GLOBAL
1.1
2.1
3.1
4.1
5.1
6.1
119
5.1–3: Voice
(Voice/Mixer)
For each key of a drum kit, you can set voice assign, pan,
and effect routing etc.
5.1–3a: Voice Assign Mode/Mixer
Voice Assign Mode
Single Trig (Single Trigger)
[Off, On]
On
(Checked): Even when the same key (note) is played
repeatedly, the previous note will be halted before the new
note is begun, so that the notes will not overlap. Normally
you will leave this unchecked.
Excl Group (Exclusive Group)
[Off, 001...127]
001–127:
This allows you to group keys to which a drum-
sample is assigned. Keys to which the same group number is
assigned will be treated as a single group, and will be
played monophonically with last-note priority. For example
you might assign closed and open hi-hat sounds to the same
group so that two or more hi-hat sounds can not sound
simultaneously.
Off:
Keys will not be grouped. Normally you will set this
Off
.
Enable Note On (Note On Receive)
[Off, On]
On
(Checked): Note-on messages will be received. Normally
you will check this, but you can uncheck it if you do not
want specific notes to sound.
Enable Note Off (Note Off Receive)
[Off, On]
On
(Checked): Note-off messages will be received. Nor-
mally you will uncheck this. This parameter is valid when
“Hold” (PROG 2.1–1b) is checked (Hold On). In the case of a
drum program, you will normally select Hold On. In this
case if “Enable Note Off” is checked, note-off messages will
be received, and the sound will stop (the release segment of
the EG will begin) when the key of a connected MIDI instru-
ments released.
Mixer
Pan
[Rndm, L001...C064...R127]
Specifies the panning for each key. With a setting of Rndm
(Random)
, the panning of the drumsample will change ran-
domly for each note-on.
BUS (Bus Select)
[L/R, IFX1...5, 1...4, 1/2, 3/4, Off]
Specifies the bus to which each key will be sent.
For example you can send Snare sounds to IFX1 and Kick
sounds to IFX2 so that insert effects are applied, and send
the remaining sounds to L/R so that no insert effects are
applied.
S1 (Send1 (to MFX1))
[000...127]
S2 (Send2 (to MFX2))
[000...127]
For each key, specify the send levels to master effects 1 and
2. These settings are valid when “BUS Select” (5.1–3b) is set
to L/R or Off.
If “BUS Select” is set to IFX1–5, the send level to master
effects 1 and 2 will be determined by the Program, Combi-
nation, or Multi mode 7.2–1 Setup pages S1 (Send1 (MFX1),”
“S2 (Send2 (MFX2)” which are located after the sound
passes through IFX1, 2, 3, 4, or 5.
Drum kits will sound using the settings of the program
that is selected in Program mode. These settings are
valid only if “Use DKit Setting” (Program PROG 5.1–
1b) and “Use DKit Setting” (Program PROG 7.1–1a) are
turned checked. Be aware that the results of editing a
drum kit will not be reflected unless these settings have
been made.
■
5.1–3b: UTILITY
☞
“Write Drum Kits,” “Rename Drum Kit,” “Copy Drum
Kit,” “Copy Key Setup” (5.1–1d)
Here you can create user arpeggio patterns.
In this page, the TRITON-Rack will sound as it did in the
mode you were in before entering Global mode.
If you moved here from Program mode:
Your editing will
apply to the arpeggio pattern that is selected by the pro-
gram. Even if you moved from a program in which the
arpeggiator is turned off, it can be turned on by the [ARP
ON/OFF] key.
If you moved here from Combination mode:
Your editing
will apply to the arpeggio pattern that is selected by the
combination. Even if you moved from a combination in
which the arpeggiator is turned off, it can be turned on by
the [ARP ON/OFF] key.
However, it is not possible to turn on an arpeggiator for
which the A or B parameter is unchecked in “Arpeggiator
Run” (COMBI 1.1–4a/5a, COMBI 6.1–1a). Also, the arpeg-
giator will not run unless it has been assigned to a timbre in
“Assign” (COMBI 6.1–1b).
If you moved here from Multi mode:
Your editing will
apply to the arpeggio pattern specified for the selected
multi.
Even if you moved here from settings in which the arpeggia-
tor was turned off, you can use the [ARP ON/OFF] key to
turn it on. However, it is not possible to turn on an arpeggia-
tor for which the “Arpeggiator Run” (MULTI 6.1–1(2)a)
parameter A or B is not checked. Also, the arpeggiator will
not operate if it has not been assigned to a timbre in
“Assign” (MULTI 6.1–1(2)b).
In each of the above cases, you can modify the settings of the
arpeggio pattern even if the arpeggiator is not turned on.
When editing a pattern, it is a good idea to turn on the
arpeggiator and make sure that it is the pattern that you
wish to edit.
If you moved here from Sampling mode:
The arpeg-
giator will not turn on, nor will it be possible to edit the
arpeggio pattern.
If you want the edited user arpeggio pattern settings to
be backed up even when the power is turned off, you
must write them into memory. Select the Utility “Write
Arpeggio Pattern” to access the Write Arpeggio Pattern
dialog box. Alternatively, press the [WRITE] key to
access the “Update Arpeggio Patterns” dialog box.
Then press the [F8] (“OK”) key to write the edited data.
☞
For details on creating an arpeggio pattern, refer to BG
p.89.
5.1–3a
5.1–3b
GLOBAL 6.1: Arp.Pattern
