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Concept

 

6/8

 

Quick

 

Start

 

Guide

This is a quick start guide so you can be using you mixer sooner rather than later - you can 
then refer to the detailed description later in this manual when you need.

2 diagrams are provided to supplement this information following these tips

Plugging

 

in

 

!

Connect power to your mixer - always a good start !
Switch On - 
Connect all you input signals Mics/DI's/Keyboards/Tape machines to there relevant input 
channels
Connect your condenser Mics before enabling Phantom power
**Do not connect dynamic Mics or unbalanced sources to mic inputs when Phantom power is 
enabled otherwise damage may occur to your them or your mixer**
Its a good idea to label up each channel strip, so you know what is connected where - this can 
be done in chinagraph in the `write on' areas or use a piece of masking tape along the front 
edge of the mixer (the old favourite)
Its always good practice to start work on mixer with all gain controls at minimum ,all faders at 
minimum and all EQ set flat.

Input

 

Channel

Do not be intimidated by the input channels on your mixer as it's function is very simple:-
1)The gain control - makes little signals big, so they are as far above noise as possible but not 
so high that the signal is clipped - the peak led illuminates when clipping is near.
2)The EQ section -  tonally changes the input signal , this is just like the tone controls on your 
Hi -Fi but with more knobs. The controls are labelled-Hi , Mid(gain + Frequency) and Lo 
controls 
3)It lets you send the signal to places of use e.g.  A Monitor send for a vocalists/Musician
Aux 1 and Digifx if you want to add echo/reverb to a signal. These send controls are labelled 
Mon, Aux 1 and Digifx
4)You can adjust the signals position in the stereo image using the Pan control.
5)Fader - this controls the signal level being sent to Masters

Setting

  

the

 

gain

 

on

 

an

 

Input

 

Channel

By now you will have connected your input signals to your mixer and be ready to set your input 
gain controls.
1)Enable Pfl on the channel which you wish to set up - the right meter shows the signal level in 
that channel and the channels signal appears on the headphones
2)Tell the vocalist/musician to play - while he plays you should set the channel gain control so 
that 0dB to +6dB will illuminate on signal peaks
3)Increase the channel fader to between -10 and OdB and then increase the masters faders to 
a level which is a satisfactory volume - power amp level control should be about  -6db.
4)This point is a good time to set the EQ - remember if you boost a lot you will have to reset 
the input gain control as described in 2)

FX

Certain instruments will benefit from the addition of some form of effect for instance snares can 
be made sound `bigger' with the addition of a reverb or maybe a vocal could be thickened up 
with a bit of delay.

Concept

 

Concept Manual 

5

5

Summary of Contents for CONCEPT 6

Page 1: ...Laney Series Mixing Consoles Concept 6 Concept 8 USER MANUAL...

Page 2: ...res Concept 6 8 Features Mic Line Channel Information Mic Line Channel Information Mic Line channel information cont Mic Line channel information cont Graphic Equaliser DigiFx Information Graphic Equa...

Page 3: ...ore away your original transit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely...

Page 4: ...E MIC LINE PAD PAD 2 2 MIC MIC 2 2 LINE LINE MIC LINE MIC LINE PAD PAD 3 3 MIC MIC 3 3 LINE LINE MIC LINE MIC LINE PAD PAD 4 4 MIC MIC 4 4 LINE LINE MIC LINE MIC LINE PAD PAD 5 5 MIC MIC 5 5 LINE LINE...

Page 5: ...anges the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places of...

Page 6: ...ion of an instrument in the stereo image e g to bring a vocalist out in the mix you could pan all other signals Left or Right by varying amounts A graphic equaliser is provided allowing the overall so...

Page 7: ...FADER MONO MONO RIGHT RIGHT LEFT LEFT TAPE INPUT TAPE INPUT STEREO AUXILIARY INPUTS STEREO AUXILIARY INPUTS LEFT LEFT RIGHT RIGHT STEREO STEREO 10 10 9 9 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 0 0 MON MON M...

Page 8: ...es can boosted or cut by this control Sources that fall in this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The freq...

Page 9: ...ter VU and headphones allowing channel Gain to be set and cued This is non destructive so may be used at any time during the performance without effecting the main mix output The channel fader sets th...

Page 10: ...om the effects unit is displayed on the right meter and is played in the headphones TIME PROGRAM INPUT LEVEL This controls level of the signal into the built in Effects processor This provides the use...

Page 11: ...with your mixer Signal from external FX processors return via the Phono RCA sockets are provided for the connection of tape DAT machines for recording The signal here is the the same as that sent to...

Page 12: ...the connection to loudspeakers The Concept 8 mixer is able to deliver 2 150W into 4 Ohms The Concept 6 mixer is able to deliver 2 100W into 4 Ohms Under no circumstances should the total load seen by...

Page 13: ...ffer Gain Min 38dB 10dB fader buffer Bandwidth 30Hz 20kHz 1dB EQ HI 12dB 12kHz Shelving Mid 12dB 2KHz Q 25 Lo 16dB 80Hz Shelving TAPE INPUTS Ref 4dBu Output Fader 0dB Gain 15dB TAPE OUTPUT LEVEL 4dBU...

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