F
Owner's Manual
Memorising the setting ............................................................................................................................... 4. 74
What does WX transmit and receive ? ....................................................................................................... 4. 75
MIDI Filters ....................................................................................................................... 4. 77
The Filter parameters ................................................................................................................................ 4. 77
MIDI CONTROLLERS ............................................................................................................................... 4. 78
MIDI Other ........................................................................................................................ 4. 80
CLOCK: selects INT(ernal) or EXT(ernal) Clock. .................................................................................... 4. 80
COMMON CHANNEL: assigns a channel (1-16 or Off). .......................................................................... 4. 80
MERGE: Activates (On) or deactivates (Off) the function. ....................................................................... 4. 81
SYSTEM EXCLUSIVE: enables the instrument for System Exclusive operations (On). ........................... 4. 82
MIDI CHANNEL LOCK: locks a MIDI channel configuration for the instrument as a whole. ................ 4. 82
GENERAL MIDI: Affects GS and GM MIDI Standard Files..................................................................... 4. 82
EDIT ARRANGE ..................................................................................................... 4. 84
CHAPTER 5
STYLES, SONGS & SEQUENCER ............................................................... 5. 1 - 5. 48
1. INTERNAL STYLES ...................................................................................................... 5. 1
General information ..................................................................................................................................... 5. 1
What is a Style? ............................................................................................................................................ 5. 1
Chord recognition and the Riff .................................................................................................................... 5. 2
How to select an Internal Style .................................................................................................................... 5. 3
The Style Commands .................................................................................................................................... 5. 3
The Style Tempo ........................................................................................................................................... 5. 4
The Tempo-fix, M. Perf. and Sync functions ................................................................................................ 5. 4
Chord Split ................................................................................................................................................... 5. 5
Free and Lock .............................................................................................................................................. 5. 5
Deactivating the tracks engaged by the Sequencer (SEQ) ........................................................................... 5. 6
How to Mute a Sequencer track ................................................................................................................... 5. 6
How to disengage a track and play it in real time ....................................................................................... 5. 6
Save a modified Internal Style Performance ................................................................................................ 5. 7
Save to SRam or Disk ................................................................................................................................... 5. 7
Restore Internal Style Performance ............................................................................................................. 5. 7
The ARRANGER options and how the Styles are affected ........................................................................... 5. 8
2. PROGRAMMABLE STYLES ...................................................................................... 5. 10
Riffs ............................................................................................................................................................ 5. 10
Styles can be programmed in three ways: .................................................................................................. 5. 10
The Prog. Style Performance ..................................................................................................................... 5. 10
How to record a Style (Real Time) .................................................................................... 5. 11
A detailed explanation of each step............................................................................................................ 5. 12
Name your Prog. Style ............................................................................................................................... 5. 19
Save your new Prog. Style to SRam or to Disk .......................................................................................... 5. 19
Programming Styles using STEP recording ...................................................................... 5. 20
Procedure ................................................................................................................................................... 5. 20
Use COPY to copy a recorded Riff to another ........................................................................................... 5. 23
Other operations available in Prog Style mode ......................................................................................... 5. 23
Programmable Styles compared with Internal Styles ................................................................................ 5. 24
3. SONG STYLES ............................................................................................................. 5. 25