Yamaha PortaTone PSR-7000, Руководство пользователя

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MIDI Data Format • MIDI-Datenformat • Format des donées MIDI
BASIC TYPE No. Parameter Display* Value
GATE REVERB 1 Type TypeA,TypeB 0-1
REVERSE 2 Room Size 0.1~7.0 0-44
GATE 3 Diffusion 0~10 0-10
4 Initial Delay 0~63 0-63
5 Feedback Level -63~+63 1-127
6 HPF Cutoff Thru~8.0kHz 0-52
7 LPF Cutoff 1.0k~Thru 34-60
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
PITCH 1 Pitch -24~+24 40-88
CHENGE 2 Initial Delay 0~127 0-127
3 Fine 1 -50~+50 14-114
4 Fine 2 -50~+50 14-114
5 Feedback Gain -99~+99% 1-127
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Pan 1 L63~R63 1-127
12 Output Level 1 0~127 0-127
13 Pan 2 L63~R63 1-127
14 Output Level2 0~127 0-127
TOUCH WAH 1 Sensitive 0~127 0-127
WAH+DIST. 2 Cutoff Frequency Offset 0~127 0-127
3 Resonance 1.0~12.0 10-120
6 EQ Low Frequency 32Hz~2.0kHz 4-40
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Drive 0~127 0-127
COMPRESSOR 1 Attack 1~40ms 0-19
2 Release 10~680ms 0-15
3 Threshold -48~-6UdB 79-121
4 Ratio 1.0~20.0 0-7
5 Output Level 0~127 0-127
NOISE GATE 1 Attack 1~40ms 0-19
2 Release 10~680ms 0-15
3 Threshold -72~-30dB 55-97
4 Output Level 0~127 0-127
WHITE ROOM 1 Reverb Time 0.3~30.0s 0-69
TUNNEL 2 Diffusion 0~10 0-10
CANYON 3 Initial Delay 0~63 0-63
BASEMENT 4 HPF Cutoff Thru~8.0kHz 0-52
5 LPF Cutoff 1.0k~Thru 34-60
6 Width 0.5~10.2m 0-37
7 Heigt 0.5~20.2m 0-73
8 Depth 0.5~30.2m 0-104
9 Wall Vary 0~30 0-30
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Rev Delay 0~63 0-63
12 Density 0~3 0-3
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127
14 High Damp 0.1~1.0 1-10
15 Feedback Level -63~+63 1-127
KARAOKE 1 Delay Time 0~127 0-127
2 Feedback Level -63~+63 1-127
3 HPF Cutoff Thru~8.0kHz 0-52
4 LPF Cutoff 1.0k~Thru 34-60
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
BASIC TYPE No. Parameter Display* Value
DELAY L,C,R 1 Lch Delay 0.1~715.0ms 1-7150
2 Rch Delay 0.1~715.0ms 1-7150
3 Cch Delay 0.1~715.0ms 1-7150
4 Feedback Delay 0.1~715.0ms 1-7150
5 Feedback Level -63~+63 1-127
6 Cch Level 0~127 0-127
7 High Damp 0.1~1.0 1-10
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 HPF Cutoff Thru~8.0kHz 0-52
12 LPF Cutoff 1.0k~Thru 34-60
13 EQ Low Frequency 50Hz~2.0kHz 8-40
14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58
16 EQ High Gain -12~+12dB 52-76
DELAY L,R 1 Lch Delay 0.1~715.0ms 1-7150
2 Rch Delay 0.1~715.0ms 1-7150
3 Feedback Delay 1 0.1~715.0ms 1-7150
4 Feedback Delay 2 0.1~715.0ms 1-7150
5 Feedback Level -63~+63 1-127
6 High Damp 0.1~1.0 1-10
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 HPF Cutoff Thru~8.0kHz 0-52
12 LPF Cutoff 1.0k~Thru 34-60
13 EQ Low Frequency 50Hz~2.0kHz 8-40
14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58
16 EQ High Gain -12~+12dB 52-76
ECHO 1 Lch Delay1 0.1~355.0ms 1-3550
2 Lch Feedback Level -63~+63 1-127
3 Rch Delay1 0.1~355.0ms 1-3550
4 Rch Feedback Level -63~+63 1-127
5 High Damp 0.1~1.0 1-10
6 Lch Delay2 0.1~355.0ms 1-3550
7 Rch Delay2 0.1~355.0ms 1-3550
8 Delay2 Level 0~127 0-127
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 HPF Cutoff Thru~8.0kHz 0-52
12 LPF Cutoff 1.0k~Thru 34-60
13 EQ Low Frequency 50Hz~2.0kHz 8-40
14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58
16 EQ High Gain -12~+12dB 52-76
CROSS 1 L->R Delay 0.1~355.0ms 1-3550
DELAY 2 R->L Delay 0.1~355.0ms 1-3550
3 Feedback Level -63~+63 1-127
4 Input Select L,R,L&R 0-2
5 High Damp 0.1~1.0 1-10
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 HPF Cutoff Thru~8.0kHz 0-52
12 LPF Cutoff 1.0k~Thru 34-60
13 EQ Low Frequency 50Hz~2.0kHz 8-40
14 EQ Low Gain -12~+12dB 52-76
15 EQ High Frequency 500Hz~16.0kHz 28-58
16 EQ High Gain -12~+12dB 52-76
EARLY REF 1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5
2 Room Size 0.1~7.0 0-44
3 Diffusion 0~10 0-10
4 Initial Delay 0~63 0-63
5 Feedback Level -63~+63 1-127
6 HPF Cutoff Thru~8.0kHz 0-52
7 LPF Cutoff 1.0k~Thru 34-60
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
* Only parameters 1 through 5 can be edited via panel control for
effects which can be selected via panel control. The 3 band equal-
izer is an exception to this rule.
* Basic Type effects are different from DSP Effect Types appearing
in the LCD display.