Output menu has a Delay slider that provides betwe...

Page 149: ...s corresponding HD core except in certain heavy configurations on Omnia 9 classic hardware such as Dual FM To enable stream processing set choices from the Home System System Configuration Processing...

Page 150: ...asic Intermediate or Expert modes A detailed explanation of each menu and control can be found and referenced in the FM Processing menu section of this manual Controls unique to the HD and Streaming s...

Page 151: ...e the http omnia9 ip 7380 parameter stream1 strm_new metadata_strm parameter every time the song name changes in an automated fashion This may be something you need your IT department to set up 2 Set...

Page 152: ...usly the lower the bit rate the lower the quality of the audio for each given codec Please take use factors into consideration when selecting a bit rate such as the total amount of bandwidth available...

Page 153: ...ng a streaming service provider utilizing Icecast 2 they will have assigned you a mount point Conversely the Stream ID for Shoutcast 2 servers is what Shoutcast 2 servers use to keep different streams...

Page 154: ...condary input audio source for the AM output Enabling the AM Processing Core To enable AM processing navigate to the System System Configuration Processing Paths menu Then select Processing Paths Then...

Page 155: ...cessing controls and settings found in other processing cores FM HD Studio Streaming are present here and function in exactly the same way including the need to set the Adjustment Level under the Abou...

Page 156: ...100 modulation for positive peaks while negative peaks must be kept at or below 100 to prevent carrier loss The L R component of C QUAM Stereo must be strictly limited to 100 at all times Omnia 9 mee...

Page 157: ...tter to the Y input 60Hz Sawtooth Detent The same signal as the standard 60Hz Sawtooth but with a handy detent to make finding 50 easier on the scope Aren t we thoughtful The Test Level slider adjusts...

Page 158: ...achieve symmetrical peaks TX Out Menu The TX Out menu contains controls used for feeding analog AM transmitters and includes adjustments for output level tilt and equalization The resulting signal can...

Page 159: ...ge of this control is 0 0 to 10 0 octaves in one tenth octave increments Lower values provide a narrower sharper boost or cut while higher values provide a wider gentler boost or cut The Gain slider d...

Page 160: ...plus whatever the in line unit is adding to the signal such as watermark tones Please note that you have still been ON AIR through all of this none of it has affected the on air output Once the noise...

Page 161: ...y similar to Fire and Brimstone and matches its loudness but with less mid bass and less highs It is the default preset Fortress is a loud and warm sounding 7 band preset with fast Input AGC attack an...

Page 162: ...essing chain In addition you can Load and Save presets adjust overall volume levels and individual left and right channel levels access the built in pink noise generators independently delay the outpu...

Page 163: ...ore Additionally both MPX Input 1 and 2 can be monitored Note that only those processing cores that have been enabled will be available The cores are enabled via Home System System Configuration Proce...

Page 164: ...any of the 8 Livewire inputs requires MKII platform update The Sidechains menu allows you to monitor the audio passing through the Input AGC Wideband AGC 1 Wideband AGC 2 and Wideband AGC 3 sidechain...

Page 165: ...fore it enters the De clipper and multiband expander and after it leaves the De clipper and multiband expander The available number of bands is determined by the current processing preset processing c...

Page 166: ...De clipper and multiband expander Pre and after it leaves the De clipper and multiband expander Post The available number of bands is determined by the current processing preset processing core The P...

Page 167: ...that was previously audible will become the Backup Preset You may also load a preset directly from the list by double tapping it After changing any parameter of a preset an M appears next to the Curre...

Page 168: ...licate of the control found on the top of the Home screen and controls the output level to the speaker or headphone output The Bypass control enables or disables the parametric EQ loudness contours an...

Page 169: ...adjust the output gain of each channel individually and act as a sort of balance control in situations where the left and right speakers are not equally spaced from the monitor point The Solo Left and...

Page 170: ...in a situation where both channels have gotten out of phase at some point in the studio wiring Channel Coupling Menu When enabled the Common L R EQ control couples the left and right channels together...

Page 171: ...s similar to the traditional Loudness adjustment found on many car audio systems as well as on some home systems and TV sets It only affects the speaker outputs and does not affect the on air audio of...

Page 172: ...eded Left EQ1 Left EQ2 Right EQ1 and Right EQ2 Menus The Left EQ1 Left EQ2 Right EQ1 and Right EQ2 menus each provide six bands of fully parametric equalization for each Monitor Output The Frequency W...

Page 173: ...e menus that determine which processing cores and streaming encoders are enabled where HTTP access and IP information is entered and where settings for the file recorder are made System Status Menu Th...

Page 174: ...time utilization status of all 4 cores mk I or 8 cores MKII This display has diagnostic value for systems running multiple processing options The Network Information section provides information incl...

Page 175: ...oting The Monitor Out Status shows the speaker and the headphone output conditions Mon Stat 1 and for Aux Output Mon Stat 2 You can toggle between the two displays using the buttons on the right of th...

Page 176: ...puts FM Options MPX options AM Options and TCP Link Status Load Preset and Save Preset Menus All I O settings in the Input Source Adjustment Diversity Delay Silence Detection Main Outputs and FM Optio...

Page 177: ...e for stations that utilize a profanity delay in their air chain and need a pre delay feed for talent monitoring When enabled the Clip Warning control will cause the Input meters to flash red when the...

Page 178: ...quick selections of common Livewire channels that would be desired to feed the Omnia 9 MKII These route changes may also be automated via task scripts GPI or through using Axia Pathfinder using LWRP...

Page 179: ...ible to lock the internal processing ot the network clock the processing engine always runs either on internal clock or synced to the AES Reference Input Thus any time we send or receive audio over Li...

Page 180: ...ined in the buffer after we pulled the last output frame This number cannot go below zero if it did that means there were not enough samples available in the buffer when we needed them and we must ins...

Page 181: ...the search term Program applied Note that the search is live and searches for the string you typed in all displayed columns It will start to filter the list as you type The Audition Switch is the on...

Page 182: ...nputs an the Studio output Dual FM units will also have FM2 MPX and Studio 2 The channel numbers or multicast addresses for AES67 streams are shown along with the assigned audio source inside the Omni...

Page 183: ...YNC d as shown in green and the IP address of the source clock along with its priority are shown For other AES67 only environments the PTP clock source can be chosen in the Clock Mode dropdown Once PT...

Page 184: ...igital node at the other end The Studio output slot for low latency use works a bit differently from the normal LW output slots Due to the software only Livewire implementation in Omnia 9 MKII low lat...

Page 185: ...talent Some General Notes MPX Outputs and MPX Inputs may be turned around and transmitted as Livewire channels but note that they would need to be received by some other MPX receiver for example anot...

Page 186: ...IP4 100 64 0 91 s Omnia 9 O9 upper i FM1 MPX c IN IP4 239 200 35 141 127 t 0 0 a type multicast m audio 5004 RTP AVP 112 a rtpmap 112 L16 192000 1 a fmtp 112 fm_stereo_mpx emphasis 75 a ptime 3 750 a...

Page 187: ...he Invert control allows you to swap the polarity of only the left channel input only the right channel input or both the left and right channels simultaneously The Channels control offers five combin...

Page 188: ...Omnia 9 can switch over to a user determined secondary input source when audio from the primary source is interrupted The Silence Detect control determines how long Omnia 9 will wait before switching...

Page 189: ...as several other useful selections Note The FM Pre final L R output allows audio just before pre emphasis and clipping to be routed to any of the rear panel outputs Main FM Out 1 Main FM Out 2 Aux Out...

Page 190: ...ne at 37890 Hz and another at 38110 Hz The original audio had a piano note at 110 Hz recorded with stereo microphones and has very little phase correlation between the left and right channels Thus due...

Page 191: ...ceable such as on dry voice The L R Output Bandwidth drop down allows you to select the audio bandwidth for the L R outputs Although the FM stereo standard dictates 15 KHz in practice with tight filte...

Page 192: ...ry useful for testing and proofing transmission path components Square is a 60Hz square wave useful for visualizing tilt Quick Sweep is a very fast 1 000 60 000Hz sweep with a click before each sweep...

Page 193: ...te output Select 400 Hz Adjust the oscilloscope input level to accurately reach a particular set of lines Select 30 Hz Verify that the peaks reach the same lines at the exact same spot Select 30 Hz Ph...

Page 194: ...ages of the industry leading stereo generator in the Omnia 9 including RDS and auto pilot while maintaining competitive loudness and stallar audio quality As it grows in acceptance MPX will provide ne...

Page 195: ...the level down to avoid clipping during recording Recording an MPX patch point has 3dB built in attenuation so no further attenuation is necessary to yield a 3dB peak MPX file suitable for use in a m...

Page 196: ...cascade bit rate reduction artifacts You also have the option to use Omnia 9 s Time Based File Splitting feature which allows you to record files of a specified length 15 minutes 30 minutes 1 hour 2...

Page 197: ...abled NTP Synchronization will use one of these servers to keep the Omnia 9 s clock synchronized Set Clock Manually Menu The Set Clock Manually menu contains the controls for manually setting the time...

Page 198: ...ime driven events including switching Undo Presets for each input changing processing presets for the FM Studio and each HD and Streaming processing cores and controlling the dry voice detector for ea...

Page 199: ...e and provides a list of choices appropriate for the general event category For instance if the Function control is set to FM Processing Preset a list of processing presets will be displayed Once thes...

Page 200: ...o Preset per processing core Processing Preset per processing core Dry Voice Detection per processing core AM Night Mode and just about anything else you d like to control externally You can then sele...

Page 201: ...LW GPI tab and selecting the desired function responses Pins 2 through 9 are GPI inputs 1 through 8 Pins 18 through 25 are ground If a system is using relay logic a contact closure from GPI to ground...

Page 202: ...device used for remote GPI input Once you enable one of the GPI s labeled A E for each bank the drop down lists for LO vs HI will be populated with available values GPI actions are momentary but you c...

Page 203: ...his page Welcome to Omnia 9 mkII HTTP server version 3 18 99 x64 Refresh Host OMNIA9 99901 List Parameters Preset Manager Launch Remote Interface Windows Application Log Files Task Scripts Internal Pl...

Page 204: ...path we copied before Click on the parameter It will show you ALL the available options and what the values are In this case sys i o source1_input1 0 Backup 1 Primary Source Analog Backup Dig Value 0...

Page 205: ...opdowns This may seem complicated to just change inputs but I would argue that it s really not what it is is Universal Because this is not limited to the changing of inputs you can make a task change...

Page 206: ...X composite output L R output or both The MPX Power Control control allows Omnia 9 to operate in compliance with ITU R BS 412 regulations The AM pull down menu allows you to enable a processing core f...

Page 207: ...y and select Clear Password To unlock the unit enter your password and select Unlock If you forget your password Omnia support can help you unlock your unit Power Menu The Power menu provides a means...

Page 208: ...gn IP addresses for WAN and Livewire AoIP network adapters enter subnet mask and gateway information for your network s and enter DNS addresses The Use DHCP button allows your local router to assign a...

Page 209: ...9 to attempt its NfRemote TCP IP connection to Enable the Connect toggle switch and Omnia 9 will attempt to connect indefinitely On your client machine set NfRemote to accept an Inbound Connection In...

Page 210: ...nnection handshake will proceed normally and the familiar user interface will open After you disconnect Omnia 9 will keep reconnecting forever rapidly at first but gradually slowing down until it idle...

Page 211: ...rd only There are eight slots The default value in the first slot of 127 0 0 1 255 255 255 255 is a complicated way of saying localhost which always has access even if you erase it from the slot so it...

Page 212: ...ur SNMP manager It supports SNMP versions V1 and V2c The SNMP Enable control enables and disables SNMP Note that SNMP must be disabled in order to make changes to this section The Communities and Trap...

Page 213: ...can be used by the NfRemote software to update the unit remotely This menu will look different from the front panel and through NfRemote To start the update process put your backup processor on the ai...

Page 214: ...the original settings as uploading a known good configuration can immediately get things back to normal similar to using a restore point in PC terms The Backup Download Configuration button saves the...

Page 215: ...on your unit You can add options and upgrade your Omnia 9 at any time in many cases without needing to purchase new hardware Please call Omnia support for more information The KTR option supporting Ka...

Page 216: ...ut each does so in a different way with different sounding results and if used to excess different sounding artifacts The added short term density provided by peak limiting can still make audio sound...

Page 217: ...d AGC and Multiband AGC sections Raise the target of the Multiband AGC compressors Lower the threshold of the Multiband Limiters You may need to raise the Band Mix to compensate for the additional gai...

Page 218: ...r hand your goals lean more toward preserving the spectral balance of the original material this could be advantageous Making adjustments to the Band Mix will also influence the spectral balance but s...

Page 219: ...by format or genre with the occasional exception so you ll find no Urban Open Country Rock or Smooth Jazz badges here With conventional naming many presets that would work quite nicely on your station...

Page 220: ...the multi band AGC at all times creates a dense and consistent output conjuring up the general sound of another un named but ubiquitous processor known for its bass texture and consistency If there s...

Page 221: ...ss kicks in While less suited for typical commercial formats it pairs very well with electronic dance music Helix by Jesse Graffam Helix is a 7 band preset that sports a smiley face EQ curve to delive...

Page 222: ...bass texture uses fast attack and release times to build density and has dip in the lower mids to keep male vocals from becoming muddy It also foregoes any stereo enhancement A great choice for CHR st...

Page 223: ...ound That said this is still not a quiet preset If you find yourself in a loud market and feel like you need to keep up Radium is a great place to start and will likely be as loud on the dial as the c...

Page 224: ...punchy with an open mid range and a more classic Omnia sound Trinity doesn t use any parametric EQ or stereo enhancement runs with a very light ratio in the multi band section and presents itself very...

Page 225: ...listening to your station s processing on speakers of different qualities in a wide variety of listening environments is important to get a real world feel of how things sound but we feel strongly tha...

Page 226: ...ually or concurrently using NfRemote The Comment field allows you to enter a friendly name for each device to which you plan to connect The IP Address field should contain the IP address of the Omnia...

Page 227: ...nother computer This includes software like Parallels VMware Team Viewer GoToMyPC Remote Desktop Connection or a VNC client Wacom Digitizer users should also select this option Local Mouse Touch Simul...

Page 228: ...on the Home screen is an additional Client Audio menu which contains additional menus for Client Audio Output Client Microphone Input and Client File Recorder Each menu is discussed in more detail in...

Page 229: ...in the list you must save it using the Save Preset function If you need to upload a preset without putting it on air you can do so through the HTTP server port 7380 by clicking on Preset Manager and t...

Page 230: ...dio to from various patch points within the Omnia 9 to be streamed directly to the client PC Keep in mind that audio streams require bandwidth as does displaying patch points on the oscilloscope FFT s...

Page 231: ...at a slight cost to CPU usage Regardless the client software will automatically determine whether to stream client audio in a linear uncompressed PCM format or in a data reduced format which while com...

Page 232: ...ontrol is between 0 and 10 000 milliseconds 10 seconds The meters on the remote PC will automatically adjust so that they are always synchronized with the client audio as long as client audio is enabl...

Page 233: ...efresh List button in order for the software to recognize the addition Load Preset Menu This menu operates in a manner similar to the Load Preset menu in the various processing cores of the Omnia 9 Ho...

Page 234: ...ors for around 100 If you prefer to connect your mic via USB or Firewire several manufacturers M Audio E Mu and Blue come to mind offer XLR to USB and XLR to Firewire converters starting at under 50 S...

Page 235: ...the level of pink noise well above the noise floor of the room and to a level that approximates the volume at which you would normally listen to program material when adjusting your processing As you...

Page 236: ...as will a good dose of patience and allotting enough time to do it up right Your efforts will be rewarded when you play music through your calibrated setup for the first time and wonder if someone swa...

Page 237: ...sources via its physical rear panel inputs Each physical input is then assigned to an internal signal path within Omnia 9 in the System I O Options Input 1 2 3 menus Keep in mind that individual proce...

Page 238: ...on audio destined for the FM processor is also shared by the HD 1 Streaming 1 and Studio cores Audio destined for HD 2 is shared by the Streaming 2 core while audio for the HD 3 feed is shared by the...

Page 239: ...transmitter one of the two rear panel composite outputs can be used to feed the main FM audio directly to the exciter This is also true if Omnia 9 is located at the studio feeding a composite STL In t...

Page 240: ...posite outputs levels are set in the System I O Options FM Options menu There are options to select Main MPX and Insert output levels The MPX menu is where you set pilot level Demod clip threshold all...

Page 241: ...0 milliseconds Where is the diversity delay Omnia 9 provides a diversity delay so that AM or FM audio can be delayed and time aligned to corresponding HD 1 audio ensuring listeners with HD radios will...

Page 242: ...e NfRemote software can access Omnia 9 providing the user knows the unit s password White listing IS required to access the built in HTTP server however To set up a password navigate to the System Sys...

Page 243: ...o I get a copy of the remote software The remote software client NfRemote is always available from within Omnia 9 itself and can be retrieved using the built in HTTP server Any time you update your Om...

Page 244: ...CHAPTER 27 227 FREQUENTLY ASKED QUESTIONS Example...

Page 245: ...es to achieve a truly custom sound Still others will want to explore every nook and cranny of the menu system to discover every available control there are nearly 4 500 points of adjustment when all f...

Page 246: ...in Dig Patch Point AES Ref Patch Point Aux Dig Patch Point Anlg In Patch Point 1 1 If any AES signal is present on the AES Reference input that becomes the reference The rate of the signal must match...

Page 247: ...tereo Generator Psychoacoustic Composite Clipper Integrator Psychoacoustic L R Audio Clipper MPX Input 1 MPX Input 2 RDS Pilot Extractor Internal RDS Encoder MPX Output 2 Any Audio Output Pilot MPX Fr...

Page 248: ...S Reference Input Aux Digital Input Analog Input Primary Source Secondary Source Dual Input Silence Detector Control Signal Overload Detector Input Gain Auto Balance Internal Playback ITU BS 1770 Loud...

Page 249: ...L PATH DIAGRAMS MPX Input MPX Input From Physical Input Section MPX Input Section Only one shown for simplicity DC Servo Tilt Correction 2x Phase Matching Parametric EQ Gain Delay MPX In Patch Point T...

Page 250: ...odulator Internal RDS Pilot Generator RDS Mode Switch Internal or External Pre emphasis Stereo Generator Psychoacoustic Distortion Masking Composite Clipper RDS Mode Switch Ext 1 Ext 2 2 Omnia 9 will...

Page 251: ...y source channels Source MPX MPX Compensation Delay Phase Linear Reference Stereo Decoder Left De mod Right De mod De emphasis Left De emph Right De emph Source Listenable Listenable 54 KHz Phase Line...

Page 252: ...ed Also used for the Pre emph Test Input FFT Spectrum and Oscilloscope can view any channel RTA and Monitor Out can use only listenable channels File Recorder records only source channels Source Left...

Page 253: ...ion Start Transition Width Peak Detectors B1 Expander B1 Expander Speed Governor Peak Detector Scale Relative Threshold WB Distance Limit Speed In Gain Out Gain Out Mixer To Multiband Processing B1 Ct...

Page 254: ...Pink Noise Generator PEQ Preview Patch Point Sidechain Audio Patch Point 3 channel 3 band Parametric Equalizers Pink Noise Generator PEQ Preview Patch Point Sidechain Audio Patch Point Wideband AGC 1...

Page 255: ...band is mixed down to two bands before this stage Low Band High Band Mixer Low Band High Band 4 channel coupled wideband compressor with separate sidechain input Peak based feed back Delay Line 3 chan...

Page 256: ...mode only Band 1 goes through the compressor Band 1 Band 2 Band 3 Band 4 Band 5 Mixer Band 1 Band 2 Band 3 Band 4 Band 5 4 channel coupled wideband compressor with separate sidechain input Peak based...

Page 257: ...e only Band 1 goes through the compressor Band 1 Band 2 Band 3 Band 4 Band 5 Mixer Band 1 Band 2 Band 3 Band 4 Band 5 4 channel coupled wideband compressor with separate sidechain input Peak based fee...

Page 258: ...rd Expanders Multiband Stereo Enhancers Wideband AGC 3 Bass Mode Wideband AGC 2 Bass Mode Multiband Limiters Multiband AGCs Solo Band Patch Points Wideband AGC 3 Post MB Mode Wideband AGC 2 Post MB Mo...

Page 259: ...so used for Client Audio Monitoring Any Listenable Patch Point Solo Switches Pink Noise Generator Volume Control High Pass Low Pass Master Gain L R Level Delay L R Bypass Switch 12x Parametric Equaliz...

Page 260: ...Thailand in December 77 F 25 C Digital Output Level Adjustable from 24dBFS to 0 0dBFS in 0 1 dB increments Stereo Baseband Output Adjustable from 24 0dBFS to 0 0dBFS in 0 1 dB increments A D Conversio...

Page 261: ...1000 BASE T Ethernet Power Requirements 100 264 VAC 47 63Hz auto sensing Power Connector IEC male detachable 3 wire power cords supplied Power Supply Dual internal redundant hot swappable supplies En...

Page 262: ...d Warranty Telos Alliance Radio Division has an industry leading five year warranty As a company we are commited to our products and the pursuit of providing better quality to our customers Find the W...

Page 263: ...THIS PAGE INTENTIONALLY LEFT BLANK...

Page 264: ...1241 Superior Ave Cleveland Ohio 44114 USA 1 216 241 7225 TelosAlliance com 2018 TLS Corp All Rights Reserved C18 2 15036 P N 1490 00082 007 USER MANUAL OMNIA 9...

Reviews:

No comments