INNOVASON SY40, User Manual

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T
ABLE OF
C
ONTENTS
1
User Guide - © InnovaSON - May 2004
Attention : veuillez consulter le chapitre 10 avant toute manutention ou utilisation de la console.
Warning : please read carefully section 10 before handling or using the console.
Achtung : bitte lesen sie zuerst Kapitell 10 for jedem Verladen oder Verwendung des Pultes.
Table of Contents
1 Digital mixing in Live sound
1.1
1.A Sensoft 8.1 :a brief history 1.1
1.B Fader assignment 1.2
1.C The assignable functions 1.3
1.D
Spread zones
1.4
2 THE SY80 CONSOLE
2.1
2.A Sy80 : Overview of the product 2.1
2.B Personalization, options 2.3
2.C Description of the Sy80 2.3
2.C.1 Dimensions and general information 2.4
2.C.2 The Quadfad module 2.6
2.C.3 The CHANNEL CONTROL panel 2.6
2.C.4 The DESK CONTROL panel 2.7
2.C.5 On the front of the console 2.7
2.C.6 On the back of the console 2.8
2.C.7 Control layout 2.9
2.D Precautionary measures, safety and
warnings 2.12
2.E Manipulation and transport 2.13
2.F Power supplies and EC standards 2.13
2.G
Connections
2.13
2.G.1 Audio connections 2.14
2.G.2 Connecting the Mix Box audio rack to
the control surface 2.14
2.G.3 Connection of an external screen 2.14
2.G.4 Connecting an external P.C. 2.15
2.G.5 Connecting MIDI equipment 2.17
2.G.6 Connecting a USB device
2.17
2.G.7 Audio rack connections: transmission via
coaxial cable 2.18
2.G.8 Digital audio clock sync with external
devices 2.20
2.G.9 Connecting headphones
2.21
2.H Powering up 2.22
2.H.1 Power up sequence 2.22
2.H.2 First checks 2.25
3 Sensoft 8.1
3.1
3.A Your first mix : a simple step-by step
example 3.1
3.A.1 Console configuration 3.2
3.A.2 Patching.. 3.4
3.A.3 Some routing 3.6
3.A.4 Creating and using a subgroup 3.8
3.A.5 Spreading inouts 3.11
3.A.6 Creating and using a VCA 3.13
3.A.7 Spreading a Master 3.14
3.A.8 Spreading an Aux 3.17
3.A.9 Creating a matrix 3.18
4 Digital mixing in Live Sound
4.1
4.A Basic principle of the control surface
4.1
4.A.1 Control surface layout 4.1
4.A.2 Fader configuration : The Hardware
Configuration window
4.2
4.B Audio inputs 4.3
4.B.1 General characteristics 4.3
4.B.2 Layout of physical inputs 4.3
4.B.3 Universal analog inputs 4.4
4.B.4 Analog line inputs 4.4
4.B.5 Distant inputs (Stage Box) 4.5
4.C Input signal path 4.6
4.C.1 X
FAD
: the principles 4.6
4.C.2 Preamp to fader assignment grid (P
ATCH
IN)
4.10
4.C.3 Pre-amp settings (Gain, 48V) 4.15
4.C.4 Delay 4.16
4.C.5 Phase inversion and the high-pass filter 4.17
4.C.6 Dynamics 4.18
4.C.7 Equalizer 4.21
4.C.8 Inserting an external device 4.22
4.C.9 MUTE and CUE functions 4.25
4.D Mix busses 4.27
4.D.1 DSP resources: some important points 4.27
4.D.2 Spreading the outputs 4.28
4.D.3 Assignment of mix busses to physical
outputs (Patch OUT) 4.32
4.D.4 Basic principles of routing 4.37
4.D.5 Definition ‘pre/post fader’ and Pan
settings on busses 4.41
4.D.6 A special bus : the Matrix 4.47
4.D.7 The Monitor bus 4.49
4.D.8 Master busses 4.58
4.D.9 Bus processing and inserts 4.58
4.D.10 Hyperdrive outputs’ processing control 4.59
4.D.11 Principles of fader functions, Fader Mode 4.60
4.D.12 MUTE and CUE functions 4.62
4.E The MUXIPAIRE bus, the Direct I/O
grid 4.63
4.E.1 The Direct I/O grid 4.64
4.F
The VCA function
4.65
4.F.1 VCA function logic 4.65
4.F.2 VCA Assignment 4.66
4.G Talk-Back 4.66
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