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Owner’

s Manual

13

Owner’s Manual

Placement

WARNING: Installation should only be done  
by an experienced technician. Improper  
installation may result in damage to the  

equipment, injury or death. Make sure that the  
loudspeaker is installed in a stable and secure way   
in order to avoid any conditions that may be dangerous 
for persons or structures.

SRMv3 loudspeakers are designed to sit on the floor 

or stage as the main PA or as monitors. They may also 
be pole-mounted via the built-in socket on the bottom 
of the cabinet. Be sure the pole is capable of supporting 
the weight of the loudspeaker. The SPM200 is a great 
option when using a subwoofer. 

These loudspeakers may also be flown via their  

integrated fly points as detailed on page 15. Be sure  
to read the PA-A1 Eyebolt Installation Instructions,  
as well.

Check to make sure that the support surface  

(e.g. floor, etc.) has the necessary mechanical  
characteristics to support the weight of the 
loudspeaker(s).

When pole-mounting loudspeakers, be sure that they 

are stabilized and secured from falling over or being  
accidentally pushed over. Failure to follow these  
precautions may result in damage to the equipment, 
personal injury, or death.

As with any powered components, protect them from 

moisture. Avoid installing the loudspeaker in places 
exposed to harsh weather conditions. If you are setting 
them up outdoors, make sure they are under cover if you 
expect rain.

SRMv3 loudspeakers are NOT designed to array  

horizontally. If you feel you must put two speakers  
side-by-side, you should have a good understanding  
of the relationship between the splay angle (the angle 
between the facing sides of the cabinets) and frequency 
cancellation effects between cabinets.

When two cabinets are positioned side-by-side  

such that the rear-angled faces of the enclosures  
are parallel, the splay angle will be 90º. This matches 
the 90˚ horizontal coverage pattern of each individual 
loudspeaker; the interference between the two cabinets 
will be minimized, but the total coverage of 180˚ may 
be too wide for some applications. The mid and high 
frequencies may also be reduced for those in the center 
who are too close to the loudspeakers.

Reducing the splay angle will reduce the total  

horizontal coverage, but it also creates an area both 
speakers are covering. Instead of a nearfield hole, 
this will cause comb-filtering effects in the frequency 
response in the overlapping area. The smaller the splay 
angle, the more energy will be delivered on-axis, but the  
comb-filtering effects will get worse at the same time.

To reiterate, though, we strongly suggest  

NOT arraying these loudspeakers horizontally.  
Experimentation and experience will help you find  
the right balance for your application.

Summary of Contents for SRM450v3

Page 1: ...OWNER S MANUAL Powered Loudspeakers SRM350v3 and SRM450v3...

Page 2: ...de reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance wit...

Page 3: ...your investment when things get pushed a little too hard Monitor specific angle and voicing mode perfect for cutting through on stage Flyable for permanent install Proven highly durable portable desi...

Page 4: ...evel outputs from the mixing console or other signal source to the inputs on the rear panel of the SRM350v3 SRM450v3 loudspeakers 3 Make sure that the loudspeaker s gain knobs are set to or near line...

Page 5: ...songwriters touring the local coffee shops Bring your favorite axe and mic SRMv3 loudspeakers and cables and power cords In this example a dynamic microphone is connected to the channel 1 input of an...

Page 6: ...5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40...

Page 7: ...MIC U MAX OFF LINE MIC PA DJ MON SOLO 1 ON HOLD TO CLEAR 2 3 4 LIMIT ON LOGO OFF R L GAIN GAIN SPEAKER MODE FEEDBACK DESTROYER MAIN SIG OL SIG OL CH 1 MIX U MAX OFF LINE MIC U MAX OFF LINE MIC PA DJ...

Page 8: ...COUVERCLE ATTENT ION NE PAS OUVRIR RISQUE DE CHOC ELECTRIQU E POWER CONSUMPTION 200W POWER CONSUMPTION 200W POWER CONSUMPTION 200W POWER CONSUMPTION 200W SRM 550 SRM 650 VAR SRM 550 SRM 650 VAR SRM 5...

Page 9: ...ature 1 4 Wide Z inputs with combo jacks that may accept balanced unbalanced XLR and 1 4 connections The gain range of the Wide Z inputs may handle anything from an instrument or mic level to a line l...

Page 10: ...output of the amplifiers and you are getting the most out of your loudspeaker If connecting mixer outputs to loudspeaker inputs set the gain knob to 10 00 Line for optimal sound and performance SLEEV...

Page 11: ...destroy feedback and maximize gain prior to feedback This is a great tool for performers without a dedicated engineer The integrated and amazingly accurate Feedback Destroyer instantly employs up to f...

Page 12: ...try turning down the level control a notch or two on the mixing console or the back of the loudspeaker to avoid overheating the amplifier Be aware that direct sunlight and or hot stage lights may be t...

Page 13: ...ing the loudspeaker in places exposed to harsh weather conditions If you are setting them up outdoors make sure they are under cover if you expect rain SRMv3 loudspeakers are NOT designed to array hor...

Page 14: ...ighly directional and tend to be absorbed much easier than lower frequencies By providing direct line of sight from the loudspeakers to the audience you increase the overall brightness and intelligibi...

Page 15: ...in its own right Because of the hazardous nature of rigging work and the potential liability engage companies that specialize in these disciplines to do the work required We do offer certain accessory...

Page 16: ...Friday during normal business hours Pacific Time to explain the problem Tech Support will tell you where the nearest factory authorized service center is located in your area If you think the SRMv3 l...

Page 17: ...ing Sleeve the three connections available on a stereo 1 4 cable This allows for a direct connection to the channel 1 and 2 input jacks on SRM loudspeakers Be sure the cables are wired per AES Audio E...

Page 18: ...Rated Power 100 watts rms 200 watts peak Rated THD 1 Cooling Convection Design Class AB Input Output Channel 1 Mic Line 8 k balanced 1 4 TRS Wide Z 1 M unbalanced Channel 2 Mic Line 8 k balanced 1 4...

Page 19: ...co sauce or 1 8 teaspoon red hot sauce Directions Preheat oven to 350 F degrees In a mixing bowl using an electric mixer beat cream cheese and mayonnaise until smooth Stir in crabmeat minced onion lem...

Page 20: ...d SRM450v3 Powered Loudspeakers SRM350v3LoudspeakerDimensions SRM450v3LoudspeakerDimensions 20 8 in 527 mm 13 1 in 333 mm 20 8 in 527 mm 12 3 in 311 mm WEIGHT 23 lb 10 4kg 50 WEIGHT 37 lb 16 8kg 26 1...

Page 21: ...ses on mid range clarity where vocals often reside Soloist Speaker Mode This mode features a low frequency roll off to get rid of unwanted thumps and adds boost and sparkle to mid range and high frequ...

Page 22: ...TO CLR ON 1 2 3 SOLO MODE LIMIT PA DJ MON LED ON OFF MAIN FEEDBACK DESTROYER SPEAKER MODE USER CONTROLS FRONT LED XLR OFF 20 dB 40 dB GAIN CCW 12 00 CW TRS WIDE Z OFF 0 dB 20 dB RCA THRU XLR TRS COMBO...

Page 23: ...the noncompliance within the Warranty Period to the Company at www 720trees com or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business hours Paci...

Page 24: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

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