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6.6 The basics of digital signal processing

To convert continuous analog signals into a series of digital words, a so-called “Analog to Digital Converter”

(ADC) is used. The converter functions by viewing the signal entering it a given number of times over a period

of time, e.g. 44100 times per second, giving a rate of 44.1 kHz, and in each case measuring the signal

amplitude, and giving it a numerical value. This form of measuring the signal regularly over a period of time is

known as “sampling”, the conversion of the amplitude into a numerical value, quantizing. The two actions

together are referred to as digitizing.
In order to carry out the opposite - the conversion of a digitized signal into its original analog form - a “Digital

to Analog Converter” (DAC) is used. In both cases the frequency at which the device operates is called the

sampling rate. The sampling rate determines the effective audio frequency range. The sampling rate must

always be more than twice the value of the highest frequency to be reproduced. Therefore, the well known CD

sampling rate of 44.1 kHz is slightly higher than twice the highest audible frequency of 20 kHz. The accuracy

at which quantization takes place is primarily dependent on the quality of the ADCs and DACs being used.
The resolution, or size of digital word used (expressed in bits), determines the theoretical “Signal to Noise

ratio” (S/N ratio) the audio system is capable of providing.
The number of bits may be compared to the number of decimal places used in a calculation - the greater the

number of places, the more accurate the end result. Theoretically, each extra bit of resolution should result in

the S/N ratio increasing by 6 dB. Unfortuanetly, there are a considerable number of other factors to be taken

into account, which hinder the achievement of these theoretical values.
If you picture an analog signal as a sinusoidal curve, then the sampling procedure may be thought of as a grid

superimposed on the curve. The higher the sampling rate (and the higher the number of bits), the finer the grid.

The analog signal traces a continuous curve, which very seldom coincides with the cross points of the grid. A

signal level at the sampling points will be assigned a digital value, usually the one closest to the exact

representation. This limit to the resolution of the grid gives rise to errors, and these errors are the cause of

quantizing noise. Unfortuanetly, quantizing noise has the characteristic of being much more noticeable and

unpleasant to the ear than “natural” analog noise.

Quantization Steps

U (Voltage)

-8     -7     -6      -5     -4    -3      -2

Digital Words

1111

1110

1101

1100

1011

1010

1001

1000

0000

t (Time)

0001

0010

0011

0100

0101

0110

0111

Conversation Rate

8

7

6

5

4

3

1      2       3      4       5      6       7      8

-1

-2

-3

-4

-5

-6

-7

-8

Quantization Errors

(Noise)

Continuous

Analog Signal

Fig. 5.1: Transfer diagram for an ideal linear ADC (2´s complement represantation)

In a digital signal processor (such as the one in the VIRTUALIZER) the data will be modified in a number of

ways. In other words, various calculation or processes will be done in order to achieve the desired effect on the

signal.
This gives rise to further errors, as these calculations are approximations, due to their being rounded off to a

defined number of decimal places. This causes further noise. To minimize these rounding off errors, the calculation

must be carried out with a higher resolution than that of the digital audio data being processed (as a comparison,

6. OPERATION

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Summary of Contents for VIRTUALIZER DSP1000

Page 1: ...mechanical including photocopying and recording of any kind for any purpose without the express written permission of Behringer GmbH ALL RIGHTS RESERVED 1997 Behringer GmbH BEHRINGER and VIRTUALIZER a...

Page 2: ...esignation and if applicable Article No which refers to this declaration is in accordance with the following standards or standardized documents x EN 60065 x EN 61000 3 2 x EN 55020 x EN 61000 3 3 The...

Page 3: ...pliance Grounding or Polarization Precautions should be taken so that the grounding or polarization means of an appliance is not defeated Power Cord Protection Power supply cords should be routed so t...

Page 4: ...eo field for open sounding enhancement of the sound sources s 20 bit A D and D A converters with 64 128 times oversampling for ultra high headroom and resolution of detail s Internal 24 bit processing...

Page 5: ...ctured under the stringent quality system ISO9000 as well as excellent technical and audio properties at an extremely favorable price All of this will enable you to fully unhold your creativity withou...

Page 6: ...ombinations 15 4 2 Rear panel control elements 16 5 THE EFFECT ALGORITHMS 17 6 OPERATION 20 6 1 Effects structure 20 6 2 Selecting presets 20 6 3 Editing programs 21 6 4 Saving programs 21 6 5 MIDI co...

Page 7: ...us a broad spectrum of additional programs including such extraordinary effects as Vocal Distortion Rotary Speaker Simulation or Vocoder To be able to fully exploit these effects as well as the other...

Page 8: ...dulation effects For this reason the Behringer VIRTUALIZER also features multi effects programs combining reverb or delay with for example a chorus effect In addition to the multi effects programs and...

Page 9: ...different reverb decay times you would need to alter the physical properties of the springs s The clattering sound of spring reverbs is a much dreaded effect in particular on stage Shock can set the...

Page 10: ...ariants e g a musical pitch shifter as well as tremolo and rotary speaker simulations With the vocoder and vocal distortion effect programs you even have ultra modern special effects available that th...

Page 11: ...horus flanger pitch tremolo or delay on the left channel Multi effects programs process two different stereo effects on a mono summed input signal In our multi effects prg 20 24 the left and right inp...

Page 12: ...e sure that your local voltage matches the voltage required by the unit The fuse holder on the female mains connector has 3 triangular markers with two of these triangles opposing each other Your VIRT...

Page 13: ...al operating level of the unit Thus the VIRTUALIZER can be adapted perfectly to various levels e g both the typical home recording level of 10 dBV and the professional studio level of 4 dBu The LED in...

Page 14: ...ed This clearly legible 2 digit numeric display has plus minus indicators to show that parameters are being incremented or decremented in Edit mode Fig 4 3 Control elements and the jog wheel 4 With th...

Page 15: ...as possible Please proceed as follows to reinitialize the preset default settings s Press and keep the keys Effect and Store before powering up the VIRTUALIZER Then switch on the VIRTUALIZER and keep...

Page 16: ...eed 17 The VIRTUALIZER was designed for operation with unbalanced mono phone jacks 6 3 mm Each audio channel left right has a phone jack INPUT for incoming signals 18 The two OUTPUTS of the VIRTUALIZE...

Page 17: ...tural and unobtrusive For various applications however this program has more room than effect 4 06 Concert Simulates concert hall reverb More agile than the Studio program increased presence in the tr...

Page 18: ...lar to the chorus effect but with an addtional feedback parameter which is why flangers produce a much more floating sound that seems to wander through the room Suitable for all bright sounding instru...

Page 19: ...different effects can be routed to the aux busses of your mixing console with only one effects unit EFFECT ALGORITHM LEFT AUDIO CHANNEL RIGHT AUDIO CHANNEL 25 Pitch Reverb Pitch Reverb 26 Flanger Reve...

Page 20: ...ations Fig 6 1 Effects structure 6 2 Selecting presets The VIRTUALIZER stores 100 user definable presets After power up the unit automatically recalls the preset last used To select another preset use...

Page 21: ...t see section 6 3 Basically all parameter changes can be saved Whenever you re editing a preset the display starts flashing to indicate that the edits will be saved only when you confirm them by press...

Page 22: ...UALIZER If you press the IN OUT key again on the fifth page the VIRTUALIZER quits MIDI setup mode this mode is canceled automatically when you have not made any entry on one of the five pages for a ce...

Page 23: ...e S N ratio increasing by 6 dB Unfortuanetly there are a considerable number of other factors to be taken into account which hinder the achievement of these theoretical values If you picture an analog...

Page 24: ...the wave starting to get compressed or flattened The greater the porportion of the wave being flattened the more harmonics audible as distortion will be heard This is a gardual process the level of di...

Page 25: ...in the aux bus By using the VIRTUALIZER in an aux bus of your mixing console you can feed the channel signals of one several or even all console channels into the VIRTUALIZER i e for each channel you...

Page 26: ...also insert the VIRTUALIZER in a channel or subgroup of your mixing console Use a dedicated insert cable Inserting the VIRTUALIZER in a single channel will be useful only if you wish to process a spec...

Page 27: ...to determine the amount of effect added to the guitar signal Instrumentalists can benefit from a variety of advantages offered by the VIRTUALIZER s MIDI implementation For example you can use a MIDI...

Page 28: ...tore key Use the jog wheel to select the preset whose data you wish to save When the preset is activated its parameters are transmitted as controller data and can be recorded on a sequencer or similar...

Page 29: ...oder Sens 17 D PITCH Cent Cent Semi Tone Semi Tone 18 D FLANGER Mod Frequency Mod Depth Mod Depth Mod Feedback Mod Feedback 19 D CHORUS Mod Frequency Mod Delay Mod Delay Mod Depth Mod Depth 20 D TREMO...

Page 30: ...OFF All notes OFF Active Sense Reset X X X X X X X X Notes O YES X NO Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Tab 8 2 MIDI implementation chart Parameter Nam...

Page 31: ...ric LED Display Power Supply Mains Voltages USA Canada 120 V AC 60 Hz U K Australia 240 V AC 50 Hz Europe 230 V AC 50 Hz General Export Model 100 120 V AC 200 240 V AC 50 60 Hz Fuse 100 120 V AC 125 m...

Page 32: ...uct is accompanied by an original retail dealer s invoice Any product deemed eligible for repair or replacement by Behringer GmbH under the terms of this warranty will be repaired or replaced within 3...

Page 33: ...mise on behalf of Behringer GmbH 6 CLAIM FOR DAMAGES Failure of Behringer GmbH to provide proper warranty service shall not entitle the buyer to claim consequen tial damages In no event shall the liab...

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