background image

 

12 

22. Crossfader slope switch

 

This switch allows the user to select from three types of crossfader curve response. 
•  At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the 

A

 

side, the 

channel sound is produced.) 

•  At the right setting, the curve operates to produce an even, neutral rise throughout the cross fader’s 

movement. 

•  At the middle setting, an intermediate curve is produced, midway between the two curves noted 

above. 

 

Master section 

 
23. Output L/R signal VU meter 

This meter is a multi-step LED; respectively the green LEDs show -30, -20, -15, 
 -10, -7, -4, -2, -1 and 0dB. The yellow LEDs show  +1, +2, +4 and +6dB. The red  
LEDs show +10dB and Clip. The accurate level indication allows you to  
monitor the output signal level at anytime, and match with other devices.  
Lower the 

master (24)

 control if the Clip LED lights. 

 

24. Master volume control  

Use to adjust the volume level of the 

master RCA (46) 

or the

 master XLR (58) 

outputs. 

 

25. Balance 

Use

 

to set the balance between the Left and right master output.  

 
26. Return fader 

Use this fader to control the level from the 

return (59)

 input in the mastermix.  

 

27. Channel fader curve switch 

Use this switch to select the curve for all channel faders. 
 

Fig. 10

 

 

Monitor section 

 

28. Cue level 

Is used to adjust the volume level of the 

booth monitor (47)

 output.

 

 

29. Cue mix control 

Allows the user to hear mixed audio of the monitor (cue) audio and the  
program (master) audio in the headphones. When the knob is rotated to  
the left only the cue audio will be heard, when in the right position only the  
program audio will be heard. 

 
30. Cue low level 

Is used to boost or cut the low frequencies for the 

phones (32)

 output with 

up to 15dB. 

Fig. 11 

 
31. Cue level

 

Is used to adjust volume level of the 

phones (32)

 output.

 

 

 
32. Phones output 

You can connect a pair of headphones with an impedance of 32 - 600 Ohm to the headphones  
connector. It is a 6,3mm (

1

/4”) TRS socket, wired as Tip=left, Ring=right and sleeve = ground. 

 
Caution: 

Depending on the type of headphones connected to the phones  jack, the Core Mix-3 USB is 

capable of producing high output levels via the phones output. Therefore, make sure to turn the control 
all the way to the left (minimum setting) before connecting the headphones. Be aware of the fact that 
listening to loud sound pressure levels over a longer period of time leads to hearing- damage! 

 

Summary of Contents for Core Mix-3 USB

Page 1: ...Core Mix 3 USB ORDERCODE D2303 Highlite International B V Vestastraat 2 6468 EX Kerkrade The Netherlands...

Page 2: ...n DAP Audio for more excellent audio products We design and manufacture professional audio equipment for the entertainment industry New products are being launched regularly We work hard to keep you o...

Page 3: ...ain Channels 7 Master section 8 Monitor section 8 Record Module 8 Rear 9 Installation 10 Set Up and Operation 10 Functions 10 Microphone Channels 10 Main Channels 11 Master section 12 Monitor section...

Page 4: ...ystem To maintain perfect condition and to ensure a safe operation it is absolutely necessary for the user to follow the safety instructions and warning notes written in this manual Please consider th...

Page 5: ...y to reduce the input signal level by using the INPUT control To emphasize a frequency range you don t necessarily have to move its respective control upward try lowering surrounding frequency ranges...

Page 6: ...method to use Note If you are given an RMA number please include the following information on a piece of paper inside the box 1 Your name 2 Your address 3 Your phone number 4 A brief description of th...

Page 7: ...y for party jocks MC s Low tone control on the headphone output makes it possible to adjust your favorite sound All the pots are firmly locked on the internal chassis for extra stability The Core Mix...

Page 8: ...8 Talkover switch Fig 2 Main Channels 9 Selection switch CD USB 1 Line 10 Channel VU meter 11 Selection switch CD USB2 Line 12 Selection switch CD Phono MP3 Line 13 Gain control 14 Hi control 15 Mid c...

Page 9: ...curve switch Fig 4 Monitor section 28 Cue level control 29 Cue mix control 30 Cue low level control 31 Cue level control 32 Phones output Fig 5 Record Module 33 EQ button 34 USB slot 35 SD card slot 3...

Page 10: ...e RCA input 50 Channel 3 phono RCA input 51 Channel 3 CD RCA input 52 Channel 2 line RCA input 53 Channel 2 CD RCA input 54 Channel 1 line RCA input 55 Channel 1 CD RCA input 56 AC inlet with integrat...

Page 11: ...ind of equipment Note When connecting signal sources please make sure that the corresponding Channel s level control and the master faders are at their minimum settings Otherwise unpleasant plug in no...

Page 12: ...do not light up 14 15 16 Channel EQ Hi Mid Low controls Each channel is fitted with 3 band EQ The Hi 14 Mid 15 and Bass 16 bands have their center frequencies fixed at 12 Khz 1kHz and 80 Hz respectiv...

Page 13: ...he level from the return 59 input in the mastermix 27 Channel fader curve switch Use this switch to select the curve for all channel faders Fig 10 Monitor section 28 Cue level Is used to adjust the vo...

Page 14: ...e pause mode and again to resume playback 40 button Tapping this button allows you to skip to the next track Pushing and holding this button allows you to play a track fast forward 41 button Tap this...

Page 15: ...phono RCA input Use to connect a turntable 51 Channel 3 CD RCA input Use to connect a CD player 52 Channel 2 line RCA input Use to connect a line level device 53 Channel 2 CD RCA input Use to connect...

Page 16: ...tputs to connect an amplifier with balanced inputs 59 Return input To connect the stereo outputs of your effectprocessor 60 Send output To connect the stereo inputs of your effectprocessor 61 USB 2 in...

Page 17: ...le to remove the fader cover Fig 16 4 Now you have easy access to the faders and crossfader Replacing a fader 1 Remove the upper screw indicated by the dotted line circle 2 Remove the two screws of th...

Page 18: ...the Core Mix 3 USB with PC software which can only access a single soundcard If the PC software you plan on using with the two USB1 68 and USB2 66 ports can only be set up with a single soundcard You...

Page 19: ...s and twists when coiling them This gives the advantage of increasing their life and reliability Periodically check your cables A great number of problems faulty contacts ground hum discharges etc are...

Page 20: ...nnections are thoroughly dry before linking equipment or supplying electric power Troubleshooting DAP Audio Core Mix 3 USB This troubleshooting guide is meant to help solve simple problems If a proble...

Page 21: ...cy 1 kHz Mid range 26dB 12dB Low frequency 70 Hz Low range 26dB 12dB Microphone EQ High frequency 5 kHz High range 12dB 12dB Mid frequency 800 kHz Mid range 12dB 12dB Low frequency 120 Hz Low range 12...

Page 22: ......

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