![background image](http://html.mh-extra.com/html/sony/mhc-gn1300d/mhc-gn1300d_operating-instructions-manual_1329994110.webp)
model name [MHC-GN1300D]
[4-132-091-
14
(2)] GB
110
GB
filename[D:\NORM'S JOB\SONY HA\SO0163\MHC-GN1300D_PMRF
01\4132091142_GB\GB120INF.fm]
masterpage:Left
Notes on using the Sony Ericsson
mobile phone
• Connect to this system with the mobile phone
turned on.
• While the mobile phone is connected to this
system, do not insert or detach the memory
card.
• When connecting to this system, set the data
transfer mode of your mobile phone to File
Transfer (Mass Storage).
For details, refer to the operating instructions
supplied with the mobile phone.
• Use the USB cable supplied with the mobile
phone when connecting to the system.
• Some files supported by the mobile phone are
not supported by this system.
• When a song is registered in a music playlist
on your mobile phone and you erase the song
via this system, the playlist entry is not
modified.
• The Play Timer and Recording Timer in this
system are not supported.
Glossary
Digital Cinema Sound (DCS)
This is the generic name of the surround
sound produced by digital signal
processing technology developed by
Sony. Unlike previous surround sound
fields mainly directed at the reproduction
of music, Digital Cinema Sound is
designed specifically for the enjoyment of
movies.
Dolby Digital
This sound format for movie theaters is
more advanced than Dolby Surround Pro
Logic. In this format, the surround
speakers output stereo sound with an
expanded frequency range and a
subwoofer channel for deep bass is
independently provided. This format is
also called “5.1” with the subwoofer
channel designed as 0.1 channel (since it
functions only when a deep bass effect is
needed). All six channels in this format
are recorded separately to realize superior
channel separation. Furthermore, since all
the signals are processed digitally, less
signal degradation occurs.
Dolby Pro Logic II
Dolby Pro Logic II creates five full-
bandwidth output channels from 2
channel sources. This is done using an
advanced, high-purity matrix surround
decoder that extracts the spatial properties
of the original recording without adding
any new sounds or tonal colorations.