Waves BSS DPR-402
User Guide
18
3.4 Additional Jumper Settings
Num
Setting
Description
Inactive
Controls
1
Normal Comp
Compression occurs equally at all
frequencies.
—
2
HF Re-Emph Comp
Compression is higher at LOW frequencies.
This arrangement will make heavily
compressed signals sound brighter,
compression triggered by low frequencies
modulates the high frequencies. This setting
removes low frequencies from the side
chain, eliminating this unwanted modulation.
—
3
HF Re-Emph Comp +
Compression is much higher at LOW
frequencies. This arrangement will make
heavily compressed signals sound brighter
as it lessens the effect of heavy low
frequencies modulating the treble.
—
4
LF Re-Emph Comp
Compression is higher at HIGH frequencies.
This is useful for controlling harsh or shrill
components of a signal, allowing faster
ATTACK and DECAY to be used before LF
distortion becomes a problem.
—
5
LF Re-Emph Comp +
Compression is much higher at HIGH
frequencies. This is useful for controlling
harsh or shrill components of a signal,
allowing faster ATTACK and DECAY to be
used before LF distortion becomes a
problem.
—
6
Wide LF Cntrl Comp
This mode compress the entire audio
spectrum based on the frequencies below
the setting of the FREQ control. The
modulation of HF signals by the LF signals
is an effect which may be desired.
—
7
Narrow LF Cntrl Comp
Only frequencies below that set on the
FREQ control are compressed. Low
frequencies are compressed without
modulating the high frequencies, which pass
unattenuated. Normally, the PEAK LIMITER
and DE-ESSER should not be used in this
mode.
Peak Limiter,
De-ESS
8
Expander Wide
When input signals exceed the set
threshold, expansion occurs. Normally, the
DE-ESSER should not be used in this
mode. The PEAK LIMITER may be used for
effect.
De-ESS
