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Owner’

s Manual

5

Owner’s Manual

The left and right line-level outputs from a mixer feed the inputs of a power amplifier. The speaker outputs 

of the power amplifier feed the inputs of two iP-12 loudspeakers. Their respective THRU jacks feed the 

inputs of another pair of iP-12 loudspeakers.

The left and right line-level outputs from a mixer feed the inputs of a power amplifier. The speaker outputs 

of the power amplifier feed the inputs of two iP-12 loudspeakers.

Two iP-12’s with a Mixer and Power Amplifier

Four iP-12’s with a Mixer and Power Amplifier, Daisy-Chaining

CHANNEL 2

CHANNEL 1

BRIDGED

BRIDGED

CH 1

 

CH 2

 

PIN

1+
1

PIN

1+
2+

1+
1

PIN

2+
2

PIN

1+
1

Right

Line level

Output

Left

Line level

Output

Power Amplifier

ProFX12 Mixer

Hookup Diagrams

48V

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

OL

4

6
3

10

15

7

10

20
30

0
2

LEVEL

SET

MAIN

METERS

R

L

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

GAIN

GAIN

+20

-20

GAIN

(MONO)

LINE IN 9 

LINE IN 10

L

R

(MONO)

L

R

(MONO)

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

BAL /UNBAL

L

R

(MONO)

L

R

LINE IN 11 

LINE IN 12

LINE IN 13 

LINE IN 14

LINE IN 15 

LINE IN 16

L

R

11/12

9/10

13/14

15/16

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

LINE IN

LINE IN

LINE IN

LINE IN

LINE IN

LINE IN

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

100Hz

GAIN

U

+50

MI

C GAIN

U

+50

MI

C GAIN

U

LOW CUT

LOW CUT

AUX

RETURN

MON

1

INTERNAL FX

MON

2

AUX

MASTER

U

+15

O

O

U

+15

O

O

U

+15

O

O

TO

MON 1

TO

MON 2

TO

MAIN

L-R

TO

MON 1

TO

MON 2

TO

MAIN 

L-R

U

+10

O

O

U

+15

O

O

U

+15

O

O

U

+10

O

O

U

+15

O

O

U

+15

O

O

SOURCE

LINE

USB

9/10

11/12

13/14

15/16

8K

4K

2K

1K

500

250

125

15

15

10

10

5

5

0

15

15

10

10

5

5

0

STEREO GRAPHIC EQ

MAIN MIX 
MON 1

EQ IN

BYPASS

PHONES

L

R

(MONO)

L

R

1

2

3

4

1

2

SUB 2

SUB 3

SUB 1

INSERT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

LINE IN

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

INSERT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

LINE IN

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

INSERT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

LINE IN

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

AUX

OL

OL

OL

OL

OL

R

L

PAN

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

dB

30

20

10

10

O

O

40
50

5

5

U

60

PFL

SOLO

L-R

1-2

3-4

80Hz

LOW

MID

FREQ

600

1.5k

150

8k

100

EQ

EQ

EQ

EQ

EQ

12kHz

HI

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

AUX

R

L

PAN

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

AUX

R

L

PAN

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

AUX

R

L

PAN

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

AUX

R

L

PAN

MON

1

MON

2

U

+15

O

O

U

+15

O

O

U

+15

O

O

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

LOW CUT

INSERT

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

12kHz

HI

80Hz

LOW

MID

2.5kHz

12kHz

HI

80Hz

LOW

MID

2.5kHz

12kHz

HI

80Hz

LOW

MID

2.5kHz

12kHz

HI

80Hz

LOW

MID

2.5kHz

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

SUB 4

dB

30

20

10

10

O

O

40
50

5

5

U

60

CR/PHONES

O

O

MAX

(MUTES ALL CH)

2-TRACK RETURN

TAPE

USB

USB OUT

MAIN

SUB 1-2

LEVEL

U

+15

O

O

INT FX

MUTE

SIG/OL

PROFESSIONAL MIC/LINE MIXER WITH FX

FX SEND

FOOTSWITCH

MON SEND

BALANCED

BALANCED

AUX RETURN

CR OUT

SUB OUT

MAIN OUT

IN

OUT

TAPE

L

R

dB

30

20

10

10

O

O

40
50

5

5

U

60

MAIN

+20

-20

U

0dB = 0dBu

RUDE

SOLO

PHANTOM

POWER

R

L

R

L

R

L

R

L

7

7

8

8

6

6

5

5

4

4

3

3

2

2

1

1

13 DELAY 1  (300ms)
14 DELAY 2  (380ms)
15 DELAY 3  (480ms)
16  DLY  (250ms)

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER

09 CHORUS
10 REV
11 DOUBLER
12 TAPE SLAP

05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL

BREAK

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

dB

30

20

10

10

O

O

40
50

5

5

U

60

CHANNEL 2

CHANNEL 1

BRIDGED

BRIDGED

CH 1

 

CH 2

 

PIN

1+
1

PIN

1+
2+

1+
1

PIN

2+
2

PIN

1+
1

SPEAKER OUTPUTS

Right

Line level

Output

Left

Line level

 Output

ProFX16 Mixer

Power Amplifier

Summary of Contents for iP-10

Page 1: ...OWNER S MANUAL Install Performance Loudspeakers iP Series...

Page 2: ...in the following chart According to OSHA any exposure in excess of these permissible limits could result in some hearing loss To ensure against potentially danger ous exposure to high sound pressure l...

Page 3: ...SIONS 13 LIMITED WARRANTY 15 Features iP Full Range Models Low profile installation loudspeaker High output ceramic woofer with voice coil for maximum output iP 10 10 woofer 2 voice coil iP 12 12 woof...

Page 4: ...om your mixing console or other signal source to the inputs of your power amplifier 3 Connect the Speaker Output from your power amplifier or powered mixer to the INPUT connector on the iP Series spea...

Page 5: ...30 20 10 10 O O 40 50 5 5 U 60 PFL SOLO L R 1 2 3 4 80Hz LOW MID FREQ 600 1 5k 150 8k 100 EQ 12kHz HI MON 1 MON 2 U 15 O O U 15 O O U 15 O O 15 U 15 15 U 15 15 U 15 LOW CUT U GAIN M IC GAIN U 50 20dB...

Page 6: ...10 10 O O 40 50 5 5 U 60 PFL SOLO L R 1 2 3 4 dB 30 20 10 10 O O 40 50 5 5 U 60 PFL SOLO L R 1 2 3 4 dB 30 20 10 10 O O 40 50 5 5 U 60 PFL SOLO L R 1 2 3 4 dB 30 20 10 10 O O 40 50 5 5 U 60 PFL SOLO L...

Page 7: ...drivers are a foot or more above ear level for the audience Make allowances for a standing dancing in the aisles audience High frequencies are highly directional and tend to be absorbed much easier t...

Page 8: ...Rigging Hardware and Accessories Rigging our loudspeakers will invariably require hardware not supplied by us Various types of load rated hardware are available from a variety of third party sources...

Page 9: ...aller to provide a properly engineered load certified rigging system for supporting the loudspeaker from structure Rigging Configurations The iP Series have M10 inserts on the top rear and both the le...

Page 10: ...power overall but involves large moment to moment variations in level Assuming you want to use the full capability of the loudspeaker and the program contains at least some momentary peaks we recommen...

Page 11: ...eaker processor the amp or the line level cabling Appendix A Service Information Poor bass performance Check the polarity of the connections between the amplifier and the loudspeakers You may have you...

Page 12: ...kwise and wrap the curved wire around the terminal with the open end towards the right this allows for better connection when tightening Once the wires are firmly attached then tighten the screws by t...

Page 13: ...520 mm Width 12 0 in 310 mm Depth 13 4 in 340 mm Weight 26 lb 11 8 kg iP 12 System Type Two way full range loudspeaker Frequency Range 10 dB 45 Hz 20 kHz Horizontal Coverage Angle 90 Vertical Coverag...

Page 14: ...ts continuous 800 watts program 132dB SPL max output Internal Low Pass Filter 115 Hz Transducers Low Frequency 18 457 mm woofer vented Physical Input Output Connectors 2 Neutrik NL4MP 2 point screw te...

Page 15: ...mpliance within the Warranty Period to the Company at www 720trees com support or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business hours Pacif...

Page 16: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

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