Concept
Concept Manual
8
8
Phantom power must always be switched off when using unbalanced
sources since the voltage present on the connector may damage your
microphones
The phantom power switch is on the rear panel with an indicator LED
near the graphic equaliser.
Always connect your condenser microphones before switching the +48V
The balanced line inputs are for all balanced/unbalanced line level
signals from keyboards, drum machines,tape machines and DI boxes.
(eg; from guitars and basses)
2) LINE INPUT (JACK)
3) MIC/LINE PAD
Phantom powering is available to all 'mic' inputs for use with condenser
microphones
PHANTOM POWER
PHANTOM POWER
4) GAIN
Adjusts the level of the input signal into the channel.
It should be set so that the input signal is not buried in noise but not too
high so that clipping ocurrs,the peak lamp will illuminate to indicate this.
This reduces high signal level before they enter the input amplifier.
This allows close mic'd instuments such as lead guitar cabs ,kick drums
and lead vocalists to be be amplified without distortion.
5A) HI
5C) LO
5) EQUALISATION
5B) Mid
On Mic/Line channels there is a three band EQ system ,detailed below
High/Treble frequencies can boosted or cut by this control.Sources that
fall in this range are cymbals,soprano vocals and keys above top C on a
keyboard.
Mid range frequencies can be boosted or cut by this control.The
frequency of cut is between middle C and top C .Music sources which
fall in this range are most Vocals ,lead/rythmn guitar , keyboard parts
and brass sections.
Low/Bass frequencies can be boost or cut by this control such as bass
guitar,kick drums,deep[ vocals and keys below middle C on a keyboard.
1) MIC INPUT (XLR)
The input socket has been designed to accept both balanced and
unbalanced signals from microphones with an XLR input
connector. Good quality low impedance condenser or dynamic
mic's should preferably be used for best results, these will ensure
the best possible results from hand held vocals or closely mic'd
WARNING
WARNING
MIC / LINE CHANNEL (MONO)
2
1
3
4
5A
5B
5C
+10
+10
OdB
OdB
-6
-6
-10
-10
-20
-20
-30
-30
+6
+6
-
-
88
PRE
PRE
(POST)
(POST)
(POST)
(POST)
EQ
EQ
FX
FX
10
10
9
9
8
8
7
7
6
6
5
5
4
4
3
3
2
2
1
1
0
0
PAN
PAN
5
5
4
4
3
3
2
2
1
1
0
0
1
1
2
2
3
3
4
4
5
5
0
0
1
1
2
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
10
10
5
5
4
4
3
3
2
2
1
1
0
0
1
1
2
2
3
3
4
4
5
5
5
5
4
4
3
3
2
2
1
1
0
0
1
1
2
2
3
3
4
4
5
5
5
5
4
4
3
3
2
2
1
1
0
0
1
1
2
2
3
3
4
4
5
5
10
10
9
9
8
8
7
7
6
6
5
5
4
4
3
3
2
2
1
1
0
0
GAIN
GAIN
HF
HF
MID
MID
LO
LO
MON
MON
PFL
PFL
1
1
MIC
MIC
1
1
PAD
PAD
MIC/LINE
MIC/LINE
LINE
LINE
