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VIRTUALIZER enables the preset and the dot disappears. This brief interruption avoids the direct

activation of every preset, as you scroll through the preset list with the jog wheel. Otherwise, incomplete

"parameter remnants" of presets could reach the audio outputs of the VIRTUALIZER, with possibly

disastrous consequences, espcially when using a high-power P.A. system. Thus, the VIRTUALIZER

makes sure that no "unwanted" programs are loaded unintentionally. Additionally, you can rotate the jog

wheel at high speed and still have the time to specifically select the preset of your choice, instead of any

of its "neighbors".

6.3 Editing programs

Editing programs is easy on the VIRTUALIZER. Bascially, all essential parameters can be selected directly

via the keypad and edited with the jog wheel. The list to the left of the display summarizes the effect algorithms

that the VIRTUALIZER can generate. Just press the Effect key to recall these basic algorithms and directly

select them with the jog wheel. With the Variation key you can modify the selected effect in full detail, because

each Variation does not only comprise one parameter but a set of several parameters. Thus, you can use the

various Variations to tailor the sound of an effects program to suit your specific needs. The Edit A and B keys

enable you to edit essential single parameters of the selected effects program, while the EQ-LO and EQ-HI

keys allow for adapting your own presets to match specific room acoustics or sound preferences. Use the

Engine-L and Engine-R keys to edit the left or right audio channel settings. Of course, you can edit both

channels at the same time in Couple mode. When entering Couple mode, the VIRTUALIZER copies the

parameter settings of the channel last activated to the other channel, so that both of them have an identical set

of parameter values. Finally, you can also save the edits made to the preset.

6.4 Saving programs

Use the Store key to save an edited preset (see section 6.3). Basically, all parameter changes can be saved.

Whenever you’re editing a preset, the display starts flashing to indicate that the edits will be saved only when

you confirm them by pressing the Store key twice. Example:

s

You recall a program for editing. Then you edit the preset as desired using the function keys and the jog

wheel. During this process, the flashing Store key reminds you that the preset settings have been changed

but not saved yet. Press the Store key once. The display reads the current preset number and starts

flashing. To keep the original preset, use the jog wheel to select another preset that can be overwritten.

Press the Store key again to save the edits to the selected preset. If you wish to overwrite the original

preset, simply press the Store key twice (after editing) to save all changes you have made.

+

Whenever you have edited a preset and pressed the Store key twice, all previous settings in

this preset are erased and overwritten with the new parameter values. However, if you wish to

keep the original preset, use the jog wheel to select another preset 

before

 you press the Store

key a second time.

6.5 MIDI control

Use the MIDI key combination to select the MIDI parameters you wish to adjust. For this purpose press and

keep the IN/OUT and the STORE keys for about two seconds. All parameters can be edited with the jog wheel

and the IN/OUT key. The MIDI menu includes five pages which you can select by pressing the IN/OUT key

several times.
On the first page you can select the MIDI channel. The display reads a small “c” (= channel). The jog wheel

adjusts a channel from 1 through 16. To switch off the MIDI function simply select the “0” value (displayed as

“-”).
On the second page you can select MIDI Omni mode, i.e. the unit transmits/receives on all 16 MIDI channels.

The display reads “O” (=Omni). Use the jog wheel to activate (“1”) or deactivate (“0”) Omni mode.
The third page allows for configuring controller commands. On its right-hand side, the display reads a capital

“C” (=Controller). The jog wheel selects one of the following four controller modes:

6. OPERATION

All manuals and user guides at all-guides.com

all-guides.com

Summary of Contents for VIRTUALIZER DSP1000

Page 1: ...mechanical including photocopying and recording of any kind for any purpose without the express written permission of Behringer GmbH ALL RIGHTS RESERVED 1997 Behringer GmbH BEHRINGER and VIRTUALIZER a...

Page 2: ...esignation and if applicable Article No which refers to this declaration is in accordance with the following standards or standardized documents x EN 60065 x EN 61000 3 2 x EN 55020 x EN 61000 3 3 The...

Page 3: ...pliance Grounding or Polarization Precautions should be taken so that the grounding or polarization means of an appliance is not defeated Power Cord Protection Power supply cords should be routed so t...

Page 4: ...eo field for open sounding enhancement of the sound sources s 20 bit A D and D A converters with 64 128 times oversampling for ultra high headroom and resolution of detail s Internal 24 bit processing...

Page 5: ...ctured under the stringent quality system ISO9000 as well as excellent technical and audio properties at an extremely favorable price All of this will enable you to fully unhold your creativity withou...

Page 6: ...ombinations 15 4 2 Rear panel control elements 16 5 THE EFFECT ALGORITHMS 17 6 OPERATION 20 6 1 Effects structure 20 6 2 Selecting presets 20 6 3 Editing programs 21 6 4 Saving programs 21 6 5 MIDI co...

Page 7: ...us a broad spectrum of additional programs including such extraordinary effects as Vocal Distortion Rotary Speaker Simulation or Vocoder To be able to fully exploit these effects as well as the other...

Page 8: ...dulation effects For this reason the Behringer VIRTUALIZER also features multi effects programs combining reverb or delay with for example a chorus effect In addition to the multi effects programs and...

Page 9: ...different reverb decay times you would need to alter the physical properties of the springs s The clattering sound of spring reverbs is a much dreaded effect in particular on stage Shock can set the...

Page 10: ...ariants e g a musical pitch shifter as well as tremolo and rotary speaker simulations With the vocoder and vocal distortion effect programs you even have ultra modern special effects available that th...

Page 11: ...horus flanger pitch tremolo or delay on the left channel Multi effects programs process two different stereo effects on a mono summed input signal In our multi effects prg 20 24 the left and right inp...

Page 12: ...e sure that your local voltage matches the voltage required by the unit The fuse holder on the female mains connector has 3 triangular markers with two of these triangles opposing each other Your VIRT...

Page 13: ...al operating level of the unit Thus the VIRTUALIZER can be adapted perfectly to various levels e g both the typical home recording level of 10 dBV and the professional studio level of 4 dBu The LED in...

Page 14: ...ed This clearly legible 2 digit numeric display has plus minus indicators to show that parameters are being incremented or decremented in Edit mode Fig 4 3 Control elements and the jog wheel 4 With th...

Page 15: ...as possible Please proceed as follows to reinitialize the preset default settings s Press and keep the keys Effect and Store before powering up the VIRTUALIZER Then switch on the VIRTUALIZER and keep...

Page 16: ...eed 17 The VIRTUALIZER was designed for operation with unbalanced mono phone jacks 6 3 mm Each audio channel left right has a phone jack INPUT for incoming signals 18 The two OUTPUTS of the VIRTUALIZE...

Page 17: ...tural and unobtrusive For various applications however this program has more room than effect 4 06 Concert Simulates concert hall reverb More agile than the Studio program increased presence in the tr...

Page 18: ...lar to the chorus effect but with an addtional feedback parameter which is why flangers produce a much more floating sound that seems to wander through the room Suitable for all bright sounding instru...

Page 19: ...different effects can be routed to the aux busses of your mixing console with only one effects unit EFFECT ALGORITHM LEFT AUDIO CHANNEL RIGHT AUDIO CHANNEL 25 Pitch Reverb Pitch Reverb 26 Flanger Reve...

Page 20: ...ations Fig 6 1 Effects structure 6 2 Selecting presets The VIRTUALIZER stores 100 user definable presets After power up the unit automatically recalls the preset last used To select another preset use...

Page 21: ...t see section 6 3 Basically all parameter changes can be saved Whenever you re editing a preset the display starts flashing to indicate that the edits will be saved only when you confirm them by press...

Page 22: ...UALIZER If you press the IN OUT key again on the fifth page the VIRTUALIZER quits MIDI setup mode this mode is canceled automatically when you have not made any entry on one of the five pages for a ce...

Page 23: ...e S N ratio increasing by 6 dB Unfortuanetly there are a considerable number of other factors to be taken into account which hinder the achievement of these theoretical values If you picture an analog...

Page 24: ...the wave starting to get compressed or flattened The greater the porportion of the wave being flattened the more harmonics audible as distortion will be heard This is a gardual process the level of di...

Page 25: ...in the aux bus By using the VIRTUALIZER in an aux bus of your mixing console you can feed the channel signals of one several or even all console channels into the VIRTUALIZER i e for each channel you...

Page 26: ...also insert the VIRTUALIZER in a channel or subgroup of your mixing console Use a dedicated insert cable Inserting the VIRTUALIZER in a single channel will be useful only if you wish to process a spec...

Page 27: ...to determine the amount of effect added to the guitar signal Instrumentalists can benefit from a variety of advantages offered by the VIRTUALIZER s MIDI implementation For example you can use a MIDI...

Page 28: ...tore key Use the jog wheel to select the preset whose data you wish to save When the preset is activated its parameters are transmitted as controller data and can be recorded on a sequencer or similar...

Page 29: ...oder Sens 17 D PITCH Cent Cent Semi Tone Semi Tone 18 D FLANGER Mod Frequency Mod Depth Mod Depth Mod Feedback Mod Feedback 19 D CHORUS Mod Frequency Mod Delay Mod Delay Mod Depth Mod Depth 20 D TREMO...

Page 30: ...OFF All notes OFF Active Sense Reset X X X X X X X X Notes O YES X NO Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Tab 8 2 MIDI implementation chart Parameter Nam...

Page 31: ...ric LED Display Power Supply Mains Voltages USA Canada 120 V AC 60 Hz U K Australia 240 V AC 50 Hz Europe 230 V AC 50 Hz General Export Model 100 120 V AC 200 240 V AC 50 60 Hz Fuse 100 120 V AC 125 m...

Page 32: ...uct is accompanied by an original retail dealer s invoice Any product deemed eligible for repair or replacement by Behringer GmbH under the terms of this warranty will be repaired or replaced within 3...

Page 33: ...mise on behalf of Behringer GmbH 6 CLAIM FOR DAMAGES Failure of Behringer GmbH to provide proper warranty service shall not entitle the buyer to claim consequen tial damages In no event shall the liab...

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