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twenty four
Effect list
Distortion class (DST)
Effect description
name
type
Parameter Description
For fans of the radical germanium ambiguity that an early device might produce
In general, there is nothing better than the Solar Tone Bender.
-
The circuit of Sola-Sound®-Tone-Bender* was very popular, and in the following
years, its design developed rapidly, forming tangled twists and turns
History, and the most popular in the UK from the mid-1960s to the early 70s
Music is intertwined.
Faz
Fuzz
Fuzz (0~100) adjust the gain size
Volume (0~100) adjusts the effect volume
Sora-Fuzz
Gain: Control the amount of effect gain
Tone: Control the brightness of the tone
Volume: Control the volume of the effect
Faz
Fuzz
It is based on a classic orange three-knob distortion effect, which can
Use it to easily get the tone characteristics of the 70s-80s.
SM-Dist
The sound is based on the distortion effect of ProCo™-The-Rat*. The
over-range Filter knob gives The-Rat* life. The bright and compact
head, full tail, and strong plasticity make it a lot of music.
Loved.
Gain:
Control effect gain
Control tone brightness (reverse adjustment, same as original
Sincerely)
Volume:
Control effect volume
distortion
Distortion
Filter:
Darktale
Famous users:
Jeff-Beck, Kurt-Cobain
Marshall®-Guv'nor* was released in 1988. This British-made overload/
distortion effect replicates the classic Marshall®-electronic tube box tone
into a compact stompbox, bringing continuous gain and
A sense of compression.
Gain: Control the amount of effect gain
Volume: Control the volume of the effect
Bass/Middle/Treble: Three-band equalization adjustment effect
Low/medium/high frequency
distortion
Distortion
Chief
The Marshall®-Shredmaster-Distortion* guitar effect pedal can provide
a very compressive distortion effect, and this tone is exactly
Marshall's unique sound.
-Pedal provides high pitch, low pitch and contour
The knob is adjusted to provide incredible performance.
Gain: Control the amount of effect gain
Volume: Control the volume of the effect
Bass/Contour/Treble: Three-band equalization adjustment effect
If low/mid/high frequency
Master-
Dist
distortion
Distortion
The sound is based on the MI-Audio®-Crunch-Box®* distortion effector, a sensitive and delicate
distortion beast, which is full of passionate Riff and Solo. The response of each frequency
band is balanced, and the dynamic feedback is faithful to the fingertips, even if
Noise can also be well controlled under high gain.
Gain:
Control effect gain
Tone:
Control tone brightness
Volume: Control the volume of the effect
La-
Charger
distortion
Distortion
Gain:
Control effect gain
Tone: Control the brightness of the tone
Volume: Control the volume of the effect
Blend: Adjust the wet signal
Mode: Switch from 3 different tones:
--Normal: Original tone mode
--Scoop: Has a more concave midrange
--Edge:
With sharper high frequency
贝
S overload
Bass-Drive
Flex-OD
Rich and varied overdrive effects, suitable for guitar and s
This is a special frequency (including five strings)
Designed overdrive effect, it adds a unique tone to the original sound
The overdrive effect, to make an unusual distortion effect, and at the same time protect
Prove the original company dynamic tone. It can also be used as a phase
Be a good gainer.
Gain: Control the amount of effect gain
Blend:
Adjust the humidity of the signal
Volume: Control the volume of the effect
Bass/Treble: Control effect high/low frequency
贝
S overload
Bass-Drive
Bass-OD
* The names of vendors and products mentioned in this information are only used to visually explain the effect, tone, and functional characteristics of the product, and the brand names belong to their company.