Wavetable Osc
22
Windowed Sync:
Similar to
Sync
above, but with reduced high frequencies for lower aliasing.
Stretch:
The waveform is stretched in one direction and squeezed in the other, creating an effect similar to Pulse Width
Modulation. When
Morph Amount
is set to
50
, the waveform is unaltered.
Flip:
This inverts the polarity of a section of the waveform, with the “flip” point determined by
Morph Amount
.
Mirror:
Shrinks the waveform to half its length, and then reflects that half-length waveform around the center as a
mirror image.
Morph Amount
stretches and squeezes the waveform similar to
Stretch
, above.
Mirror Stretch:
This is similar to
Mirror
, above, but doubles the
Stretch
effect.
Narrow:
As Morph Amount increases, the waveform is compressed towards the front, with zeros filling the rest of the
duty cycle. The effect is different from Stretch, but also has some similarities to Pulse Width Modulation.
Narrow Stretch:
This combines
Narrow
and
Stretch
, compressing the waveform’s length while also stretching and
squeezing.
Windowed Narrow:
Similar to
Narrow
above, but with reduced high frequencies for lower aliasing.
W.NarrowStretch:
Similar to
Narrow Stretch
above, but with reduced high frequencies for lower aliasing.
Additional Osc 2 Morph Types
Osc 2 supports all of the Morph Types listed above, and three more:
FM
,
AM
, and
Ring Mod
. For all of these, Oscillator
1 is the modulator, and Oscillator 2 is the carrier. If you’re using Oscillator 1 solely as a modulator, you may wish to set
its
Level
to
0%
.
Note:
when using these Morph Types, the waveform graphic will be an approximation. If you’d like to see the exact
results graphically, use the
ANALYZER
instead (see “Analyzer” on page 26).
FM:
Oscillator 1 modulates the frequency of Oscillator 2.
Morph Amount
controls the amount of frequency
modulation.
AM,
or amplitude modulation, includes both ring modulation, as below, and the dry signal from Oscillator 2.
Morph
Amount
controls the amount of amplitude modulation.
Ring Mod
combines the two Oscillators to generate new sideband frequencies based on those inputs. The result can be
everything from subtle brightening to wild, dissonant, gong-like timbres. When the frequencies of Oscillators 1 and 2
are the same, the Ring Modulator produces steady, constant waveforms. When they are detuned, it produces more
movement and overtones.
Morph Amount
controls the amount of ring modulation.
AMT (Morph Amount) (
MORPH)
[0.00…100.00]
This controls the intensity of the Morph process, as described above.
LFO
(INTENSITY)
[-100.00…+100.00]
This sets the intensity of the Morph modulation from the Osc 1 LFO (for Osc 1) or the Osc 2 LFO (for Osc 2).
