SRM350v3 and SRM450v3 P
o
w
er
ed Loudspe
ak
ers
6
SRM350v3 and SRM450v3 Powered Loudspeakers
Hookup Diagrams continued...
Small Club System
POWER CONSUMPTION 200W
SRM
550
SRM
650
VAR
ON
OFF
POWER
SIG/OL
SIG/OL
CH 1
MIX
U
MAX
OFF
LINE
MIC
U
MAX
OFF
LINE
MIC
PA
DJ
MON
SOLO
1
ON
HOLD TO
CLEAR
2
3
4
LIMIT
ON
LOGO
OFF
POWER CONSUMPTION 160W
R
L
GAIN
GAIN
SPEAKER
MODE
FEEDBACK
DESTROYER
MAIN
ON
OFF
POWER
SIG/OL
SIG/OL
CH 1
MIX
U
MAX
OFF
LINE
MIC
U
MAX
OFF
LINE
MIC
PA
DJ
MON
SOLO
1
ON
HOLD TO
CLEAR
2
3
4
LIMIT
ON
LOGO
OFF
POWER CONSUMPTION 160W
R
L
GAIN
GAIN
SPEAKER
MODE
FEEDBACK
DESTROYER
MAIN
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 DLY (250ms)
8K
4K
2K
1K
500
250
125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
TAPE
IN
ST RETURN
MAIN OUT
PHONES
FOOTSWITCH
PHONES
TAPE
OUT
L
R
L
(UNBALANCED)
R
0dB=0dBu
MAIN
METERS
R
L
OL
4
6
3
10
15
7
10
20
30
0
2
BREAK
(MUTES ALL CHANNELS)
PHANTOM
POWER
POWER
STEREO GRAPHIC EQ
FX SEND
MID
2.5kHz
MID
2.5kHz
MID
2.5kHz
MID
2.5kHz
MID
2.5kHz
80Hz
LOW
U
+15
-15
U
+15
-15
U
+15
-15
INSERT
R
L
LOW CUT
100 Hz
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
OL
1
EQ
12kHz
HI
PAN
AUX
U
+15
O
O
MON
FX
U
+15
O
O
80Hz
LOW
U
+15
-15
U
+15
-15
U
+15
-15
R
L
LOW CUT
100 Hz
U
GAIN
MI
C GAIN
U
+50
-20dB
+30dB
2
EQ
12kHz
HI
PAN
AUX
U
+15
O
O
MON
FX
U
+15
O
O
80Hz
LOW
U
+15
-15
U
+15
-15
U
+15
-15
LINE IN 2
LINE/HI-Z IN 1
INSERT
BAL /
UNBAL
(MONO)
(MONO)
(MONO)
(MONO)
LINE IN 3
LINE IN 4
BAL /
UNBAL
LINE IN 5
R
L
LOW CUT
100 Hz
GAIN
3/4
EQ
12kHz
HI
PAN
AUX
U
+15
O
O
MON
FX
U
+15
O
O
80Hz
LOW
U
+15
-15
U
+15
-15
U
+15
-15
R
L
LOW CUT
100Hz
GAIN
MIC
GAIN
U
+50
MIC
GAIN
U
+50
5/6
EQ
12kHz
HI
LEVEL
SET
LEVEL
SET
LEVEL
SET
LEVEL
SET
PAN
AUX
U
+15
O
O
MON
FX
U
+15
O
O
GAIN
MIC
MIC
MIC
MIC
80Hz
LOW
U
+15
-15
U
+15
-15
U
+15
-15
U
+20
-20
R
L
7/8
ST RTN
FX RTN
EQ
12kHz
HI
PAN
AUX
U
+15
O
O
MON
FX
U
+15
O
O
U
+15
FX TO MON
FX MASTER
U
+15
O
O
O
O
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
dB
30
20
10
10
O
O
40
50
5
5
U
60
L
R
LINE IN 6
BAL /
UNBAL
L
R
LINE IN 7
LINE IN 8
BAL /
UNBAL
L
R
BAL /
UNBAL
L
R
BAL /
UNBAL
L
R
MON SEND
BAL /
UNBAL
BAL /
UNBAL
MUTE
PRESETS
FX PRESETS
OL
OL
OL
OL
OL
INPUT LEVEL
USB
O
O
+20
U
TAPE LEVEL
O
O
+20
U
MON
MAIN
1
2
3/4
5/6
7/8
OL
USB THRU
LINE
HI-Z
MAIN MIX
MON
EQ IN
BYPASS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 REV
11 DOUBLER
12 TAPE SLAP
O
O
MAX
LINE
HI-Z
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
48V
PROFESSIONAL MIC/LINE MIXER WITH FX
SRM
550
SRM
650
VAR
SIG/OL
SIG/OL
U
MAX
OFF
LINE
MIC
U
MAX
OFF
LINE
MIC
PA
DJ
MON
SOLO
1
ON
HOLD TO
CLEAR
2
3
4
LIMIT
ON
LOGO
OFF
R
L
GAIN
GAIN
SPEAKER
MODE
FEEDBACK
DESTROYER
MAIN
In this example, an SRM1850 subwoofer and additional SRM450v3 loudspeaker have been added
to the mix, giving our sound system some extra beef. It is a perfect setup for a small club.
Here, the L/R outputs of a ProFX8 mixer are connected directly to the channel A and B inputs of a single
SRM1850 subwoofer. Set the gain to “U”.
The channel A and B high pass outputs of the SRM1850 subwoofer are connected directly to the channel
1 inputs of each SRM450v3 loudspeaker. Be sure that the gain knob on each is set to “line”. Select the
VAR high pass mode on the SRM1850 and turn the adjacent knob to120 Hz for a matched system.
SRMv3 loudspeakers are also perfect for use as stage monitors. Simply connect a cable from each aux
send to the channel 1 input of each SRMv3 loudspeaker used as a monitor. It’s a good idea to use the
Feedback Destroyer here.
For the output, you will want to set a speaker mode, described in detail on page 11. For this type
of setup, we recommend selecting the PA speaker mode for live sound on your SRMv3 loudspeakers.
If using any SRMv3 loudspeakers as monitors, select the monitor speaker mode.
