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Concept

 

Concept Manual 

4

4

SPECIAL FEATURES

Laney have been established in audio 

amplification for over twenty five years, during 

which time it has firmly established itself as a 

benchmark for audio products.

Feedback from musicians and recording 

engineers, supported by original design ingenuity, 

are the parameters applied by Laney's 

development engineers to all new products.

Concept mixers  explained within this manual are 

easy to use but incorporate features which make 

advanced set ups easy in any role.

Sub-mixing     -   Main P.A.   -  Monitors   

 The mixer in this manual have a combination of 

Mic/line inputs and Mic/Stereo channels for extra 

flexibility. 

6 Mic/Line channels Concept 6

8 Mic/line  channels Concept 8

2 * 150 Watt Output Power
2* 100 Watt Output Power

6 Band Graphic EQ

On Board Digital Reverb
(Concept 8)
Phantom Power

3 Band EQ

Mon/Digifx sends

Pfl facilities

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

DIGITAL FX

DIGITAL FX

PFL

PFL

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

PEAK

PEAK

INPUT 

INPUT 

PROGRAM

PROGRAM

TIME

TIME

MON

MON

Short

Short

Long

Long

Hall

Hall Dark Hall

Dark Hall

Room

Room

Dark Room

Dark Room

Plate

Plate

Dark Plate

Dark Plate

Delay Regen

Delay Regen

Reverse Reverb

Reverse Reverb

LEVEL

LEVEL

Gated Reverb

Gated Reverb

Delay

Delay

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

1

1

2

2

3

3

4

4

5

5

6

6

8

8

7

7

1

1

MIC

MIC

1

1

PAD

PAD

MIC/LINE

MIC/LINE

LINE

LINE

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

2

2

MIC

MIC

2

2

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

3

3

MIC

MIC

3

3

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

4

4

MIC

MIC

4

4

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

5

5

MIC

MIC

5

5

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

6

6

MIC

MIC

6

6

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

7

7

MIC

MIC

7

7

LINE

LINE

MIC/LINE

MIC/LINE

PAD

PAD

8

8

MIC

MIC

8

8

Concept 8

Concept 8

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

LEFT

LEFT

RIGHT/PFL

RIGHT/PFL

OdB

OdB

-3dB

-3dB

-6dB

-6dB

-9dB

-9dB

+6dB

+6dB

+3dB

+3dB

-21dB

-21dB

-18dB

-18dB

-15dB

-15dB

-12dB

-12dB

-12dB

-12dB

-15dB

-15dB

-18dB

-18dB

-21dB

-21dB

+3dB

+3dB

+6dB

+6dB

-9dB

-9dB

-6dB

-6dB

-3dB

-3dB

OdB

OdB

LEFT

LEFT

MASTERS

MASTERS

RIGHT

RIGHT

PFL

PFL

ACTIVE

ACTIVE

Laney

Laney

PHONES

PHONES

HEAD

HEAD

TAPE

TAPE

TAPE

TAPE

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

TO MON

TO MON

FADER

FADER

MONO

MONO

RIGHT

RIGHT

LEFT

LEFT

TAPE INPUT

TAPE INPUT

STEREO AUXILIARY INPUTS

STEREO AUXILIARY INPUTS

LEFT

LEFT

RIGHT

RIGHT

STEREO

STEREO

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

MON

MON

MON

MON

0

0

1

1

2

2

3

3

4

4

5

5 6

6

7

7

8

8

9

9

10

10

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

TO MASTER

TO MASTER

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

TAPE OUTPUT

TAPE OUTPUT

HEADPHONE LEVEL

HEADPHONE LEVEL

600Hz

600Hz

1K2Hz

1K2Hz

3KHz

3KHz

10KHz

10KHz

10KHz

10KHz

3KHz

3KHz

1K2Hz

1K2Hz

600Hz

600Hz

200Hz

200Hz

80Hz

80Hz

STEREO GRAPHICS

STEREO GRAPHICS

200Hz

200Hz

80Hz

80Hz

POWER

POWER

PHANTOM

PHANTOM

0dB

0dB

+8dB

+8dB

-8dB

-8dB

+8dB

+8dB

-8dB

-8dB

0dB

0dB

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

+10

+10

OdB

OdB

-6

-6

-10

-10

-20

-20

-30

-30

+6

+6

-

-

88

PRE

PRE

(POST)

(POST)

(POST)

(POST)

EQ

EQ

FX

FX

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

PAN

PAN

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

0

0

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

5

5

4

4

3

3

2

2

1

1

0

0

1

1

2

2

3

3

4

4

5

5

10

10

9

9

8

8

7

7

6

6

5

5

4

4

3

3

2

2

1

1

0

0

GAIN

GAIN

HF

HF

MID

MID

LO

LO

MON

MON

PFL

PFL

Summary of Contents for CONCEPT 6

Page 1: ...Laney Series Mixing Consoles Concept 6 Concept 8 USER MANUAL...

Page 2: ...res Concept 6 8 Features Mic Line Channel Information Mic Line Channel Information Mic Line channel information cont Mic Line channel information cont Graphic Equaliser DigiFx Information Graphic Equa...

Page 3: ...ore away your original transit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely...

Page 4: ...E MIC LINE PAD PAD 2 2 MIC MIC 2 2 LINE LINE MIC LINE MIC LINE PAD PAD 3 3 MIC MIC 3 3 LINE LINE MIC LINE MIC LINE PAD PAD 4 4 MIC MIC 4 4 LINE LINE MIC LINE MIC LINE PAD PAD 5 5 MIC MIC 5 5 LINE LINE...

Page 5: ...anges the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places of...

Page 6: ...ion of an instrument in the stereo image e g to bring a vocalist out in the mix you could pan all other signals Left or Right by varying amounts A graphic equaliser is provided allowing the overall so...

Page 7: ...FADER MONO MONO RIGHT RIGHT LEFT LEFT TAPE INPUT TAPE INPUT STEREO AUXILIARY INPUTS STEREO AUXILIARY INPUTS LEFT LEFT RIGHT RIGHT STEREO STEREO 10 10 9 9 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 0 0 MON MON M...

Page 8: ...es can boosted or cut by this control Sources that fall in this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The freq...

Page 9: ...ter VU and headphones allowing channel Gain to be set and cued This is non destructive so may be used at any time during the performance without effecting the main mix output The channel fader sets th...

Page 10: ...om the effects unit is displayed on the right meter and is played in the headphones TIME PROGRAM INPUT LEVEL This controls level of the signal into the built in Effects processor This provides the use...

Page 11: ...with your mixer Signal from external FX processors return via the Phono RCA sockets are provided for the connection of tape DAT machines for recording The signal here is the the same as that sent to...

Page 12: ...the connection to loudspeakers The Concept 8 mixer is able to deliver 2 150W into 4 Ohms The Concept 6 mixer is able to deliver 2 100W into 4 Ohms Under no circumstances should the total load seen by...

Page 13: ...ffer Gain Min 38dB 10dB fader buffer Bandwidth 30Hz 20kHz 1dB EQ HI 12dB 12kHz Shelving Mid 12dB 2KHz Q 25 Lo 16dB 80Hz Shelving TAPE INPUTS Ref 4dBu Output Fader 0dB Gain 15dB TAPE OUTPUT LEVEL 4dBU...

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