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twenty three
Effect list
Distortion class (DST)
Effect description
name
type
Parameter Description
Gain:
Control effect gain
Tone:
Adjust tone brightness
Volume: Adjust the volume of the effect
Mode: Select the working mode:
--LP (Low-Peak): presents a naturally smooth tone
response
--HP (High-Peak):
Showing fierce and fierce sound
Color response, and has more gain
Fulltone®-OCD* allows you to quickly find the tone of "dessert".
- it
The overdrive tone sounds warm and full, full of the smell of electronic
tubes. The extremely wide range of distortion adjustment means that it can
Carrying tone smoothly transitions to saturation distortion.
overload
OD
Force
Marshall®-BluesBreaker* is an overload pedal with
outstanding overload tone.
-Moderate overload and subtle incentives are his voice
Color characteristics, of course, it can also be used as a push to get better promotion.
Gain:
Control effect gain
Tone:
Adjust tone brightness
Volume: Adjust the volume of the effect
Blues-
Master
overload
OD
The sound is based on the famous Ibanez®-TS-808-Tube-Screamer®
* Overdrive/stimulate the tone of the effector. Since the first
exhibition in 1979, before the world, TS808 opened up a new world.
There are countless guitarists who love it. It is a warm and delicate
overload effect. Can be used as overload or as Boost, suitable music
The grid is extremely wide.
Gain: Control the amount of effect gain
Volume: Control the volume of the effect
Bass/Middle/Treble: Control effect high/medium/low
frequency
overload
OD
Master-OD
Famous users: Stevie-Ray-Vaughan, Joe-Satriani,
Paul-Gilbert, Andy-Timmons, Kirk-Hammett,
Steve-Ray-Vanghan, Michal-Landau, U2
Hermida-Zendrive® is famous because of its electronic tube-like tone,
which achieves the perfect balance of saturation and harmonics, and
realizes all functions.
-Make the pedal overload sound like a real amp
overload.
Gain: Control the amount of effect gain
Tone: Control the brightness of the tone
Volume: Control the volume of the effect
Voice:
Adjust the overdrive pan component
overload
OD
TaiChi-OD
Gain:
Control effect gain
Volume: Control the volume of the effect
Bass/Treble: Control effect high/low frequency
Mode (I, II, III):-Distortion type selection
The Paul-Cochrane®-Timmy*-overdrive effect is one of the most classic overdrive
tones. Based on its open and uncompressed overload tone and good
It’s balanced feedback has brought it a large number of followers.
Timmy-
OD
overload
OD
The sound is based on the fuzz effect of the legendary Electro-Harmonix®-Big-
Muff-Pi®*, which has a wide range of tone adjustment, which can realize the
change from creamy overload to the extremely aggressive fuzz effect. Faz with
personality, warm and heavy sound wall, make people restless but full of beauty.
Sustain: Control the amount of effect gain
Tone:
Control tone brightness
Volume: Control the volume of the effect
Faz
Fuzz
Lazaro
Famous users:
Jimi-Hendrix, Santana, Pink-Floyd,
Jack-White
The sound is based on the legendary -Dallas-Arbiter®-Fuzz-Face®* Fuzz
monoblock. In 1966, Dallas-Arbiter used a simple transistor to shape a
sound that has influenced rock music for half a century like magic. The
sound of Fuzz-Face is thick and sharp, and its sound has influenced
There are few famous musicians.
Faz
Fuzz
Fuzz:
Control effect gain
Volume: Control the volume of the effect
Red-Haze
Famous users:
Jimi-Hendrix, Santana, Pink-Floyd,
Jack-White
* The names of vendors and products mentioned in this information are only used to visually explain the effect, tone, and functional characteristics of the product, and the brand names belong to their company.