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DX810 – 25

Click the 

On

 button to activate the Gate for the

selected input. The 

Reset

 button returns all the

knobs to their default settings.

The Gate has four knobs: 

Hold, Release,

Threshold

, and 

Range

. Click and drag on the

individual knobs to adjust each parameter. An
analog-style meter indicates the input signal level
for the selected channel.

Click the right mouse button over the processor

display to bring up a menu that allows you to cut, copy,
or paste the processor settings to another channel.

About Gating:

A gate is used to duck or mute a channel when

the signal level drops below a certain point. This can
reduce the overall noise level in your mix by muting
unused or noisy channels.

Note:

 When we say the gate opens, it means

the gate is not acting on the signal and the signal is
allowed to pass. When the gate closes, the gate
acts on the signal by attenuating it.

 •

Threshold:

 This determines the level below which the gate

closes (and above which it opens). It is calibrated in decibels,
ranging from –60 dBFS to –1 dBFS.

Hold:

 This determines how long the gate remains open after the

input signal has fallen below, and remains below, the threshold
before closing. It is calibrated in milliseconds, ranging from 0 ms
to 2550 ms (2.55 sec).

Release:

 This determines how fast the gate closes after the hold

time has expired. It is calibrated in milliseconds, ranging from
10 ms to 2500 ms (2.5 sec) per 20 dB of gain change.

Range:

 This determines the amount of attenuation of the input

signal when the gate is closed. It is calibrated in decibels,
ranging from –100 dB to –1 dB.

Delay

Click this button to view the Delay settings for a

selected output. Click the output letter buttons (

A-J

)

to select an output.

Click the 

On

 button to activate the Delay Line.

The Delay Line has two knobs: 

Coarse

, and

Fine

. Click and drag on the individual knobs to

adjust each parameter.

Coarse:

 This control adjusts the delay in 1

millisecond increments, with a range from 0 ms to
200 ms. The equivalent distance the sound travels
in the selected amount of time is displayed. Use
this control when setting up a delay between two
speakers, as in a delay tower.

Fine:

 This control adjusts the delay in small

increments (22.7 

µ

s), with a range from 0 

µ

s to 997 

µ

s.

The equivalent distance the sound travels in the
selected amount of time is displayed. Use this
control to adjust for offsets between drivers in a
stack. For example, use this control to time-align a
horn’s compression driver and a woofer’s voice coil.

In addition, it is necessary to enter the ambient

air temperature in the 

Delay/Distance Parameters

window (click 

Advanced

 in the top menu bar and

select 

Set Temperature

). The speed of sound

varies with air temperature, and this value is
needed to accurately calculate the time delay
required as a function of distance traveled (see "Set
Temperature" on page 16). You can also choose
between US units (Fahrenheit/Feet/Inches) and
Metric units (Celsius/Meters/Millimeters) in the

Delay/Distance Parameters

 window.

Click the right mouse button over the processor

display. This brings up a menu allowing you to cut,
copy, or paste the processor settings to another
channel.

X-Over

Click this button to view the 1 to 5-Band

Crossover. The crossover window has a graphic
display to indicate the number of bands and
crossover points selected. Up to five outputs can be
selected, which become linked to a single row of
inputs. In other words, each of the eight inputs has
just one mix level to the combined outputs in the
crossover. This is reflected in the Crosspoint Matrix
Section by “blanking out” all but the top row of
crosspoints for the linked crossover outputs. Note
that only contiguous outputs may be linked to
create a crossover.

Linking outputs together for the crossover

automatically links those outputs in Output EQ
processors. The Output EQ defaults to the setting
for the first output in the crossover (i.e., Output A).
The equalizers are located prior to the crossover in
the signal chain, so all the outputs assigned to the
crossover are affected by the EQ settings.

Summary of Contents for DX810 v3.0

Page 1: ...PUT 22 28V DC 3A MAX 2 3 4 5 6 7 8 1 G G MIC LINE LINE LINE LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC DX8 DIGITAL MIXER 30dB 30dB U MIC GAIN 0 60 30dB 30dB U MIC GAIN 0 6...

Page 2: ...eptacle or other outlet unless the blades can be fully inserted to prevent blade exposure Pour pr venir les chocs lectriques ne pas utiliser cette fiche polarise avec un prolongateur un prise de coura...

Page 3: ...he DX10e Expansion Kit installed This adds eight more balanced outputs and converts it into a powerful matrix mixer processor It is designed for use in a variety of installations such as churches cour...

Page 4: ...COMMERCIAL AUDIO EQUIPMENT 9Z39 R 10e Individual Level Peak PPM metering on each Input 2 band sweepable shelving EQ with a parametric mid on each Input Gating on each Input 31 band Graphic EQ or 8 ba...

Page 5: ...buttons adjust the output level for the A and B output buses MASTER OUTPUT LED DISPLAY This indicates the signal level after the digital signal processing and MASTER A and B gain stage just prior to t...

Page 6: ...POWER These switches apply phantom power 48 VDC to pins 2 and 3 of the selected mic input connectors Put the PHANTOM POWER switch in the UP position for an individual channel when using a condenser mi...

Page 7: ...tor The signals on the DIRECT OUTPUT are unbalanced Use shielded twisted pairs for the DIRECT OUTPUT cable to ensure the best rejection of external noise EMI and RFI 1 2 3 Gnd 1 2 3 Gnd The DIRECT OUT...

Page 8: ...LOGIC OUT 6 LOGIC OUT 5 LOGIC OUT 4 LOGIC OUT 3 LOGIC OUT 2 LOGIC OUT 1 10mA Maximum 5VDC LOGIC OUT 1 14 25 13 LOGIC OUTPUT Connection Note Pins 12 and 13 are not used at this time They are reserved f...

Page 9: ...trim controls on the rear panel are not adjustable via the control software This is because these are in the analog domain prior to the A D converters To adjust the MIC and LINE TRIM controls 1 Start...

Page 10: ...adjust the gain of the input preamp stage according to the level of the input signal Refer to the Quick Start section Set the Levels for instructions on how to set the TRIM controls LEVEL The up down...

Page 11: ...function Refer to Appendix C for a list of the predefined functions available for the Selection Remote Control DX RVC Level Remote 2 Button 12 LED This remote device can control a level preselected vi...

Page 12: ...The mute enable function is activated when the logic input goes from inactive to active Latch Off The mute enable function is deactivated when the logic input goes from inactive to active Toggling Th...

Page 13: ...utton in the application to begin communication between the application and the DX810 the Enter Pass Code window opens Entering the four digit User Pass Code limits you to fader control only Entering...

Page 14: ...s in the Firmware Upgrade window 5 Upgrade Successful appears in the Status window when it is complete 6 Close the Firmware Upgrade window and click the On Line button to connect to the DX810 Importan...

Page 15: ...box opens and allows you to save the settings under the current session name or enter a new file name Enter the new name and click Save Note The extension dx8 is automatically appended to the filenam...

Page 16: ...lder where the DX 810 PC application is located with NotePad Change the line dspport 0 to dspport 1 to change to COM2 dspport 2 to change to COM3 and so on The DX 810 PC application uses 115 2k baud t...

Page 17: ...output fader settings are saved with each preset or the output fader settings are global and remain at their current settings regardless of the preset selected Windows About This provides information...

Page 18: ...ont panel lock status Click this button to lock and unlock front panel control Note that the lock code is not required to use this control It doesn t affect the PC application s controls Options The O...

Page 19: ...tting The force off action is always relative to the current mix level e g a 0 dB force off level means the level will not change Grp Name Enter a name for each group with the keyboard It will accept...

Page 20: ...for crosspoints and outputs The gain readout boxes change and display the assigned group for the crosspoint or output This is true of the Crosspoint Matrix and Output Sections Tip If you have an input...

Page 21: ...l be linked together such that any operation on one control group will affect the others as well c These two rules a and b apply for each crosspoint column in the combined mix and also for the combine...

Page 22: ...ll add the inputs that we want to appear at each output when each combination is active 8 Select Output A and adjust crosspoints 2A and 3A so they can be heard in Output A This puts Room B and Room C...

Page 23: ...ncy shelving EQ with adjustable gain 15 dB and frequency 20 Hz 500 Hz 4 An ON button to turn the EQ on and off Click and drag up and down on the control knob to change the setting Note You can not dir...

Page 24: ...rate determined by the ratio setting This compressor features soft knee compression As the input signal level approaches and crosses the threshold the compressor gradually starts compressing The compr...

Page 25: ...ements with a range from 0 ms to 200 ms The equivalent distance the sound travels in the selected amount of time is displayed Use this control when setting up a delay between two speakers as in a dela...

Page 26: ...ed High Freq and Low Freq controls are available Delay Time This control adjusts the delay for the selected output in small increments 22 7 s with a range from 0 s to 997 s The equivalent distance the...

Page 27: ...he ten output faders along with their associated bargraph output level meters This section also includes numerical gain display mute and solo buttons and name box Use the output faders to adjust the f...

Page 28: ...e input at a time can be selected in the mix Up to eight programs inputs can be selected individually in a room using two DX SW4 remote control units configured to select force on groups To configure...

Page 29: ...BIT 8 BAND PARAMETRIC EQ BUSES E J IDENTICAL TO A D MUTE ENABLE X OVER 31b 8b 31b 8b 31b 8b 31b 8b DELAY A B C D INTERNAL ANALOG BUSES A B C D E F G H I J 31 BAND GRAPHIC EQ DAC 24 BIT COMPRESSOR COMP...

Page 30: ...dBu 6 Green scale 15 20 dB full scale 2 dBu 7 Green scale 20 25 dB full scale 7 dBu 8 Green scale 25 30 dB full scale 12 dBu 9 Green scale 30 35 dB full scale 17 dBu 10 Green scale 35 40 dB full scal...

Page 31: ...hted Common Mode Rejection CMR Mic in to Direct out max gain 1 kHz signal better than 80 dB Maximum and Nominal Levels and Ranges Mic inputs 18 dBu 4 dBu 0 to 60 dB gain Line inputs 18 dBu 4 dBu 30 to...

Page 32: ...e problem and obtain a Return Authorization RA Number Be sure to have the serial number of the unit when you call You must have a Return Authorization Number in order to obtain warranty service at the...

Page 33: ...te Enable Group Momentary Group 1 to Group 32 Latch On Group 1 to Group 32 Latch Off Group 1 to Group 32 Toggling Group 1 to Group 32 Preset Recall Momentary Preset 1 to Preset 24 Latch On Preset 1 to...

Page 34: ...Recall 21 Preset Recall 22 Preset Recall 23 Preset Recall 24 19 11001000 N A N A N A N A N A 20 00101000 N A N A N A N A N A 21 10101000 Force On Group 1 4 Force On Grp 1 Force On Grp 2 Force On Grp...

Page 35: ...ut Level 6G 57 10011100 Input Level 6H 58 01011100 Input Level 6I 59 11011100 Input Level 6J 60 00111100 Input Level 7A 61 10111100 Input Level 7B 62 01111100 Input Level 7C 63 11111100 Input Level 7D...

Page 36: ...DX810 Digital Audio Mixer and Signal Processor version 3 0 Mackie Designs Inc 16220 Wood Red Rd NE Woodinville WA 98072 USA 888 337 7404 Outside the U S 425 487 4333 Fax 425 487 4337 www mackie com...

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