7. EFFECT CONTROL
Adjusts the level of the signal sent from the channel to the EFFECT bus. Note that the signal level will also
vary according to the setting of the channel fader.
If you are using stereo channels (Channels 9/10, 11/12, 13/14, 15/16), the signals from the L (ODD) and R
(EVEN) channels are mixed and then sent to the EFFECT bus.
8. PAN CONTROL (CHANNELS 1 TO 8), PAN/BAL CONTROL (CHANNELS 9/10, 11/12, 13/14, 15/16)
The PAN control determines the positioning of the channel’s signal on the GROUP 1-2/3-4 buses or on the
ST (STEREO) L and R buses.
The BAL control knob sets the balance between left and right channels. Signals into to the L input (ODD
channel) feed to the GROUP 1/3 bus or to the ST (STEREO) L bus; signals into the R input (EVEN channel)
feed to the GROUP 2/4 bus or the ST (STEREO) R bus.
NOTES:
On channels where this knob provides both PAN and BAL controls (9/10,
11/12, 13/14, 15/16), the knob operates as a PAN control if you are inputting through
the MIC input or into the L (MONO) input only, and operates as a BAL control if you
are inputting into both L and R inputs.
9. ST SWITCH
This switch assigns the channel’s signal to the ST (STEREO) L and R buses. To send the signal to the
STEREO bus, set the switch ON by pressing it in. The switch lights up (amber) to indicate that it is ON.
10. PFL (PRE-FADER LISTEN) SWITCH
This switch lets you monitor the channel’s pre-fader signal. To set the switch ON, press it in. The switch lights
up (amber) in the ON mode. When the switch is ON, the mixing console outputs the channel’s pre-fader
signal to the PHONES and C-R OUT connectors, for monitoring.
11. GROUP SWITCHES
Use these switches to send the channel's signal to the GROUP 1-2 and/or GROUP 3-4 buses. Setting the
switch on (pressed in) causes the signal to be sent to the corresponding group buses.
NOTES:
These switches allow you to assign the signal to either or both groups
regardless of the setting of the ST switch [9].
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