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In the signal path, delay and reverb are routed in series i.e. the
dry signal plus any delay is sent to the reverb input.
Mode
> Off:
No effect. All other parameters will not be visible.
> Reverb:
Standard reverb effect with predelay (see “Prede-
lay” parameter below).
> Feedback 1:
Reverb effect with a feedback loop in the pre-
delay line, thus allowing multiple reverb tails.
> Feedback 2:
The same as Feedback 1, except that the first
reverb tail appears immediately.
Type
> Ambience, Small Room, Large Room, Hall:
Different types
of room simulations, in order of size. This parameter affects
the so-called “early reflections”.
Send
Accessible from the panel via the SEND knob.
> Dry, 1 to 126, Wet:
Effect send. Actually a cross-fade
between dry and wet – the overall level remains fairly con-
stant. Modulation destination “Reverb Send”.
Clock
> Off, 1/64 ... 3/4:
Used to synchronize Predelay to the Clock
(see “Predelay” below). Expressed as a 4/4 bar division.
Time
Accessible from the panel via the TIME / COLOR knob
> 0 to 127:
The length of the reverb tail. Modulation destina-
tion “Reverb Time”.
Summary of Contents for Virus TI
Page 1: ...Virus TI User Manual ...
Page 7: ...1 Introduction ...
Page 18: ...18 ...
Page 48: ...48 ...
Page 49: ...3 VirusControl ...
Page 75: ...4 Sound Parameters Reference ...
Page 150: ...150 ...
Page 151: ...5 Configuration Reference ...
Page 164: ...164 ...
Page 165: ...6 Multi Mode Reference ...
Page 170: ...170 ...
Page 176: ...176 ...
Page 177: ...8 Appendix B Glossary ...
Page 191: ...9 Appendix Patch Names ...
Page 209: ...10 Index ...
Page 215: ...215 ...
Page 216: ...216 ...
Page 217: ...217 ...