Yamaha A3000, Руководство пользователя

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Samples and Programs
75
Chapter 3 Basics
Chapter 3
The above adjustment removes the overlap. Program 2 will now play the bass sample
over keyboard range C2 to B3, and the sax sample over range C4 to B5.
Program Setup Example 2
In this example, we assign a different MIDI Receive Channel to each sample.
Sample A: Piano. MIDI Receive Channel is “1.”
Sample B: Bass. MIDI Receive Channel is “2.”
Sample C: Sax. MIDI Receive Channel is “3.”
Program 001:
ToPgm
ON for all three samples. Easy-edit parameters all “off.”
Memory
Program 001
Sample A
Piano waveform
On
Off
Effect = Reverb
MIDI R. Ch. = 1
Sample B
Bass waveform
On
Off
MIDI R. Ch. = 2
Sample C
Sax waveform
On
Off
MIDI R. Ch. = 3
When Program 1 is in use, MIDI performance data transmitted through MIDI Channel
1 produces the piano sample, while Channel 2 data plays the bass and Channel 3 data
drives the sax. This result is a multitimbral performance, with different channels pro-
ducing different voices.
Note again that the above setup requires that you set the appropriate channel value into
each sample’s local parameters. Suppose that you want to use this channel arrangement
with Program 1 only, while leaving all samples set to play on MIDI Channel 1 with all
other programs. The following illustration shows how you would set this up.
Memory
Program 001
Sample A
Piano waveform
On
Off
Effect = Reverb
MIDI R. Ch. = 1
Sample B
Bass waveform
On
Change MIDI R. Ch.to "2".
MIDI R. Ch. = 1
Sample C
Sax waveform
On
Change MIDI R. Ch. to "3".
MIDI R. Ch. = 1