Solidyne DX 816 Скачать руководство пользователя страница 22

Figure 11: – Monitoring and talk-back

3.3 Monitoring panel

3.3.1 Loudspeakers and headphones

The monitoring section shows the following areas:

Studio   Monitor:

  selects   the   signal   for   the

headphones and loudspeakers of the Studio.

Control Room Monitor:

 selects the signal for

headphones and loudspeakers of the CR.

The section 

STUDIO MONITOR

 has 4 signal sources:

CUE, PGM, REC and ON-AIR 

[1]

The DX816/822 sends to the Studio signal with fixed

level, to headphones and loudspeakers. To manage

the signals into the Studio, a headphones amplifier

unit must be added. Solidyne offers the modules HD3

and HD5. HD5  manages up to 5 headphones with

two  monitoring buses (double input).  HD5 has  an

output   to   the   Studio   speakers   monitors,   on-air

counter and talk-back for communication to the Con-

trol Room (refers to “4 – Monitoring modules Soli-

dyne HD3 & HD5”).

The section  

CONTROL ROOM MONITOR

  has knobs

for the volume of headphones [4] and loudspeakers

[3]. 

Using the own loudspeakers level’s control, set 
the volume of the loudspeakers to a comfortable 
listening, leaving the knob SPEAKERS of DX822 at 
the center position. 

The switcher [2] allows to choose the signal that will

be listen at the Control Room. 

The options are: 

PGM  

to listen the output PGM.  

REC

  to listen the

output REC. 

ON-AIR

 is for listen an external source,

usually a tuner to hear the transmission from the

air. Take in mind that the on-air signal is highly pro-

cessed, for this reason the monitoring of the PGM

signal is made from the air in the most cases.

If the Studio to Transmitter Link or the audio pro-

cessor have a noticeable latency, the tuned signal 

can not be used to monitoring due to delays. In 

this case, an additional 3-bands audio processor 

can be used to generate a non-delayed processed 

PGM signal, that will be used only for monitoring.

Page 22

DX816 & DX822  - Broadcast mixing consoles

SOLIDYNE

  

[9]

 Level of talk-back mic

  

[10] MASTER MIC-ON:

 

Turn on all mic channels.

  

[8] 

MIC PZM for Talk-Back 

and telecommunications

  

[1] 

Source selection 

for the monitoring

  

[2] 

Source selection 

for the Control Room

  

[3] 

Level of the Control 

Room speakers

  

 

[4] 

Level of the Control 

Room headphones

  

[5]

 Send CUE to Control 

Room speakers

  

[7] 

Talk-back

[6] 

CUE level for headphones 

and speaker monitors

Содержание DX 816

Страница 1: ......

Страница 2: ...Page 2 DX816 DX822 Broadcast mixing consoles SOLIDYNE...

Страница 3: ...th shoutcast ice cast servers 15 2 10 Interconnection diagram 16 2 11 Grounding connection diagram 16 3 Operation 17 3 1 Overview 17 3 1 1 Quick checking 17 3 2 Hybrid TELCO 17 3 2 1 Using the TELECOM...

Страница 4: ...for PGM a REC Both models has professional feather touch con ductive ceramic faders of 100 mm with ETM VCA control with a life utility of 10 millions of operations This consoles are a great solution...

Страница 5: ...oming streaming via Ethernet which are mixed to PGM and REC buses The available channels are DX816 5 microphone inputs over 3 faders Channels 2 3 manages dual mic inputs DX822 10 microphone inputs ove...

Страница 6: ...e feather touch with the technique of control ETM VCA Electrometric Voltage Con trolled Amplifier The faders DO NOT manage audio signals The variation of the level is made by means of amplifiers of lo...

Страница 7: ...E EXCEED 150 mA 2 4 Audio inputs Figure 3 Inputs at rear panel 2 4 1 LINE INPUTS The Solidyne DX816 DX822 has several inputs In puts BAL LINE are simetrycal balanced Inputs LINE are unbalanced Inputs...

Страница 8: ...om power is not available on MIC 2b MIC 3b MIC 5b and MIC 6b 2 5 Audio outputs Figure 5 Rear panel outputs phone lines AoIP The main output is PROGRAM PGM Is the mix sig nal that will be emitted The P...

Страница 9: ...hers software that are in use If the computer does not have in stalled another soundcards default playing and recording device will be windows device USB 1 ABOUT USB DETECTION We recommend do not chan...

Страница 10: ...EFT 4 dBu Speakers RIGHT Chassis GND Figure 7 Connection of loudspeakers and headphones into the Studio using a standard headphone amplifier 2 7 Connecting standard lines The hybrid channel manages tw...

Страница 11: ...sole The procedure to link the phone to the console is similar to that used for other Bluetooth devices When the cell phone pair to the console creates a link between the two devices and the phone sto...

Страница 12: ...d hold BLUE TOOTH until the button CELL PHONE stop flashing 2 7 3 External Hybrid The DX816 822 series has send and return for ex ternal hybrid External Hybrid 8 uses a female TRS Jack that send signa...

Страница 13: ...r DX816 822 with AoIP can also connect directly to a modem router since usually it will assign an IP via DHCP Once the IP is obtained a green LED at the rear panel RJ45 stays blinking Step 2 To know t...

Страница 14: ...access to the IP mod ule please refers to 2 8 1 1 Access to IP mod ule 2 At the top menu click the option Location 3 By default the mixer works as CODER gener ating a streaming mode Studio Encoder Cha...

Страница 15: ...mber to set the firewall to allow incoming streaming trough port 3030 or the port that you use At the console set the transmission to PCM16 44 1KHz or any MP3 mode see 2 7 1 3 Audio settings NOTE Some...

Страница 16: ...2 10 Interconnection diagram 2 11 Grounding connection diagram Page 16 DX816 DX822 Broadcast mixing consoles SOLIDYNE...

Страница 17: ...1 and REC channel USB 2 DX816 822 AoIP can have up to two Ethernet modules AoIP for send receive audio over IP PGM and REC Each AoIP module can receive a streaming which is routed to an input channel...

Страница 18: ...swered the TELECOM fader 9 must be closed in the position CUE 10 In this condition the caller remains hearing the program mix the audio that is on air and the audio from the phone line sends to the CU...

Страница 19: ...es at the studio The lows are those that produce greater deviation in VU ME TERS Nevertheless for the ear the loudness is defined by the mid rage frequencies So that if you note that VU Meter peaks lo...

Страница 20: ...When a call incomes the ringing listen si multaneously on the cell phone and on the CUE channel of the console fader TELECOM closed To answer from DX822 make a short touch on the button BLUETOOTH or y...

Страница 21: ...d a Assign the microphones to PGM and REC b In TELECOM Channel move the switch PGM REC to PGM Configure the VoIP software to use the audio de vices that correspond to the Channel USB 2 of DX816 822 ty...

Страница 22: ...to a comfortable listening leaving the knob SPEAKERS of DX822 at the center position The switcher 2 allows to choose the signal that will be listen at the Control Room The options are PGM to listen t...

Страница 23: ...ide the Studio by the left channel The right channel stays with the on air signal so that speakers and journalists do not lose the on air reference At the same time talk back mi crophone will be liste...

Страница 24: ...hannels have gain adjustment that must be settled to obtain 0VU with the fader working above the OVL zone the gray zone between 10 20 dB to avoid excessive amplification on preamps NOTE please see 2 2...

Страница 25: ...e the channel 5 assigned to PGM with a musical program Now start the recording on the PC To enable a MIC remember to press the button Master MIC ON The recording level is visualized on the REC VUmeter...

Страница 26: ...Page 26 DX816 DX822 Broadcast mixing consoles SOLIDYNE...

Страница 27: ...uxiliary input is as follows UNBALANCED INPUT AUX PIN RJ45 CABLE COLOURS 1 Left channel 2 NC 3 Right channel 4 GND 5 Reserved 6 NC 7 15 option 8 15 option Orange White Orange Green White Blue Blue Whi...

Страница 28: ...ive Maintenance The DX816 822 console is manufactured using hi tech integrated circuits and heavy duty electronic components that guarantee an excellent reliability and allows eliminating the routines...

Страница 29: ...10 ms Ratio 2 dB variation for a increase of 15dB of the mic signal 20 dB max compression NOISE MIC in EIN 120 dBu 150 ohms LINE in S N 75 dBA DYNAMIC RANGE From Linea to PGM 90 dBA CROSSTALK PGM REC...

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