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Waves BSS DPR-402

 

User Guide 

A dedicated de-esser control with a variable filter provides wideband sibilance control along with 

compression and peak limiting. There are three modes of de-essing: full-spectrum attenuation, 

HF-only attenuation, and a mix of de-essing and compression. 

The compressor section affords full control over all the 

normal parameters, and offers “auto” 

time constants for general-purpose use. It can be switched to operate at high frequencies only, 

resulting in a dynamically controlled tunable HF filter. The control and subtract sidechain 

insertion points allow for versatile dynamic tonal modification. Gain reduction is achieved using 

a voltage controlled attenuator that is capable of reducing the input signal by up to 30 dB.  

A calibrated peak limiter provides absolute control without compromising the dynamics setting of 

the compressor. This can yield less dynamic distortion for an equivalent amount of 

compression. 

1.4 Features Added to the Plugin 

In addition to modeling the above features of the original hardware, Waves has added five 

features to the plugin for extra flexibility, control, and ease of use: 

INPUT GAIN CONTROL 

Controls the input level going into the compressor 

MIX CONTROL 

Controls the balance between the processed and the 

unprocessed signal. This enables very quick parallel 

compression within the plugins. 

NOISE CONTROL 

Adds hardware-modeled noise. 

MS MATRIX 

(stereo component only) 

Provides separate compression between the mid and sides of 

the stereo signal: Mid is compressed on one channel and sides 

on the second. 

MONITOR 

(stereo component only) 

Select the source of the monitor output 

– Mono, Stereo, Left or 

Right. (In MS mode, Left monitors the mid while Right monitors 

the sides.) 

Содержание BSS DPR-402

Страница 1: ...WAVES BSS DPR 402 COMPRESSOR PEAK LIMITER DE ESSER USER GUIDE...

Страница 2: ...apter 3 Suggested Settings for Initial Setups 13 3 1 Compression 13 3 2 De Essing 14 3 2 1 De Essing Wide with Full Dynamic Control 15 3 2 2 De Essing HF with Full Dynamic Control 16 3 2 3 De Essing W...

Страница 3: ...odel of the DPR 402 Compressor Peak Limiter De Esser hardware originally manufactured by BSS Audio This dynamics processor provided the punchy explosive signature sound for drum machines in the 1980s...

Страница 4: ...ak limiter provides absolute control without compromising the dynamics setting of the compressor This can yield less dynamic distortion for an equivalent amount of compression 1 4 Features Added to th...

Страница 5: ...ocessors to be split into smaller plugins which we call components A choice of different components for a particular processor allows you to choose the configuration best suited to your material Waves...

Страница 6: ...Waves BSS DPR 402 User Guide 6 Chapter 2 Interface and Controls 2 1 Interface...

Страница 7: ...Out Reset Out FREQ Determines the frequency that will trigger the selected frequency dependent dynamic processes Range 800 Hz to 15 kHz in 0 01 kHz increments Default 15 kHz Reset 15 kHz De Esser Met...

Страница 8: ...this mode 3 DE ESS HF Assigns Thresh Ratio Attack Release controls to frequency specific de essing De ess and Peak Limiter controls are inactive in this mode ATTACK Determines the attack time of the c...

Страница 9: ...ETER IN OUT Toggles the meter display between input and output Range Input Output Default Output Reset Output Out Gain Increases or decreases the gain of the output signal Range 20 dB to 20 dB in 0 1...

Страница 10: ...M FAST SLOW Sets the attack and release times of the Peak Limiter It is generally preferable to use the Fast response setting However if this results in audible artifacts try the Slow response Range F...

Страница 11: ...Reset 1 Normal Compression Jumper Setting Description Displays a short description of the currently selected jumper setting EXT S C Assigns an external key input to the VCA This mode must be selected...

Страница 12: ...een sides created using the Duo or MS mode are preserved when you move back to Stereo mode Duo Controls can be set independently for each side L and R MS Applies an MS encoding matrix to the input of...

Страница 13: ...er THRESHOLD is Out the FREQ is irrelevant PK LIM THRSHLD Out 1 Rotate the THRESHOLD control counterclockwise until the BELOW THRESHOLD meter is fully illuminated and an appropriate amount of gain is...

Страница 14: ...its the signal into the sibilance part and the non sibilance part of the audio The sibilance part is sent to compression while the non sibilant part is not After compression the two parts are summed t...

Страница 15: ...sten to the program and fine tune the FREQ and THRESHOLD controls to achieve the desired effect Gain compensation is normally not required when de essing 3 Although fast attack and release times are m...

Страница 16: ...N meter 2 Listen to the program and fine tune the FREQ and THRESHOLD controls to achieve the desired effect Gain compensation is normally not required when de essing 3 Although fast attack and release...

Страница 17: ...rigger de essing 3 Remember In this mode the de essing is wideband and may cause distortion or pumping effects if the source program contains significant low frequencies 3 3 Peak Limiting The peak lim...

Страница 18: ...ts of a signal allowing faster ATTACK and DECAY to be used before LF distortion becomes a problem 5 LF Re Emph Comp Compression is much higher at HIGH frequencies This is useful for controlling harsh...

Страница 19: ...dio bandwidth However it is under the control of either low or high frequencies as set by the links and FREQ control Mode Switch fixed on Compress 11 Expander HF Cntrl Expansion occurs over the entire...

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