background image

SRM350v3 and SRM450v3 P

o

w

er

ed Loudspe

ak

ers

10

SRM350v3 and SRM450v3 Powered Loudspeakers

SRM350v3/SRM450v3 Loudspeaker: Rear Panel Features continued...

Balanced 1/4" TRS Connector

Sleeve – Shield (ground) 
Tip – Positive (+ or hot) 
Ring – Negative (– or cold)

To connect unbalanced lines to these inputs, use a 

1/4" mono (TS) phone plug, wired as follows according 
to standards specified by the AES (Audio Engineering 
Society):

Unbalanced 1/4" TS Connector

Sleeve – Shield (ground) 
Tip – Positive (+ or hot)

For more information on these connectors, see  

Appendix B on page 17.

4. Gain Knobs

The gain knobs adjust the input sensitivity of the  

mic, line and/or RCA inputs. This allows signals from 
the outside world to be adjusted to run through each 
channel at optimal internal operating levels.

There is –  dB of gain with the knob fully down  

(off), ramping up to 50 dB of gain fully up (max).  
The accompanying LED will illuminate green when  
the channel’s input signal is present, indicating signal. 
It will remain lit so long as there is signal above  
–20 dBu present in that channel.

The accompanying LED will illuminate red when the 

amplifier in the SRMv3 loudspeaker is near the clipping 
point. It is okay if this LED blinks occasionally, because 
this means that the transient peaks are just reaching 
the maximum output of the amplifiers and you are  
getting the most out of your loudspeaker.

If connecting mixer outputs to loudspeaker 
inputs, set the gain knob to 10:00 [“Line”]  
for optimal sound and performance.

SLEEVE

TIP

SLEEVE

TIP

RING

RING

TIP

SLEEVE

RING

Balanced 1/4" TRS Connector

SLEEVE

TIP

TIP

SLEEVE

TIP

SLEEVE

Unbalanced 1/4" TS Connector

5. RCA Inputs [Channel 2 Only]

The stereo unbalanced RCA inputs allow you to    

play a CD player, iPod

®

, or other line-level source.    

The RCA jacks accept an unbalanced signal using  
standard hi-fi [RCA] hookup cables.

They are wired as follows, according to standards 

specified by the AES (Audio Engineering Society): 

Unbalanced RCA Connector

Sleeve – Shield (ground) 
Tip – Positive (+ or hot)

  For more information on these connectors, see  
Appendix B on page 17.

6. Thru Output

This is a male XLR-type connector that produces 

exactly the same signal that is connected to the    
main input jack or a mix of channels 1 and 2. Use it to  
daisy-chain several SRM loudspeakers together off   
the same signal source(s). 

They are wired as follows, according to standards 

specified by the AES (Audio Engineering Society): 

Balanced XLR Output Connector

Pin 1 – Shield (ground) 
Pin 2 – Positive (+ or hot) 
Pin 3 – Negative (– or cold)

TIP

SLEEVE

TIP

SLEEVE

Unbalanced RCA Connector

2

1

SHIELD

COLD

HOT

3

SHIELD

COLD

HOT

3

2

1

Balanced XLR Output Connector

ON

OFF

POWER

SIG/OL

SIG/OL

CH 1

MIX

U

MAX

OFF

LINE

MIC

U

MAX

OFF

LINE

MIC

PA

DJ

MON

SOLO

1

ON

HOLD TO

CLEAR

2

3

4

LIMIT

ON

LED

OFF

R

L

GAIN

GAIN

SPEAKER

MODE

FEEDBACK

DESTROYER

MAIN

3

6

7

5

4

Summary of Contents for SRM450v3

Page 1: ...OWNER S MANUAL Powered Loudspeakers SRM350v3 and SRM450v3...

Page 2: ...de reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance wit...

Page 3: ...your investment when things get pushed a little too hard Monitor specific angle and voicing mode perfect for cutting through on stage Flyable for permanent install Proven highly durable portable desi...

Page 4: ...evel outputs from the mixing console or other signal source to the inputs on the rear panel of the SRM350v3 SRM450v3 loudspeakers 3 Make sure that the loudspeaker s gain knobs are set to or near line...

Page 5: ...songwriters touring the local coffee shops Bring your favorite axe and mic SRMv3 loudspeakers and cables and power cords In this example a dynamic microphone is connected to the channel 1 input of an...

Page 6: ...5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40...

Page 7: ...MIC U MAX OFF LINE MIC PA DJ MON SOLO 1 ON HOLD TO CLEAR 2 3 4 LIMIT ON LOGO OFF R L GAIN GAIN SPEAKER MODE FEEDBACK DESTROYER MAIN SIG OL SIG OL CH 1 MIX U MAX OFF LINE MIC U MAX OFF LINE MIC PA DJ...

Page 8: ...COUVERCLE ATTENT ION NE PAS OUVRIR RISQUE DE CHOC ELECTRIQU E POWER CONSUMPTION 200W POWER CONSUMPTION 200W POWER CONSUMPTION 200W POWER CONSUMPTION 200W SRM 550 SRM 650 VAR SRM 550 SRM 650 VAR SRM 5...

Page 9: ...ature 1 4 Wide Z inputs with combo jacks that may accept balanced unbalanced XLR and 1 4 connections The gain range of the Wide Z inputs may handle anything from an instrument or mic level to a line l...

Page 10: ...output of the amplifiers and you are getting the most out of your loudspeaker If connecting mixer outputs to loudspeaker inputs set the gain knob to 10 00 Line for optimal sound and performance SLEEV...

Page 11: ...destroy feedback and maximize gain prior to feedback This is a great tool for performers without a dedicated engineer The integrated and amazingly accurate Feedback Destroyer instantly employs up to f...

Page 12: ...try turning down the level control a notch or two on the mixing console or the back of the loudspeaker to avoid overheating the amplifier Be aware that direct sunlight and or hot stage lights may be t...

Page 13: ...ing the loudspeaker in places exposed to harsh weather conditions If you are setting them up outdoors make sure they are under cover if you expect rain SRMv3 loudspeakers are NOT designed to array hor...

Page 14: ...ighly directional and tend to be absorbed much easier than lower frequencies By providing direct line of sight from the loudspeakers to the audience you increase the overall brightness and intelligibi...

Page 15: ...in its own right Because of the hazardous nature of rigging work and the potential liability engage companies that specialize in these disciplines to do the work required We do offer certain accessory...

Page 16: ...Friday during normal business hours Pacific Time to explain the problem Tech Support will tell you where the nearest factory authorized service center is located in your area If you think the SRMv3 l...

Page 17: ...ing Sleeve the three connections available on a stereo 1 4 cable This allows for a direct connection to the channel 1 and 2 input jacks on SRM loudspeakers Be sure the cables are wired per AES Audio E...

Page 18: ...Rated Power 100 watts rms 200 watts peak Rated THD 1 Cooling Convection Design Class AB Input Output Channel 1 Mic Line 8 k balanced 1 4 TRS Wide Z 1 M unbalanced Channel 2 Mic Line 8 k balanced 1 4...

Page 19: ...co sauce or 1 8 teaspoon red hot sauce Directions Preheat oven to 350 F degrees In a mixing bowl using an electric mixer beat cream cheese and mayonnaise until smooth Stir in crabmeat minced onion lem...

Page 20: ...d SRM450v3 Powered Loudspeakers SRM350v3LoudspeakerDimensions SRM450v3LoudspeakerDimensions 20 8 in 527 mm 13 1 in 333 mm 20 8 in 527 mm 12 3 in 311 mm WEIGHT 23 lb 10 4kg 50 WEIGHT 37 lb 16 8kg 26 1...

Page 21: ...ses on mid range clarity where vocals often reside Soloist Speaker Mode This mode features a low frequency roll off to get rid of unwanted thumps and adds boost and sparkle to mid range and high frequ...

Page 22: ...TO CLR ON 1 2 3 SOLO MODE LIMIT PA DJ MON LED ON OFF MAIN FEEDBACK DESTROYER SPEAKER MODE USER CONTROLS FRONT LED XLR OFF 20 dB 40 dB GAIN CCW 12 00 CW TRS WIDE Z OFF 0 dB 20 dB RCA THRU XLR TRS COMBO...

Page 23: ...the noncompliance within the Warranty Period to the Company at www 720trees com or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business hours Paci...

Page 24: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

Reviews: