Hybrid Plug-In Guide
66
Room Reverb
Reverse Reverb
Non-Linear Reverb
A “gated” reverb with a sharp
cut-off
Early Reflections
Short, dense reverb for simulat-
ing small acoustic spaces and to thicken or blur
sounds
Delay
Simple mono-input stereo-output delay
Stereo Delay
Stereo-input stereo-output delay
Mix
Wet/dry mix
Time
Reverb time
PreDel
Pre-delay time
Damping
High frequency damping (0% = bright
100% = dark)
Low Cut
High-pass filter frequency
High Cut
Low-pass filter frequency
Size
“Room size”—smaller settings sound
like a bathroom, longer settings like a
large hall
Shape
Adjusts early reflection distribution
from “fast” to “slow”
Mix
Wet/dry mix
Time
Reverb time
Diffusion
Affects shape and density of reverb
build-up
Wet Mix
Level of reverb signal
Dry Mix
Level of dry signal at the end of the
reverb signal
Mix
Wet/dry mix
Time
Length of reverb tail, changes the
sound from dense early reflections
to a trashy, grainy 80’s reverb
Lo EQ
Low-cut EQ
Hi EQ
High-cut EQ
Mix
Wet/dry mix
Time
Length of reverb tail, changes the
sound from dense early reflections
to a trashy, grainy 80’s reverb
Lo EQ
Low-cut EQ
Hi EQ
High-cut EQ
Mix
Wet/dry mix
Delay
Delay time (optional tempo sync)
Feedback
Feedback amount
Balance
Ratio of left delay time to right delay
time
HF Damp
High-cut filter to soften delay
repeats
Mix
Wet/dry mix
Delay
Delay time (optional tempo sync)
Feedback
Feedback amount (optional “cross
delay” where left output feeds back
into right input and vice versa)
Balance
Ratio of left delay time to right delay
time
HF Damp
High-cut filter to soften delay
repeats
Summary of Contents for Hybrid
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