8.
7. Close Mics Stereo Width Controller:
This control appears when you have the close mics activated. It controls the pan width of the matched
pair used in this signal. We’d recommend reducing the width if you’re wanting a “placed” orchestral sound,
combined with the pan pot (below). For more of a stylized produced and “close” sound a broad signal is very
useful.
8. Close Mics Stereo Pan Control.
Again, this controller only appears when the C(lose) mic is activated. This controls the pan direction of
the close mics, the narrower the image selected above the more effective this spacial tool.
9. Releases
When off, no release trigger samples play. When on, release samples play with the slider control below.
10. Release Trigger Slider
By-popular-demand, this slider controls the volume of release triggers 1-100%.
11. Use Neighbouring Zones
This activates a script that utilizes neighbouring zones to increase Round Robins from 4 to 12. This can
sound a little off though which is why the default is off.
12. Reset On Key B-2
When using round robins there may be a point where you clearly want to use a specific note. This ena-
bles you to control where you are in the round robin* cycle, or if you are using duplicates of patches in a sur-
round format (page 23) this will be how you can guarantee your round robins are in sync. Simply program or
hit a note event on B-2 on your selected patch and it’s duplicates. (You can click to change the default note.)
13. Use 4x Round Robin
This refers to the number of round robins your patch uses, the number can be dragged up and down
(1-4) to save your memory.
14. Purge Unused
This control keeps unloading any samples you are not using to keep your memory usage as low as pos-
sible.
