Vega Ketron, Руководство пользователя

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VEGA
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Trio Octa 4: This performs a fifth below the note sung and maintains the fundamental note of the chord in the bass. If the Vocalize
Lead is active (On), the note sung is doubled
Duet Open: This performs only the fifth above the note sung. If the Vocalize Lead is active (On), the note sung is doubled.
Duet Down: This performs the third below the note sung, transposed by one octave downward (lower tenth). If the note sung is the
keynote of the chord, the Vocalizer creates the third in the bass, belonging to the lower octave with regard to the note
sung. If the note sung is the third of the cord, the Vocalizer creates the keynote in the bass, belonging to the lower
octave. If the note sung is the fifth of the chord, the Vocalizer creates the third in the bass, but still belonging to the
same octave as the note sung. If the Vocalize Lead is active (On), the note sung is doubled.
Duet Up: Performs the third above the note sung. If the Vocalize Lead is active (On), the note sung is doubled.
3 Open 1: Performs the higher third as well as the lower fifth and octave, compared to the note sung.
3 Open 2: Performs the higher third, as well as the lower third and fifth compared to the note sung.
AUTOMATIC CHORD 2
In this mode the Vocalizer always uses all three voices available, so the Vocalize Lead function cannot be activated. The voices generated by
the Vocalizer depend on the chord recognised on the keyboard area to the left of the split point, independently from the position of its inver-
sion, and on the note sung. If the note sung is extraneous to the chord, this note will not be reproduced by the Vocalizer but will be present as
a direct audio signal. The Full algorithms are a reproduction of the recognised chord. The Jazz algorithms are more sophisticated harmonisa-
tions to model the chords with sixths and sevenths.
The following algorithms are available for Automatic Chord 2:
Full Trio 1: This performs the unison and two notes of the chord below the note sung.
Full Trio 2: The harmony presents an interval above the note sung.
Full Trio 3: All the voices are generated above the note sung.
Jazz Trio 1: The harmonisation follows a complex table, according to which a major chord is interpreted like a sixth chord. Similar
to Full Trio 1, the generated notes remain below the note sung.
Jazz Trio 2: Uses the same harmonisation table as the previous one, but similar to Full Trio 2 the harmony presents an interval
above the note sung.
Jazz Trio 3: Uses the same harmonisation table as the previous Jazz algorithms, but similar to Full Trio 3 all the voices are gen-
erated above the note sung.
KEYBOARD HARMONY
In this operating mode the note sung does not influence the harmonisation, which depends only on the chord played. The complete keyboard
of the VEGA is enabled to recognise the chord and the single inversions, producing different harmonisation.
The algorithms available for Keyboard Harmony are:
Harmony Right: The chord is recognised on the keyboard area to the right of the split point, with all its inversions, regardless of the
note sung.
Harmony Left: The chord is recognised on the keyboard area to the left of the split point, with all its inversions, regardless of the
note sung.
Full 1: Similar to Full Trio 1 in Automatic Chord 2 mode, with the difference that instead of the note sung a single note on the
keyboard area to the right of the split point is taken as reference. The chord, instead, is recognised on the keyboard
area to the left of the split point, regardless of the inversion of the note played to the right of the split point.
Full 2: Similar to Full 1, but with the voices generated above the note played to the right of the keyboard split point.
Full 3: Similar to Full 2, but with all the voices generated above the note played to the right of the keyboard split point.
Jazz 1: Applies the harmonisation table used for Jazz Trio 1 of Automatic Chord 2, with the difference that the inversions of
the chord played on the keyboard area to the left of the split point are determined by the note played to the right of
the split point. The voices generated remain below the note played to which the unison note is added.
Vocalizer