Yamaha PSRE413 - KEYBOARD USB 100 PATTERNS, Руководство пользователя

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76
PSR-E413 Owner’s Manual
Style (Auto-accompaniment) Functions
■
Recognized Standard Chords
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All chords in the chart are “C-root” chords.
* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation] Normal Voicing Chord (C) Display
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C
(9)
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6
(9)
*
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7
(9)
*
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7
( # 11)
*
Flatted fifth [(
b
5)] 1 - 3 -
b
5 C
b
5
*
Major seventh flatted fifth [M7
b
5] 1 - 3 -
b
5 - 7 CM7
b
5
*
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 -
#
5 Caug
Major seventh augmented [M7aug] 1 - (3) -
#
5 - 7 CM7aug *
Minor [m] 1 -
b
3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 -
b
3 - 5 Cm
(9)
Minor sixth [m6] 1 -
b
3 - 5 - 6 Cm6
Minor seventh [m7] 1 -
b
3 - (5) -
b
7 Cm7
Minor seventh ninth [m7(9)] 1 - 2 -
b
3 - (5) -
b
7 Cm7
(9)
Minor seventh add eleventh [m7(11)] 1 - (2) -
b
3 - 4 - 5 - (
b
7) Cm7
(11)
*
Minor major seventh [mM7] 1 -
b
3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 -
b
3 - (5) - 7 CmM7
(9)
*
Minor seventh flatted fifth [m7
b
5] 1 -
b
3 -
b
5 -
b
7 Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5] 1 -
b
3 -
b
5 - 7 CmM7
b
5
*
Diminished [dim] 1 -
b
3 -
b
5 Cdim
Diminished seventh [dim7] 1 -
b
3 -
b
5 - 6 Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
Seventh flatted ninth [7(
b
9)] 1 -
b
2 - 3 - (5) -
b
7 C7
(
b
9)
Seventh add flatted thirteenth [7(
b
13)] 1 - 3 - 5 -
b
6 -
b
7 C7
(
b
13)
Seventh ninth [7(9)] 1 - 2 - 3 - (5) -
b
7 C7
(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7
( # 11)
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 -
b
7 C7
(13)
Seventh sharp ninth [7(
#
9)] 1 -
#
2 - 3 - (5) -
b
7 C7
(
#
9)
Seventh flatted fifth [7
b
5] 1 - 3 -
b
5 -
b
7 C7
b
5
*
Seventh augmented [7aug] 1 - 3 -
#
5 -
b
7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - (5) -
b
7 C7sus4
Suspended second [sus2] 1 - 2 - 5 C *
C
C
( 9 )
C
6
(
9
)
C
6
C
M7
C
M7
(
9
)
C
M7
(
#
11 )
C
( b
5
)
C
M7
( b 5 )
C
sus4
C
aug
C
M7aug
C
m
(
9
)
C
m
C
m6
C
m7
C
m7
(
9
)
C
m7
( 11 )
C
mM7
C
mM7
(
9
)
C
m7
( b 5 )
C
mM7
( b 5 )
C
dim
C
dim7
C
7
C
7
( b 9 )
C
7
( b 13 )
(
9
)
C
7
( #
11
)
C
7
(
13
)
C
7
( #
9
)
C
7
C
7 b 5
C
7aug
C
7sus4
C
sus2
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• A perfect fifth (1+5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9), sus2.
NOTE
• Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
NOTE