Yamaha MU100, Руководство пользователя

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Guided Tour
81
4) If you cannot hear the Distortion effect clearly, select the
“Dry/Wet” parameter (with the [SELECT
<
/
>
] buttons)
and adjust it (with the [VALUE
-
/
+
] buttons or data dial)
until the sound is appropriate.
5) Using the same method (as in step #4), select and adjust
other important Distortion parameters as needed, such as
“Drive” and “OutputLvl” (Output Level).
Now, play the Part and hear how Distortion affects the sound. Se-
lect other Types and play with them as well.
The Variation parameters differ depending on the selected Vari-
ation Type. For a list of Variation Types and other information on
Variation, see page 136. For a list of the available parameters for
each Variation Type, refer to the “Sound List & MIDI Data” booklet.
Details
• When Variation is set for use with a single Part (Insertion), only Variation Send is
available. (The Dry/Wet parameter in Variation Edit effectively performs the same
function as Variation Return in this case; see page 137.) Also, Variation Send can
be set to “on” for only one Part.
• When Variation is set for use with all Parts (System), both Variation Send and
Return must be set to appropriate values. (The operation is the same as step 1 in
“Using Reverb” and “Using Chorus” above.)
For more information, refer to “About the Effect Connections — System
and Insertion” on page 139.
Insertion 1 and 2 Effect Sections
The Insertion 1 and 2 sections provide additional signal processing power.
Each of the Insertion sections can be applied to a single selected Part, and
each features 43 effect Types.
For a list of Insertion Types and other information on Insertion, see page 138.
For a list of the available parameters for each Insertion Type, refer to the
“Sound List & MIDI Data” booklet.
Effects